Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Features · Edgy “Rain” Hits Studio...
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Edgy “Rain” Hits Studio Theatre

Ross Boissoneau - March 31st, 2014  

Actors Daniel Craig and Hugh Jackman famously tackled Keith Huff’s “A Steady Rain” on Broadway a few years ago; now it’s Brett Nichols’ and David Richey’s turn.

“A Steady Rain” is a 90-minute play that, through conversation between two Chicago cops who are best friends, touches on a psycho killer, torture, car chases, and illicit sex.

“It’s in your face, kind of edgy,” said Nichols, a retired police officer.

But the plot is more twisted than anything Nichols faced on the job.

“Joey” and “Denny” have been best friends for years, but their relationship is complicated. Denny is a racist who cheats on his wife with a prostitute on their beat, while Joey has a drinking problem and is in love with Denny’s wife.

The two come into conflict with one another and their superiors after they chase a pimp who shot into Denny’s house, injuring his son. Along the way they return a scared Vietnamese boy to his uncle, with tragic results. In relating the events the two confront scary truths about one another and themselves.

The two characters sometimes interact, but much of the play consists of monologues. The audience must decide who the characters are addressing, whether one another, their superiors, or the audience itself.

Director Nichole Case says the sparse props and the studio’s intimacy presented challenges.

“There are no bells or whistles, no costumes, no dramatic sets,” she said, adding that the props consist of a table and two chairs. “There’s not a lot of action on stage.”

Seating is nearly in the round, which Case says occasionally puts the actors’ backs to the audience.

However, Case says the strength of the show is in the writing and the actors.

“The actors are phenomenal,” she said. When it premiered on Broadway with Craig and Jackman, “A Steady Rain” broke the record for the highest weekly gross of a non-musical production on Broadway.

“It’s a great show,” Nichols said. “It’s got layers.”

Performances of “A Steady Rain” are April 4-5, 10-13, 17-19, and 26. The Old Town Playhouse’s Studio Theatre is located at 620 Railroad Place on the corner of E. Eighth St. and Woodmere Ave. For tickets, visit oldtownplayhouse.com or mynorthtickets.com.

 
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