Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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Sharing the Hours with Mrs. Dalloway: Two takes on the Tragic Virginia Woolf

Nancy Sundstrom - January 30th, 2003
“There‘s just this for consolation: an hour here or there when our lives seem, against all odds and expectations, to burst open and give us everything we‘ve ever imagined.... Still, we cherish the city, the morning; we hope, more than anything, for more.“ – Virginia Woolf, “Mrs. Dalloway“

With the recent Golden Globe wins and predicted Oscar nominations for Stephen Daldry’s “The Hours,“ media and literary attention allover the world has made a cause celebre out of Michael Cunningham’s acclaimed, Pulitzer Prize-winning novel 1998 novel of the same name, and Virginia Woolf’s “Mrs. Dalloway,’ the 1925 book on which “The Hours“ is based.
For many, the film is proving a springboard to familiarity with both of these works, as is often the case when a successful film springs forth from a work of literature. Whether pulp fiction like “Jaws,“ “The Exorcist,“ or “The Godfather,“ or something with more classic roots, such as a “Dr. Zhivago“ or “The English Patient,“ a popular movie can send fans scurrying out to buy the book, which has happened with the books from Cunningham and Woolf.
In case you’re curious about either, the following might serve as a primer, and something that could assist in heightening your appreciation of the new film, which seems fast on its way to becoming one of 2002‘s most respected films. Hopefully, it will also steer you in the direction of the book itself, which has been hailed, and deservedly so, as a modern masterpiece.

The Hours by Michael Cunningham
The plot for the film adaptation of “The Hours“ remains close to its source, concentrating on two women from different generations whose stories are connected by “Mrs. Dalloway.“ In fact, author Cunningham even does a Hitchcockian cameo when he walks past Meryl Streep in one scene as she goes into a flower shop.
In 1949 Los Angeles, Laura Brown, a pregnant housewife played by Julianne Moore, is planning a birthday party for her husband, but she can‘t stop reading “Mrs. Dalloway.“ Years later in New York, Clarissa Vaughn (Streep), is also throwing a party for her former lover and now good friend Richard, a famous author dying of AIDS (Ed Harris). These two stories are simultaneously linked to the work and life of Virginia Woolf (Nicole Kidman) circa London 1923, who is writing “Mrs. Dalloway,“ a story about a woman throwing a party, and struggling with the emotional battles that will eventually lead her to take her own life.
As a novel, “The Hours“ is very much an open love letter to Woolf and “Dalloway,“ even while it acquits itself as its own unique entity. Woolf served as Cunningham’s muse, and even his title is the working one Woolf used for her creation. In Cunningham’s he cuts back and forth across time, seamlessly intertwining the lives of the three women, one example being that one of the characters has the same first name, Clarissa, as the heroine of Woolf’s book, and that her situation mirrors Dalloway. Clarissa has even been nicknamed “Mrs. Dalloway“ by her friend Richard.
In regards to Laura, in an earlier chapter, Cunningham has Woolf starting to write the first line of “Mrs. Dalloway,“ which is “Mrs. Dalloway said she would buy the flowers herself.“ When the modernday housewife reads that line, she is transported from her own unhappy, stifled existence and plunged into Woolf’s fictional universe, which was also the author’s haven from her own demons. And so it goes, as two fictional characters, and one real life icon and one of her beloved works work in tandem with each other.
Crafting “The Hours“ had to have been a formidable challenge for Cunningham, and given that this was just his third novel (following “At Home at the End of the World“ and “Flesh and Blood“), the end result is passionate and moving, a compelling tribute to Woolf’s genius, personal pain, and professional impact. Simply read the prologue of this often exquisite book, which begins with an account of Woolf’s suicide in 1941, and I can guarantee that the hours you spend from that point on in “The Hours“ will be ones you will treasure.

Mrs. Dalloway by Virginia Woolf
It’s a chicken-and-the-egg question as to whether one is better served by reading “The Hours“ or “Mrs. Dalloway“ first, but one thing is certain - these two books are companion pieces to each other.
Along with “To the Lighthouse,“ this is the other ground-breaking book by Woolf (1882-1941) that helped establish her as one of the major literary figures of the twentieth century as she transformed the art of the novel, in addition to authoring numerous collections of letters, journals, short stories, and essays.
“Mrs. Dalloway“ begins as Clarissa Dalloway, the 50-something wife of an English military policeman, is leaving her home in London on a beautiful June morning to buy flowers for a party she is having. That simple act begins a chain of events, such as watching a sky writing plane in the sky and listening to Big Ben toll away the hours in this day-in-the-life, that will link her existence with a number of others, such as a beau she turned down years earlier, her daughter Elizabeth, Elizabeth’s hostile teacher, and a shell shocked army veteran losing his own private battle with madness.
As Mrs. Dalloway readies herself for the evening’s party, tensions mount and twists of fate occur that take the hostess to places of introspection and memories long left behind. The arrival on the scene of former suitor Peter Walsh gives way to recalling a tender friendship with Sally Seton, as Woolf has Mrs. Dalloway reflect on the complexities of relationships between and among the sexes: “It was something central which permeated; something warm which broke up surfaces and rippled the cold contact of man and woman, or of women together.... Her relation in the old days with Sally Seton. Had not that, after all, been love?“
That sort of immersion into one’s most private thoughts, balanced with vivid and richly detailed moments of everyday life, are part of why “Mrs. Dalloway“ has touched readers for generations, and its themes of love, loss, hope, choice, desire, responsibility, alliances, and regret not only paint a picture of a specific era in time, but resonate still today with grace and power, especially in their simplicity. And that, friends, is what makes for a classic.

 
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