Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Features · Exhibit with a Story
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Exhibit with a Story

- December 26th, 2011  

Artist Douglas Hoagg ties the present to the past

Like many artists, Douglas Hoagg discovered a common thread through his work.

“I’ve always worked in the geometric realm,” said the Traverse City artist whose exhibition ‘Formations’ is currently on display at KALEIDOSCOPE, located in the Tru-Fit Trouser Building off Woodmere Avenue. KALEIDOSCOPE, which serves as a visual arts education center, is owned by Hoagg and his wife, Kathleen.

Even when he was an undergraduate student at the Center for Creative Studies in Detroit, Hoagg was producing work with geometric qualities that would reappear throughout his career, particularly in ‘Formations.’ “This work comes out of the Liberation Project that my friend Joseph Schuetzenhofer has been working on for almost eight years now,” Hoagg said about his classmate at the Maryland Institute College of Art.

THE BACKGROUND STORY

While living in Norfolk, Virginia, Schuetzenhofer learned there was a German U-boat that sank off the coast of North Carolina during WWII. The dead German soldiers were buried in Arlington National Cemetery next to American soldiers.

“That made a big impression on him,” said Hoagg, “the fact that these soldiers were buried with dignity, even though they were the enemy.”

When the Austrian citizen went back to his home country in 1997, his memory was jogged after he heard about a group of four U.S. Air Force B24 aircraft that crashed near the town of Poellau, Austria during WWII.

Despite the town’s war memorials to the local heroes of WWI and WWII, there was no mention of the countless allied soldiers who lost their lives in the area during the war to liberate Europe.

From that discovery, Schuetzenhoefer and Hoagg — along with artists William Contino and Emily Hines — set out to create a memorial honoring the 10 soldiers who died in that field.

Erected in 10 days and temporarily installed at a public park, the memorial was designed to mimic the shape of a rudder of a B24 WWII aircraft. The four painted images represent each plan that crashed in the area during the war, along with two silk screen images; one, an American Air Force division; the other, a Russian division that fought at the end of the war near Poellau.

A PERSONABLE EXHIBIT

For Hoagg, the project struck a personal chord as his father was a B24 bomber pilot during WWII, having flown several missions over Austria.

Using his father’s flight manifests, his squadron name and other flight information, Hoagg created an etching representing a blueprint with the outline of four B24 bombers.

The piece hangs on the exhibit wall at six feet tall because, “that’s how tall my father was,” Hoagg noted.

Other pieces in ‘Formations’ continued from The Liberation Project include four wall-hanging sculptures, which use actual metal sheets from the wing of one of the bombers. Each piece contains 10 golden rectangles — “which is the shape most pleasing to the eye,” Hoagg added — representing each of the men who lost their lives in the crash.

On the exhibit’s opposite wall, several framed, colorful sketches contain the same 10 golden rectangles assembled in various positions and relationships to each other.

While ‘Formations’ may stand alone as its own exhibit, it is best enjoyed when Hoagg is in the room, describing his thought process, his father and The Liberation Project as a whole…each one tied to the other so tightly, yet unintentionally.

‘Formations’ will be on display at KA- LEIDOSCOPE through Jan. 2. It is located at 1129 Woodmore Ave. Suite E. For appointment, call 944-4913.


Traverse City artist Douglas Hoagg holds a photo of his father’s WWII Air Force division in front of an etching used in his exhibit ‘Formations.’ The exhibit was inspired by a memorial for a group of

U.S. pilots who crashed near Poellau, Austria during WWII.

 
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