Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Features · A River of Dance from Chicago...
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A River of Dance from Chicago 3/28/11

Kristi Kates - March 28th, 2011
A River of Dance from Chicago
By Kristi Kates
The famed River North Chicago Dance Company celebrated its 20th anniversary last year, with no sign of those dancing shoes slowing down any time soon.
Performing in Northern Michigan for the first time ever at the City Opera House in TC, the group will bring their nationally-acclaimed, critically-lauded skills to the region, led by artistic director Frank Chaves, who feels that one of the group’s biggest appeals is in its ability to mix and translate a wide variety of musical genres into expansive, emotional dance numbers that are performed by dancers at the top of their game.

JAZZ BOX
“We’ve expanded the box of what a jazz company is,” he explains, pointing out that the current program, which is 7 to 10 dance pieces showcases the group’s diverse and eclectic repertoire.
“We’re actually premiering a brand new piece on this tour,” he says, “choreographed to the music of Miles Davis, and celebrating what would have been Davis’ 85th birthday, were he still alive. His music is just quintessential jazz - it’s been quite a challenge to dance to it, as it is dense music, but it has turned out to be a highlight of the program.”
Other featured numbers include “Evolution of a Dream,” a piece scored by the music of the Eurythmics’ Dave Stewart, whose own band, the Rock Fabulous Orchestra, re-recorded one of Eurythmics’ own hit songs, “Sweet Dreams,” plus a suite of complex dance duets choreographed by Chaves himself, who blended an Etta James song, music from Cirque du Soleil, and a Russian song into one cohesive piece, even though the music seems wildly diverse.
“It’s a mixed repertoire,” he agrees, “but I like to have it feel like a seamless evening - each piece stands on its own, but overall they take the audience through the entire realm of human experience.”

HEART OF JAZZ
Chaves’ own experiences as a performer (“I’m a jazz dancer at heart,” he says) led him to travel the world, finally settling down to some degree when a friend of his, Sherry Zunker, took over River North and invited him to work with her.
“We like a lot of the same things, and we like to see a lot of the same things on stage,” Chaves explains, “I’ve actually been with the company since very early on - not ‘day one,’ necessarily, but we’ll say from day two. In 1994, I became the company’s co-artistic director, and since 2001, I’ve been the sole artistic director. When I learned about River North, I felt that they really were 100 percent jazz, and I wanted to get back into that.”
Chaves also attributes the group’s success to their ability to draw new audiences; they’ve been funded by various grants and, he says, became “the perfect company” to introduce the masses to dance.

JAZZ ELEMENTS
“I have to say that I think it’s our product that is responsible for our success,” he says, “we have a wonderfully accessible and entertaining product that people like, and that’s the bottom line - people want to come and see us, and they come back to see us. We’ve never been to Traverse City, so it’s all going to be new to that audience.”
Chaves experiences as a choreographer were also expanded by his work with River North.
“I had a lot I wanted to experiment with as a choreographer,” he explains.
“We do add modern dance in with the jazz elements - but what I like is that we’ve never lost sight of what we, as a company, were born with. The two things I love about jazz dance are maintaining both the accessibility and entertainment factors.”

River North Chicago Dance Company will be performing at the City Opera House, 106 Front Street in Traverse City on Tuesday, April 5 at 7:30 p.m., tickets $35/$20. For more information, visit www.cityoperahouse.org or telephone them at (231) 941-8082.
 
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