Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Features · Blake Elliott
. . . .

Blake Elliott

Star on the Rise

Robert Downes - November 5th, 2012  

Fresh from the recording studio with a brand-new hollow-body Gretsch guitar strapped to her back, couldn’t be happier with the way things are going with her music.

She’s been working on her first CD since July and is currently enjoying the kind of wordof-mouth buzz that is bringing her and a new generation of singer-songwriters to the forefront of the music scene in Northern Michigan.

A group that includes newcomers such as her sometime collaborator, E Minor (aka Elizabeth Minor of the Naughty Neighbors), The Accidentals, and bluegrass phenom Billy Strings.

Elliott has a style that’s as hard to pin down as liquid mercury -- from syncopated rhythms rocketing back-and-forth between her voice and guitar, to bluesy ballads, echoes of the Big Band era, and hip-hop flavored poetry. Just when you think you’ve got her figured out, she shifts musical gears and heads over the hills for a completely different sound.

RANGE OF INFLUENCES

Elliott, 31, is frequently compared to Traci Chapman (“I get that a lot,” she says), and also Natalie Merchant and Ani DeFranco.

“The range of my influences is crazy.” says the Ann Arbor/Ypsi transplant who grew up in a musical family. Her father, a police officer of 30 years, also studied percussion at Interlochen; while her mother, a health professional, has played guitar since the age of 12.

Elliott began playing piano by ear at the age of 11 and took up the bass guitar at 13, performing for the next few years in high school bands. “My girlfriend down the street played guitar and we listened to a lot of ‘90s rock bands, so we’d play a lot of Nirvana, Counting Crows and Smashing Pumpkins.”

Eventually, a desire to write her own songs prompted her to take up the guitar. But as a ‘lefty’ she began playing the instrument upside down. “I taught myself to play upside down for the first five years before restringing my guitar,” she says. “It made a lot of things easier to play and some things harder.”

Her parents weren’t much into rock, so her influences at home ranged from jazz to Carly Simons (whose vibe she channels on one of her new tunes). “I fell in love with jazz from the ‘20s and ‘30s to Big Band music, to the soft rock of the early ‘70s,” she says.

PAPER TRAIL

That kind of stylistic mash-up carries through to her songwriting.

“I’ve have a lot of scraps of paper that I’ve written songs on through the years,” she says. “I used to work at Zingerman’s (the famous deli) in Ann Arbor on and off for 10 years, and when things slowed down I’d write something on a scrap of paper that would end up in my guitar case. So I have pieces of songs all over the place.

“Some of my songs happen divinely and just show up, while others are like a quilt that tells a complete story” she adds. “Maybe not a single story, but a story that comes through to the listener. If I can get that across and it brings up the emotion in the listeners that I’m feeling in me, then that’s something I’m proud of.”

“Heartbreak” is a frequent theme in her songwriting, an avenue she’d like to change in her personal life. But Elliott also writes about her daily observations. A recent success has been her song, “Small Town,” with Katie Larson, about tough times in rural America. It has become the official theme song of Betsy Coffia’s campaign for state representative in the Grand Traverse area.

She’s spent the summer and fall working on her first, as yet untitled, CD with producer Aaron Wolinski at his Spiral Sound studio. As is the case with many albums coming out of Northern Michigan, Elliott’s new CD is a group effort with other musicians pitching in. She sometimes performs backup vocals with the Fundubmentals, so they’re contributing the horns, while jazz drummer Dave Collini is pitching in, as are The Accidentals on strings. “We’re all helping each other out on our albums,” Elliott says.

MOVING UP

Elliott was inspired to move to Leelanau County in 2006 after a last-minute conversion at a Beach Bards event on Lake Michigan, just days before she was planning to move to California.

“Everything fell into place. I got a job in Suttons Bay (at Black Star Farms) and fell in love with the area,” she recalls. “This area has done nothing but nourish me.”

Gig-wise, Elliott pops up in a mixed bag of venues, including the TC Film Fest, Black Star Farms, Good Works Collective and the Inside Out. In addition to her work with the Fundubmentals, she also sings with Soul Patch and is putting a band together with bass player Jon Knott called Blake Elliott and the Robinson Affair with plans to hit the festival circuit next summer.

For the time being, however, most of her efforts are focused on her new album with plans for a CD release party in January.

“It’s an emotional and spiritual journey,” Elliott says of the difficult process of recording. “By the time you’re done, it’s not the same beast you started with. The intention of the song is what I go for, and the raw part. No matter what instruments or vocals you’re working with, the honesty has to still be there.”

Catch Blake Elliott this Wednesday, Nov. 7, at 5:30 p.m. at an art reception for Community Mental Health at the Inside Out Gallery in TC; and Sunday, Nov. 11 as the warmup act at the Inside Out; and at the Women In Music and Arts Festival on Saturday, November 17 at the Good Works Music Collective in TC.

 
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