Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Features · Taj Mahal Brings a Half Century...
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Taj Mahal Brings a Half Century of Tradition to Blizzfest

Rick Coates - July 8th, 2013  

For years the Blissfest Folk & Roots Music Festival has attracted at least one notable musical legend, and this year is no exception as Taj Mahal brings 50 years of guitar picking experience to the stage.

The 33rd annual Blissfest takes place this weekend, July 12-14 near Cross Village. The three-days of music will feature Taj Mahal, James McMurtry, Sagapool, Solas, Kim Churchill, Funkadesi, Seth Bernard & May Erlewine, The Ragbirds, Kellerville, The Accidentals and many more artists and musicians.

The annual event draws a crowd of about 5,000, showcasing the many musical styles that define American roots and world music. Bluegrass, blues, zydeco, celtic, folk, jazz, Latin, ethnic, worldbeat and dance share several stages on the Blissfest grounds.

TAJ MAHAL

At this year’s Blissfest, Taj Mahal comes to Northern Michigan to promote his new album Hidden Treasures of Taj Mahal 1969-1973.

Mahal, while rooted in the blues, has been a musical explorer throughout his career, delving into rock, Caribbean, jazz, reggae and even West Indian musical styles. He also found himself performing a lot with the Rolling Stones during the band’s heyday of the late ‘60s and early ‘70s.

Born Henry Saint Clair Fredericks, Jr., he changed his name to Taj Mahal after it came to him while he was having a dream about Gandhi during college. Mahal was majoring in agriculture at the University of Massachusetts and at night he performed in a rhythm and blues band. After graduation he put his agricultural aspirations aside and headed to California to pursue music.

“Yeah, in 1964 I formed Rising Sons with Ry Cooder. We quickly picked up a record deal with Columbia,” said Mahal. “But we never finished the album and the band broke up.”

A CAREER IN THE BLUES

Mahal hit the circuit as a solo performer and eventually met up with the Rolling Stones. That chance meeting changed everything for his career.

“I was performing at the Whiskey a Go Go and the guys from the Rolling Stones and the Animals were in there hanging out,” said Mahal. “So we were hanging out after the show and I was talking to the Stones and saying to them how great it was that they were making a career out of the blues.”

Then Mahal followed with a question that changed his career.

“I asked them if they had any sort of projects over in England I and my bandmates could get involved in that would be great. They said they would get back to me,” said Mahal. “I thought I would never hear from them and a few weeks later they sent eight first class tickets and we flew over to London.”

Mahal spent a couple of years working with The Rolling Stones and was a big part of their “Rock and Roll Circus” project.

“I can’t say enough about the Rolling Stones; they didn’t need to help me. But they reached out their hand and said come on and join us,” said Mahal. “It certainly made a big difference in my career. I really feel like I lucked out.”

The Stones still check in with Mahal. On their 50th anniversary tour during their Chicago stop they brought Mahal on stage with them, performing Dave Dudley’s “Six Days On The Road.”

Mahal sees so much about the music industry that is broken, but focuses his energy on what he does best.

“The corporate music scene has changed everything so much. I don’t fault them for wanting to make money. But when I started playing it was about sharing ideas. I think that is why so much great music was made. Now everyone is so protective of their ideas. For me the music business is on the stage, my relationship with the audience. That is where I put my focus.”

Mahal is also known for his guitar picking and he leads with his thumb and middle finger versus his index finger as most guitarists do.

“I honed my style on the guitar and vocally by studying the greats. People like Jimmy Reed, Howlin’ Wolf, Son House, and a lot of others,” said Mahal. “So my guitar playing and vocals evolved from studying these greats.”

Taj Mahal will headline the 33rd Annual Blissfest Folk & Roots Music Festival this weekend July 12-14 near Cross Village, MI. The three-days of music will also feature James McMurtry, Sagapool, Solas, Kim Churchill, Funkadesi, Seth Bernard & May Erlewine, The Ragbirds, Kellerville, The Accidentals and many more artists and musicians. For more information visit blissfest.org.

 
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