Letters

Letters 07-28-14

Worry About Legals

I can’t figure out what perplexes me more, the misinformation everywhere in the media or those who believe it to be true. Take the Hobby Lobby case; as a company that is primarily owned by a religious family, they felt their First Amendment rights were infringed upon by the “Affordable” Care Act...

Stop Labeling and Enjoy

I have been struggling to find a simple way of understanding for myself the concepts of conservative, liberal, and moderation as it relates to our social interactions with each other...

Proposal One & The Public Good

Are you kidding me? Another corporate giveaway with loopholes for large corporations who rule us? Hasn’t our corrupt and worthless governor done enough to raise taxes, provide corporate welfare, unjustly tax pensions, and shut down elected officials with his emergency manager racket...

The Truth About Road Workers

Apparently Mr. Kachadurian did not catch on to the fact that the MDOT Employee Memorial in Clare is a tribute to highway workers who lost their lives building our transportation systems. It was paid for by current and former MDOT employees who likely knew some of these people personally...

Idiotic and Misguided

As a seasonal resident, I always look forward to reading your paper, if only because of the idiotic letters to the editor and off the wall columns...


Home · Articles · News · Features · A River of Dance from Chicago...
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A River of Dance from Chicago 3/28/11

Kristi Kates - March 28th, 2011
A River of Dance from Chicago
By Kristi Kates
The famed River North Chicago Dance Company celebrated its 20th anniversary last year, with no sign of those dancing shoes slowing down any time soon.
Performing in Northern Michigan for the first time ever at the City Opera House in TC, the group will bring their nationally-acclaimed, critically-lauded skills to the region, led by artistic director Frank Chaves, who feels that one of the group’s biggest appeals is in its ability to mix and translate a wide variety of musical genres into expansive, emotional dance numbers that are performed by dancers at the top of their game.

JAZZ BOX
“We’ve expanded the box of what a jazz company is,” he explains, pointing out that the current program, which is 7 to 10 dance pieces showcases the group’s diverse and eclectic repertoire.
“We’re actually premiering a brand new piece on this tour,” he says, “choreographed to the music of Miles Davis, and celebrating what would have been Davis’ 85th birthday, were he still alive. His music is just quintessential jazz - it’s been quite a challenge to dance to it, as it is dense music, but it has turned out to be a highlight of the program.”
Other featured numbers include “Evolution of a Dream,” a piece scored by the music of the Eurythmics’ Dave Stewart, whose own band, the Rock Fabulous Orchestra, re-recorded one of Eurythmics’ own hit songs, “Sweet Dreams,” plus a suite of complex dance duets choreographed by Chaves himself, who blended an Etta James song, music from Cirque du Soleil, and a Russian song into one cohesive piece, even though the music seems wildly diverse.
“It’s a mixed repertoire,” he agrees, “but I like to have it feel like a seamless evening - each piece stands on its own, but overall they take the audience through the entire realm of human experience.”

HEART OF JAZZ
Chaves’ own experiences as a performer (“I’m a jazz dancer at heart,” he says) led him to travel the world, finally settling down to some degree when a friend of his, Sherry Zunker, took over River North and invited him to work with her.
“We like a lot of the same things, and we like to see a lot of the same things on stage,” Chaves explains, “I’ve actually been with the company since very early on - not ‘day one,’ necessarily, but we’ll say from day two. In 1994, I became the company’s co-artistic director, and since 2001, I’ve been the sole artistic director. When I learned about River North, I felt that they really were 100 percent jazz, and I wanted to get back into that.”
Chaves also attributes the group’s success to their ability to draw new audiences; they’ve been funded by various grants and, he says, became “the perfect company” to introduce the masses to dance.

JAZZ ELEMENTS
“I have to say that I think it’s our product that is responsible for our success,” he says, “we have a wonderfully accessible and entertaining product that people like, and that’s the bottom line - people want to come and see us, and they come back to see us. We’ve never been to Traverse City, so it’s all going to be new to that audience.”
Chaves experiences as a choreographer were also expanded by his work with River North.
“I had a lot I wanted to experiment with as a choreographer,” he explains.
“We do add modern dance in with the jazz elements - but what I like is that we’ve never lost sight of what we, as a company, were born with. The two things I love about jazz dance are maintaining both the accessibility and entertainment factors.”

River North Chicago Dance Company will be performing at the City Opera House, 106 Front Street in Traverse City on Tuesday, April 5 at 7:30 p.m., tickets $35/$20. For more information, visit www.cityoperahouse.org or telephone them at (231) 941-8082.
 
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