Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Features · Edgy “Rain” Hits Studio...
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Edgy “Rain” Hits Studio Theatre

Ross Boissoneau - March 31st, 2014  

Actors Daniel Craig and Hugh Jackman famously tackled Keith Huff’s “A Steady Rain” on Broadway a few years ago; now it’s Brett Nichols’ and David Richey’s turn.

“A Steady Rain” is a 90-minute play that, through conversation between two Chicago cops who are best friends, touches on a psycho killer, torture, car chases, and illicit sex.

“It’s in your face, kind of edgy,” said Nichols, a retired police officer.

But the plot is more twisted than anything Nichols faced on the job.

“Joey” and “Denny” have been best friends for years, but their relationship is complicated. Denny is a racist who cheats on his wife with a prostitute on their beat, while Joey has a drinking problem and is in love with Denny’s wife.

The two come into conflict with one another and their superiors after they chase a pimp who shot into Denny’s house, injuring his son. Along the way they return a scared Vietnamese boy to his uncle, with tragic results. In relating the events the two confront scary truths about one another and themselves.

The two characters sometimes interact, but much of the play consists of monologues. The audience must decide who the characters are addressing, whether one another, their superiors, or the audience itself.

Director Nichole Case says the sparse props and the studio’s intimacy presented challenges.

“There are no bells or whistles, no costumes, no dramatic sets,” she said, adding that the props consist of a table and two chairs. “There’s not a lot of action on stage.”

Seating is nearly in the round, which Case says occasionally puts the actors’ backs to the audience.

However, Case says the strength of the show is in the writing and the actors.

“The actors are phenomenal,” she said. When it premiered on Broadway with Craig and Jackman, “A Steady Rain” broke the record for the highest weekly gross of a non-musical production on Broadway.

“It’s a great show,” Nichols said. “It’s got layers.”

Performances of “A Steady Rain” are April 4-5, 10-13, 17-19, and 26. The Old Town Playhouse’s Studio Theatre is located at 620 Railroad Place on the corner of E. Eighth St. and Woodmere Ave. For tickets, visit oldtownplayhouse.com or mynorthtickets.com.

 
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