Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Art · Heavy Metal
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Heavy Metal

As a Detroit-area sculpture student, David Petrakovitz sold his first piece to Mrs. Edsel Ford.

Al Parker - April 14th, 2014  


It was an auspicious beginning to an artistic life revolving around metals, gears, wheels, and spheres.

Petrakovitz’s engineering of steel, bronze, and aluminum is a nod to his passion for Michigan’s industrial history; many of his hulking works are found statewide, including the Michigan Legacy Art Park at Crystal Mountain Resort in Thompsonville.

Growing up in the Motor City during the heyday of the automotive industry, Petrakovitz developed an avid interest in industrial machinery. He says he sees the raw beauty in their functions and their forms. He features gears, wheels and levers prominently in his creations.

Petrakovitz works most days in his roomy, well-lit workshop in rural Wexford County. He is constantly adding to the assortment of more than a dozen metal creations that dot his acreage southeast of Cadillac.

Petrakovitz is currently working on a public sculpture for Elk Rapids. He recently put down his welding equipment and took a few minutes to share his story with the Northern Express.

HOW I GOT STARTED

I was born in Detroit and started out studying engineering in college, but took a sculpture class and it changed the course of my studies and career. I kind of fell in love with it. The first sale I ever made was as a student, I sold a small sculpture to Mrs. Edsel Ford.

I went to the Center for Creative Studies in Detroit and studied ceramics. I met my wife (painter Joyce Petrakovitz) there. We started a ceramics studio together after graduation and made our living as potters for the next 25 years.

We sold our clay pieces at art fairs and in galleries across the country. In 1998 we retired from the traveling art fair life. Joyce took up painting and I returned to being a sculptor.

THE STORY BEHIND MY ART, MY INSPIRATION

Most of my inspiration comes from what I knew growing up in Detroit. It was the automotive industry. The automotive, mechanical themes. I enjoy spending time exploring in old barns, scrap and junkyards looking for weathered and rusted old metal parts that retain a hint of their original use.

Sometimes I employ that original function, other times I simply allude to it, such as wheels that do not move or gears that do not turn. Or I just ignore the original use and let the part stand on its own strength and uniqueness.

WORK I’M MOST PROUD OF

I’ve done a series of small abstract works in wax that I’m proud of. Some of those have been cast into bronze.

YOU WON’T BELIEVE

I biked almost 2,500 miles in 2013. I rode the White Pine trail from Cadillac to Grand Rapids and that was fun. I usually try to ride 25 to 30 miles a day.

MY FAVORITE ARTIST

Like my art has evolved, so has my favorite sculptor. If I had to choose now, I’d say Richard Hunt is a favorite. Rodin and Michaelangelo are up there too. Among other artists I admire are Jerry Gates and Howard and Nancy Crisp.

ADVICE FOR ASPIRING ARTISTS

You have to have a real passion for it, the attitude that you have to do this. If you have that drive, then go do it.

MY WORK CAN BE SEEN/PURCHASED

Since most of my sculpture is large in scale, it is easier to make sales from my home. So if anyone is interested in seeing what I have, they should contact me directly at petroart@charter.net or go to Gallery Fifty in Traverse City. There are some smaller sculptures there.

 
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