Letters 11-23-2015

Cheering From Petoskey While red-eyed rats boil fanatically up from the ancient sewers of Paris to feast on pools of French blood, at the G20 meeting the farcical pied piper of 1600 Pennsylvania Avenue thrusts a bony finger at the president of the Russian Federation and yells: “liberté, égalité, fraternité, Clinton, Kerry--Obamaism!”

The Other Mothers And Fathers Regarding the very nice recent article on “The First Lady of Yoga,” I have taken many classes with Sandy Carden, and I consider her to be a great teacher. However, I feel the article is remiss to not even give acknowledgement to other very important yoga influences in northern Michigan...

Drop The Blue Angels The last time I went to the National Cherry Festival, I picked the wrong day. The Blue Angels were forcing everyone to duck and cover from the earsplitting cacophony overhead...

Real Advice For The Sick In the Nov. 16 article “Flu Fighters,” author Kristi Kates fails to mention the most basic tool in our arsenal during Influenza season... the flu vaccine! I understand you might be afraid of being the victim of Jenny McCarthyism, but the science is there...

Keeping Traverse City in the Dark Our environment is our greatest asset. It sustains our lives; it drives our economy. We ignore it at our peril. Northern Michigan Environmental Action Council (NMEAC) has submitted letters of concern to both the city commission and planning commission regarding the proposed 9-story buildings on Pine Street. We have requested an independent environmental assessment with clear answers before a land use permit is granted...

All About Them Another cartoon by Jen Sorensen that brings out the truth! Most of her cartoons are too slanted in a Socialist manner, but when she gets it correct, she hits the nail on the target! “Arizona is the first state to put a 12-month lifetime limit on welfare benefits.” That quote is in the opening panel... 

Unfair To County Employees It appears that the commissioners of Grand Traverse County will seek to remedy a shortfall in the 2016 budget by instituting cuts in expenditures, the most notable the reduction of contributions to various insurance benefits in place for county employees. As one example, the county’s contributions to health insurance premiums will decrease from ten to six percent in 2016. What this means, of course, is that if a county employee wishes to maintain coverage at the current level next year, the employee will have to come up with the difference...

Up, Not Out I would like to congratulate the Traverse City Planning Commission on their decision to approve the River West development. Traverse City will either grow up or grow out. For countless reasons, up is better than out. Or do we enjoy such things as traffic congestion and replacing wooded hillsides with hideous spectacles like the one behind Tom’s West Bay. At least that one is on the edge of town as opposed to in the formerly beautiful rolling meadows of Acme Township...

Lessons In Winning War I am saddened to hear the response of so many of legislators tasked with keeping our country safe. I listen and wonder if they know what “winning” this kind of conflict requires or even means? Did we win in Korea? Did we win in Vietnam? Are we winning in Afghanistan? How is Israel winning against the Palestinians? Will they “take out” Hezbollah...

Home · Articles · News · Features · Blake Elliott
. . . .

Blake Elliott

Star on the Rise

Robert Downes - November 5th, 2012  

Fresh from the recording studio with a brand-new hollow-body Gretsch guitar strapped to her back, couldn’t be happier with the way things are going with her music.

She’s been working on her first CD since July and is currently enjoying the kind of wordof-mouth buzz that is bringing her and a new generation of singer-songwriters to the forefront of the music scene in Northern Michigan.

A group that includes newcomers such as her sometime collaborator, E Minor (aka Elizabeth Minor of the Naughty Neighbors), The Accidentals, and bluegrass phenom Billy Strings.

Elliott has a style that’s as hard to pin down as liquid mercury -- from syncopated rhythms rocketing back-and-forth between her voice and guitar, to bluesy ballads, echoes of the Big Band era, and hip-hop flavored poetry. Just when you think you’ve got her figured out, she shifts musical gears and heads over the hills for a completely different sound.


Elliott, 31, is frequently compared to Traci Chapman (“I get that a lot,” she says), and also Natalie Merchant and Ani DeFranco.

“The range of my influences is crazy.” says the Ann Arbor/Ypsi transplant who grew up in a musical family. Her father, a police officer of 30 years, also studied percussion at Interlochen; while her mother, a health professional, has played guitar since the age of 12.

Elliott began playing piano by ear at the age of 11 and took up the bass guitar at 13, performing for the next few years in high school bands. “My girlfriend down the street played guitar and we listened to a lot of ‘90s rock bands, so we’d play a lot of Nirvana, Counting Crows and Smashing Pumpkins.”

Eventually, a desire to write her own songs prompted her to take up the guitar. But as a ‘lefty’ she began playing the instrument upside down. “I taught myself to play upside down for the first five years before restringing my guitar,” she says. “It made a lot of things easier to play and some things harder.”

Her parents weren’t much into rock, so her influences at home ranged from jazz to Carly Simons (whose vibe she channels on one of her new tunes). “I fell in love with jazz from the ‘20s and ‘30s to Big Band music, to the soft rock of the early ‘70s,” she says.


That kind of stylistic mash-up carries through to her songwriting.

“I’ve have a lot of scraps of paper that I’ve written songs on through the years,” she says. “I used to work at Zingerman’s (the famous deli) in Ann Arbor on and off for 10 years, and when things slowed down I’d write something on a scrap of paper that would end up in my guitar case. So I have pieces of songs all over the place.

“Some of my songs happen divinely and just show up, while others are like a quilt that tells a complete story” she adds. “Maybe not a single story, but a story that comes through to the listener. If I can get that across and it brings up the emotion in the listeners that I’m feeling in me, then that’s something I’m proud of.”

“Heartbreak” is a frequent theme in her songwriting, an avenue she’d like to change in her personal life. But Elliott also writes about her daily observations. A recent success has been her song, “Small Town,” with Katie Larson, about tough times in rural America. It has become the official theme song of Betsy Coffia’s campaign for state representative in the Grand Traverse area.

She’s spent the summer and fall working on her first, as yet untitled, CD with producer Aaron Wolinski at his Spiral Sound studio. As is the case with many albums coming out of Northern Michigan, Elliott’s new CD is a group effort with other musicians pitching in. She sometimes performs backup vocals with the Fundubmentals, so they’re contributing the horns, while jazz drummer Dave Collini is pitching in, as are The Accidentals on strings. “We’re all helping each other out on our albums,” Elliott says.


Elliott was inspired to move to Leelanau County in 2006 after a last-minute conversion at a Beach Bards event on Lake Michigan, just days before she was planning to move to California.

“Everything fell into place. I got a job in Suttons Bay (at Black Star Farms) and fell in love with the area,” she recalls. “This area has done nothing but nourish me.”

Gig-wise, Elliott pops up in a mixed bag of venues, including the TC Film Fest, Black Star Farms, Good Works Collective and the Inside Out. In addition to her work with the Fundubmentals, she also sings with Soul Patch and is putting a band together with bass player Jon Knott called Blake Elliott and the Robinson Affair with plans to hit the festival circuit next summer.

For the time being, however, most of her efforts are focused on her new album with plans for a CD release party in January.

“It’s an emotional and spiritual journey,” Elliott says of the difficult process of recording. “By the time you’re done, it’s not the same beast you started with. The intention of the song is what I go for, and the raw part. No matter what instruments or vocals you’re working with, the honesty has to still be there.”

Catch Blake Elliott this Wednesday, Nov. 7, at 5:30 p.m. at an art reception for Community Mental Health at the Inside Out Gallery in TC; and Sunday, Nov. 11 as the warmup act at the Inside Out; and at the Women In Music and Arts Festival on Saturday, November 17 at the Good Works Music Collective in TC.

  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5