Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

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Real Life

Al Parker - February 6th, 2012  

Artist draws inspiration directly from her settings

Growing up in Gary, Indiana, Angela Saxon knew early on that she wanted to be an artist.

“Oh yeah, I was an art kid,” she says. “Art was always in our lives. My parents had a life membership in the Chicago Art Institute and both were very creative. We always had sketchbooks. It was just a part of my life.”

And she started her fledgling art career in an interesting medium.

“I did paintings with toothpaste as a kid,” she recalls with a laugh. “And I was also an entrepreneur. I took Elmer’s glue and put color in it and sold colored glue.”

Since those early Colgate-on-cardboard days, she’s become an award-winning landscape artist whose oil works hang in collections and galleries across the country. At the Northwest Michigan Regional Artists show currently at the Dennos Museum, Saxon’s The Sky Above the Lake was a $250 award-winner. The show runs through April 1.

Almost all of Saxon’s works are done plein air, or painting on location, and many capture the beauty of Leelanau County, where she makes her home and studio.

“I begin all my paintings direct from the landscape, focusing on expressive movements in nature,” she explains. “I continue to develop the paintings in my studio until the work has reached a very finished level. At this point, I return to what drew me to the scene in the first place, searching for aspects of the painting that are most compelling to me.”

LANDSCAPES BECKON

But why plein air? “I mostly work plein air,” she says. “It’s often windy, cold, the flies are biting. It’s just where it all starts for me. I can’t work from photos. I can’t explain it, but it’s just so darn exciting.”

When looking at a landscape, Saxon is drawn to specific places within a scene, such as intimate details of light glimmering through a stand of trees, or the bands of color that embrace a shoreline.

“Angela is celebrated as one of Northern Michigan’s best landscape artists,” says Sue Ann Round, owner of the Michigan Artists Gallery in Suttons Bay where several of Saxon’s works are always on display. “Her brush strokes are unmistakable, as she beautifully executes the broad expanses of our beloved land and waterscapes.”

Saxon’s works can also be seen at Gallery 50 in Traverse City, as well as galleries in Douglas, MI., Cleveland, OH, and Atlanta, GA.

In addition to her paintings, Saxon works as a graphic designer, doing logos and website and other graphic services, including providing Michigan Artists Gallery in Suttons Bay with its unique look and personality.

After graduating from high school, Saxon went to Indiana University where she earned her BFA in painting. At IU she met and married Erik Saxon. Eventually they moved to Chicago, settling in the artsy community of Pilsen. In 1987, Erik suggested moving to Northern Michigan.

“It was a bit of a culture shock for me,” says Saxon. “But one of the things I really came to like was the community of artists here. Art is so lonely when you’re just working in the studio or out in a field by yourself. You have to stay connected. I’m involved in a dinner group with other artists and we meet monthly to share a potluck meal and bring works to share. It’s very sustaining.”

NEW MEDIUM

In recent years, Saxon has also been working in encaustic – a mixture of beeswax, damar and pigment. This process requires timing and dexterity.

“The encaustic paint is kept in a liquid state on a heated palette,” she explains. “The artist must work quickly with the warm, melted paint as it dries quite quickly when on the brush and away from the heat. In many aspects it is very similar to my process of working with oils, as it is also built up in layers.”

Each successive layer of the encaustic must be gently heated so it can fuse with the previous layer of wax. Some of the layers are transparent, revealing previous layers. Sometime a layer will melt right into a previous layer.

“There is certainly an element of chance in this process,” she says. “This keeps the work fresh and exciting for me and hopefully for the viewer as well.”

Saxon has taken a couple of months off painting, but she’s eager to get back to the palette. “I want to paint buildings in downtown Traverse City and Suttons Bay,” she says. “I’ve been off a while and want to get painting again.”

Another project on her horizon is an exhibition involving one of the region’s most art-inspiring locations. “The Art of Sleeping Bear Dunes” is planned for 2013 at the Dennos Museum, according to Saxon. It will include an accompanying coffee table book of the works in the exhibit. Saxon and others are working to make this happen.

For information about Saxon and her work, visit angelasaxon.com.

 
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