Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · The Gypsy Jazz of Cyrille Aimee
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The Gypsy Jazz of Cyrille Aimee

French native Cyrille Aimee grew up cavorting with Gypsies.

Kristi Kates - April 21st, 2014  

Brought up in the village of Samois-sur- Seine, Aimee saw their colorful caravans swaying as they rolled into town each June for the annual Django Reinhardt Jazz Festival.

Soon, Gypsy music beckoned. And it wasn’t long before Aimee started sneaking out to meet them at night, learning their language and their tunes before sunrise so she wouldn’t be late for school.

“I became friends with the Gypsies, and became obsessed with their way of life, and especially their music,” Aimee said. “Gypsy music reflects a sense of freedom, and living each day like it’s the last.”

SIRENS AND SPIRITS

By the time she was a teenager, Aimee was performing her own music in Parisian cafés and clubs, staying in Paris to attend the American School of Modern Music when the rest of her family decamped to Singapore.

The French version of the TV show “American Idol” (called “Star Academy”) was the next thing that altered Aimee’s path.

She was selected as one of only 16 semifinalists. However, after reading the show’s contract, which would keep her under their direction for the next 10 years, Aimee decided her Gypsy spirit wasn’t interested.

“It would have been a great career move, but I was more interested in learning more about music and the art of improvisation, harmony and rhythm,” she said. “Sure, I would be far more popular - but we have to be able to live with ourselves too, right?

“I don’t regret the decision one bit.”

FABULOUS FLUX

Instead, she organized her own European backpacking tour, which helped fuse her own sound into a remarkable hybrid of musical influences.

“My music is influenced by the places I’ve been to and lived, but also by the people I’ve met, and the things that happen,” she said. “Backpacking is great for that. Living beautiful experiences in life and being exposed to other art are the best inspirations for music.”

Aimee’s latest inspirations have resulted in her newest album, “It’s a Good Day.” It was recorded in New York City at Flux Studios, a vintage room with modern equipment that has helmed other recording projects by The Black Crowes, Duncan Sheik, Santigold, Jennifer Lopez, and Queen Latifah.

“The producer, Fab Dupont, owns the studio, and he is so exceptional at what he does; he is so talented, and so incredibly musical,” Aimee said.

TERRIFIC TRIO

Mixing her roots with more contemporary influences for this project, she also combined three guitarists, each of who approach the instrument from different perspectives.

“The sound of the three different guitars together – Gypsy, Brazilian and jazz – is so beautiful and really special,” Aimee said. “The repertoire is varied and includes standards, originals, French covers and more.”

The new album, once it’s completed with bass, drums, and of course Aimee’s vocals, will serve as the follow up to Aimee’s 2013 “Live at Birdland” release with The Surreal Band.

The album included Aimee’s takes on “Blue Skies,” “Nuit Blanche,” “Well You Needn’t,” and “The Lamp is Low,” among others. Her latest set will hit outlets this upcoming August.

In the meantime, Aimee will be bringing a carefully selected setlist to a range of venues, including the jazz clubs of New York City, Washington, D.C., and Chicago.

And yes, these stops extend all the way to Northern Michigan when she performs at the City Opera House in Traverse City on April 25.

“I pick songs with lyrics I can relate to and believe others can relate to,” she said. “So be ready to hear some great guitars and to have a lot of fun!”

Cyrille Aimee will be performing at the City Opera House in Traverse City on April 25 at 8pm. For tickets and more information, visit cityoperahouse.org.

 
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