Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · Folk Music Meets the iPod...
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Folk Music Meets the iPod Generation

Kristi Kates - May 5th, 2014  

In 1938, musical archivist Alan Lomax traveled throughout Michigan, recording more than 900 songs on his Presto audio recorder for the Library of Congress.

From the blues of Detroit to maritime tunes, lumberjack chants to love ballads, Lomax captured the state’s musical traditions on his machine, which recorded audio directly to vinyl. Today, two local organizations are exposing these 75-year-old recordings to a whole new – but digitally obsessed – generation.

RETRO RECORDINGS

Tapping into the Lomax collection, this spring middle and high school students from seven area schools used the recordings to create a performance called “The Quest – A Celebration of Community.”

The show, scheduled for May 9 at the City Opera House in Traverse City, has taken the group months to write and rehearse, organizers say.

The students are part of SEEDS’s After School program and collaborated with the Earthwork Music Collective and Blackbird Arts, said Earthwork’s founder, Seth Bernard.

“The Lomax recordings are such a superdiverse and vast collection,” Bernard said.

“And there are so many gems and treasures within it.”

But how best to translate old tunes to youthful musicians, who are most often glued to their iPods?

Give them “creative empowerment,” as Bernard calls it.

Creative empowerment is where the SEEDS program steps in. A local nonprofit that works at solving global issues at a local level, SEEDS challenged the kids to tap into their communities’ histories through Lomax’s recordings, and then create their own interpretations and original music with the help of Earthworks.

LOCAL JOURNEYS

Bernard, who is directing “The Quest,” said that the production uses a range of artistic mediums for its “celebration of local culture – past, present, and future.”

“We’re talking stories, slideshows, puppets, set designs, and all kinds of songs,” he said. “[It will] take the audience on a unique journey through Michigan.”

The kids, who come from Kalkaska, Forest Area, Frankfort, Benzie Central, Brethren, Manistee, and Suttons Bay schools, have been working for months on the show, taking inspiration from the old songs and writing new verses, or new songs entirely.

“Old songs are merging with hip-hop beats, rock and roll, choreographed dance moves, and infectious sing-a-long choruses,” Bernard said.

One of the kids’ songs, inspired by a Detroit-area Lomax blues recording, is called “Engineering,” a song about the men who traveled north to take jobs building cars. Another is a revamp of Lester Wells’ 1938 recording of “When I First Came to Traverse Town”; the new version mentions the people and places of Traverse City today. “Little Sleepy Bear” uses pop music to tell the legend of Sleeping Bear.

“This project will help the students connect to their history using their own words through songs and art,” said Bill Watson, SEEDS’s after school program director. “They have had this time to learn about the history of the places they live and celebrate it.”

FOLKSONG FINALE

Bernard said the idea for “The Quest” was meant as a way for kids to give back to their communities.

“The idea for ‘The Quest’ all came together as an awesome way for these kids to give a gift to their community in the form of this inspiring, culturally rich performance,” he said. “The more understanding and appreciation we have of the past, the more fully engaged we can be as citizens in our communities today.”

The project also deepens Earthworks Music’s work with SEEDS, as well as their collaborations with the American Folklife Center, the Library of Congress (which contacted Bernard about helping raise awareness of the Lomax recordings) and Blackbird Arts, which is creating the art design and puppets for the show, which is slated to be at the City Opera House in Traverse City.

The successful collaboration between all of the organizations speaks to their respective commitment to local causes, Bernard and Watson said.

“SEEDS has done so much incredibly good work in this region,” he said. “They truly make dreams turn into realities that benefit so many, so well.”

Watson agreed. “And we are so fortunate in this community to have such wonderful music and musicians, many of them from the Earthwork Music Collective,” he said. “It really is a vibrant music scene here, and I feel that the music recorded by Alan Lomax shaped many of the musicians that are performing in our community.”

“The Quest: A Celebration of Community” will take place on May 9 at 7:30pm at the City Opera House in Traverse City. Tickets are $10 for adults; $5 students. For more information, visit the official website at http://keepupthequest.com or the City Opera House site at cityoperahouse.org.

 
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