Letters

Letters 10-20-2014

Doctor Dan? After several email conversations with Rep. Benishek, he has confirmed that he doesn’t have a clue of what he does. Here’s why...

In Favor Of Our Parks [Traverse] City Proposal 1 is a creative way to improve our city parks without using our tax dollars. By using a small portion of our oil and gas royalties from the Brown Bridge Trust Fund, our parks can be improved for our children and grandchildren.

From January 1970 Popular Mechanics: “Drastic climate changes will occur within the next 50 years if the use of fossil fuels keeps rising at current rates.” That warning comes from Eugene K. Peterson of the Department of the Interior’s Bureau of Land Management.

Newcomers Might Leave: Recently we had guests from India who came over as students with the plan to stay in America. He has a master’s degree in engineering and she is doing her residency in Chicago and plans to specialize in oncology. They talked very candidly about American politics and said that after observing...

Someone Is You: On Sept 21, I joined the 400,000 who took to the streets of New York in the People’s Climate March, followed by a UN Climate Summit and many speeches. On October 13, the Pentagon issued a report calling climate change a significant threat to national security requiring immediate action. How do we move from marches, speeches and reports to meaningful work on this problem? In NYC I read a sign with a simple answer...

Necessary To Pay: Last fall, Grand Traverse voters authorized a new tax to fix roads. It is good, it is necessary.

The Real Reasons for Wolf Hunt: I have really been surprised that no one has been commenting on the true reason for the wolf hunt. All this effort has not been expended so 23 wolves can be killed each year. Instead this manufactured controversy about the wolf hunt has been very carefully crafted to get Proposal 14-2 passed.

Home · Articles · News · Features · Exhibit with a Story
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Exhibit with a Story

- December 26th, 2011  

Artist Douglas Hoagg ties the present to the past

Like many artists, Douglas Hoagg discovered a common thread through his work.

“I’ve always worked in the geometric realm,” said the Traverse City artist whose exhibition ‘Formations’ is currently on display at KALEIDOSCOPE, located in the Tru-Fit Trouser Building off Woodmere Avenue. KALEIDOSCOPE, which serves as a visual arts education center, is owned by Hoagg and his wife, Kathleen.

Even when he was an undergraduate student at the Center for Creative Studies in Detroit, Hoagg was producing work with geometric qualities that would reappear throughout his career, particularly in ‘Formations.’ “This work comes out of the Liberation Project that my friend Joseph Schuetzenhofer has been working on for almost eight years now,” Hoagg said about his classmate at the Maryland Institute College of Art.

THE BACKGROUND STORY

While living in Norfolk, Virginia, Schuetzenhofer learned there was a German U-boat that sank off the coast of North Carolina during WWII. The dead German soldiers were buried in Arlington National Cemetery next to American soldiers.

“That made a big impression on him,” said Hoagg, “the fact that these soldiers were buried with dignity, even though they were the enemy.”

When the Austrian citizen went back to his home country in 1997, his memory was jogged after he heard about a group of four U.S. Air Force B24 aircraft that crashed near the town of Poellau, Austria during WWII.

Despite the town’s war memorials to the local heroes of WWI and WWII, there was no mention of the countless allied soldiers who lost their lives in the area during the war to liberate Europe.

From that discovery, Schuetzenhoefer and Hoagg — along with artists William Contino and Emily Hines — set out to create a memorial honoring the 10 soldiers who died in that field.

Erected in 10 days and temporarily installed at a public park, the memorial was designed to mimic the shape of a rudder of a B24 WWII aircraft. The four painted images represent each plan that crashed in the area during the war, along with two silk screen images; one, an American Air Force division; the other, a Russian division that fought at the end of the war near Poellau.

A PERSONABLE EXHIBIT

For Hoagg, the project struck a personal chord as his father was a B24 bomber pilot during WWII, having flown several missions over Austria.

Using his father’s flight manifests, his squadron name and other flight information, Hoagg created an etching representing a blueprint with the outline of four B24 bombers.

The piece hangs on the exhibit wall at six feet tall because, “that’s how tall my father was,” Hoagg noted.

Other pieces in ‘Formations’ continued from The Liberation Project include four wall-hanging sculptures, which use actual metal sheets from the wing of one of the bombers. Each piece contains 10 golden rectangles — “which is the shape most pleasing to the eye,” Hoagg added — representing each of the men who lost their lives in the crash.

On the exhibit’s opposite wall, several framed, colorful sketches contain the same 10 golden rectangles assembled in various positions and relationships to each other.

While ‘Formations’ may stand alone as its own exhibit, it is best enjoyed when Hoagg is in the room, describing his thought process, his father and The Liberation Project as a whole…each one tied to the other so tightly, yet unintentionally.

‘Formations’ will be on display at KA- LEIDOSCOPE through Jan. 2. It is located at 1129 Woodmore Ave. Suite E. For appointment, call 944-4913.


Traverse City artist Douglas Hoagg holds a photo of his father’s WWII Air Force division in front of an etching used in his exhibit ‘Formations.’ The exhibit was inspired by a memorial for a group of

U.S. pilots who crashed near Poellau, Austria during WWII.

 
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