Letters 10-05-2015

Bravo Regarding the Sept. 28 Northern Express letter “Just The Facts” by Julie Racine, opinion column “E Pluribus Unum” by Thomas Kachadurian, and Spectator column “Fear Not” by Stephen Tuttle: Bravo. Bravo. Bravo....

Right On OMG. Julie Racine’s letter “Just the Facts” in the Sept. 28 issue said everything I was thinking. I totally agree. Amen sister...

Kachadurian’s Demeaning Sham Thomas Kachadurian’s opinion piece “E Pluribus Unum” is a very ill-informed perspective of American history. He attempts to portray our past as a homogenized national experience that has transcended any ethnic and regional differences with “the understanding” that our differences shouldn’t really matter...

Opinions Disguised As Facts Freedom of speech is a founding principle upon which our country prides itself, and because of this we all have a right to our opinion. It is when opinions are disguised as facts that we allow for ignorance to spread like wildfire...

Reject Your Own Stereotypes In his “E Pluribus Unum” column of 9/28, Mr. Kachadurian starts calmly enough with a simple definition and history of that famous motto from the Great “from many, one” seal of the U.S., but soon goes off the rhetorical rails. Alas, this heritage-sharing chat with neighbors soon turns into a dirty laundry list polemic, based on an us vs. them worldview...

Thanks For Just The Facts Thank you sooooo much to Julie in Marion for laying out the laundry list of right wing fabrications in her letter last week...

Home · Articles · News · Music · The Gypsy Jazz of Cyrille Aimee
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The Gypsy Jazz of Cyrille Aimee

French native Cyrille Aimee grew up cavorting with Gypsies.

Kristi Kates - April 21st, 2014  

Brought up in the village of Samois-sur- Seine, Aimee saw their colorful caravans swaying as they rolled into town each June for the annual Django Reinhardt Jazz Festival.

Soon, Gypsy music beckoned. And it wasn’t long before Aimee started sneaking out to meet them at night, learning their language and their tunes before sunrise so she wouldn’t be late for school.

“I became friends with the Gypsies, and became obsessed with their way of life, and especially their music,” Aimee said. “Gypsy music reflects a sense of freedom, and living each day like it’s the last.”


By the time she was a teenager, Aimee was performing her own music in Parisian cafés and clubs, staying in Paris to attend the American School of Modern Music when the rest of her family decamped to Singapore.

The French version of the TV show “American Idol” (called “Star Academy”) was the next thing that altered Aimee’s path.

She was selected as one of only 16 semifinalists. However, after reading the show’s contract, which would keep her under their direction for the next 10 years, Aimee decided her Gypsy spirit wasn’t interested.

“It would have been a great career move, but I was more interested in learning more about music and the art of improvisation, harmony and rhythm,” she said. “Sure, I would be far more popular - but we have to be able to live with ourselves too, right?

“I don’t regret the decision one bit.”


Instead, she organized her own European backpacking tour, which helped fuse her own sound into a remarkable hybrid of musical influences.

“My music is influenced by the places I’ve been to and lived, but also by the people I’ve met, and the things that happen,” she said. “Backpacking is great for that. Living beautiful experiences in life and being exposed to other art are the best inspirations for music.”

Aimee’s latest inspirations have resulted in her newest album, “It’s a Good Day.” It was recorded in New York City at Flux Studios, a vintage room with modern equipment that has helmed other recording projects by The Black Crowes, Duncan Sheik, Santigold, Jennifer Lopez, and Queen Latifah.

“The producer, Fab Dupont, owns the studio, and he is so exceptional at what he does; he is so talented, and so incredibly musical,” Aimee said.


Mixing her roots with more contemporary influences for this project, she also combined three guitarists, each of who approach the instrument from different perspectives.

“The sound of the three different guitars together – Gypsy, Brazilian and jazz – is so beautiful and really special,” Aimee said. “The repertoire is varied and includes standards, originals, French covers and more.”

The new album, once it’s completed with bass, drums, and of course Aimee’s vocals, will serve as the follow up to Aimee’s 2013 “Live at Birdland” release with The Surreal Band.

The album included Aimee’s takes on “Blue Skies,” “Nuit Blanche,” “Well You Needn’t,” and “The Lamp is Low,” among others. Her latest set will hit outlets this upcoming August.

In the meantime, Aimee will be bringing a carefully selected setlist to a range of venues, including the jazz clubs of New York City, Washington, D.C., and Chicago.

And yes, these stops extend all the way to Northern Michigan when she performs at the City Opera House in Traverse City on April 25.

“I pick songs with lyrics I can relate to and believe others can relate to,” she said. “So be ready to hear some great guitars and to have a lot of fun!”

Cyrille Aimee will be performing at the City Opera House in Traverse City on April 25 at 8pm. For tickets and more information, visit cityoperahouse.org.

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