Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Art · A Life of Fiber
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A Life of Fiber

Insurance was a less than perfect fit for Marcia Koppa, who left her job when the urge to get creative struck her.

Al Parker - March 31st, 2014  


“About 15 years ago, I felt a real need to do something artistic,” said Koppa, who lives just outside of Grayling. “I tried sketching and found out I couldn’t sketch. So if I couldn’t sketch, how could I possibly paint?” Koppa turned to weaving, turning out hundreds of scarves, vibrant table runners and wall hangings. Using silk, cotton, rayon chenille or linen, Koppa spends many hours each week at her 42-inch wide custom red oak floor loom.

Weaving can be a solitary art, so Koppa keeps in touch with other artists through the AuSable-Manistee Fiber Arts Guild. About a dozen guild members meet every month to share ideas, and catch up on news and trends in weaving.

HOW I GOT STARTED

While traveling out east with a friend who weaves, the notion took root as we stayed with her mother, who also weaves. Plus we shopped at one of the larger weaving supply stores in the country so that must have ‘pushed me over the edge; so to speak. Eventually I took a class and that was it. I also went to The Sievers School of Fiber Arts in Washington Island, Wis. I mistakenly signed up for an advanced class and quickly learned I didn’t know what I was doing. So I took a beginning class and everything was fine after that.

THE STORY BEHIND MY ART, MY INSPIRATION

The planning can be fun. I’m a little more free form than those who strictly fol low a pattern. This winter I had a problem with a particular weave, but other than that everything usually goes smoothly.

I like the process of weaving as much as the results. There are so many variables in designing a piece, from type and size of yarn to the density, or sett, and the weave structure itself. Much of my inspiration comes from nature, traveling and even family photos.

WORK I’M MOST PROUD OF

Sharing my work with family and friends. There’s nothing like giving a piece of yourself to another person for them to appreciate and wear.

YOU WON’T BELIEVE

One of the biggest surprises for people, and myself in the beginning is how much time there is in getting the loom prepared before the actual weaving begins. It can take days to design on paper, wind the warp, the yarn that goes on the loom, wind the warp on to the loom and then thread it through and tie it on. The actual weaving step is usually the fastest and easiest part of the process.

MY FAVORITE ARTIST

No one artist in particular but those whose work is well-crafted, understated and speaks with simplicity.

ADVICE FOR ASPIRING ARTISTS

Beginners should realize that weaving takes a bit of patience. There’s a lot to learn, a steep learning curve. But then play and enjoy the process. Be true to yourself and let the work speak to you.

MY WORK CAN BE SEEN/PURCHASED

I don’t display at a lot of galleries, contests or shows. I just like to play with my loom. Others enter competitions, but I just like to play. All of my work can be found in Grayling at the Main Branch Gallery or online at mainbranchgallery.com.

 
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