Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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Third Career. Limitless Perspective.

Frankfort painter Ellie Harold never intended to become an artist for her third career.

Al Parker - June 16th, 2014  

She started her working life as a registered nurse, caring for patients in an intensive care unit. Later she became an ordained Unity minister, leading a church she pioneered in Atlanta. About a dozen years ago, Harold picked up a paint brush and began creating landscapes and still lifes that vibrate with color.

One of her landscapes, “Boathouse Impression,” recently won the People’s Choice Award at the Leelanau Community Cultural Center’s plein art event. “That was a very satisfying painting to do,” says Harold. “There were so many good artists in the competition. I was a little nervous. But the brush just took over and it flew out. And it was sold before the judging.”

HOW I GOT STARTED

In the early 2000s I advocated for women who had been childhood victims of clergy sexual abuse. I became involved in SNAP (Survivors Network of Those Abused by Priests). While in Boston for a meeting, I found myself unable to sleep on three consecutive nights. Instead, I seemed to hear an inner voice imploring me to “Do Art, Do Art.” Having previously had a similarly insistent calling to ministry, that I’d ignored for several years, I decided to respond to this calling in a more timely manner.

I bought some oil painting supplies, an easel and some canvas. Twenty years prior I’d dropped out of a beginning oil painting class, but remembered enough to get started. That partial class and a year of life drawing are my only formal art training. Once I got my equipment together, I put it in a corner of our screened porch and more or less forgot about it. Six months later, I spied some blue asters and orange tiger lilies, grabbed them up, stuck them in a pitcher and started painting. I’ve been at it ever since.

THE STORY BEHIND MY ART, MY INSPIRATION

The skills I developed as a nurse -- the ability to scan the environment and respond quickly -- and as a minister -- the ability to think on my feet, sense where energy is flowing and interact creatively -- have served the painting well. The painting seems to be part of a continuing evolution of spiritual purpose, one that I love and enjoy serving. While I devote most of my time to my painting, I also love my work mentoring artists who seek me out for assistance in learning to fulfill their aesthetic needs more completely.

WORK I’M MOST PROUD OF

I try to avoid taking a lot of pride in my artwork or getting too attached to any one painting. Pride is a tricky thing and if I start feeling like “I” am doing “good” work, hubris takes over. As a chronic people-pleaser, I’ll start trying too hard to reproduce the good result and in the process lose any aliveness or energy, the qualities I feel determine the real value of a work. That said, I do love most of my artwork! My Frankfort studio & gallery occupy a large portion of my home and my work is everywhere. Until they go to another home, I’m in constant conversation with the paintings. I actually believe they don’t sell because there’s something I still need from them and then, when I no longer do, they fly off to a new home.

At the recent Leland Plein Air event I had the experience of selling a wet painting. It’s the first time I haven’t had the opportunity to hang out with a painting before it went to a new home. I can only conclude that, based on the evidence, I got all of what I needed simply from making the painting.

YOU WON’T BELIEVE

How everything in life conspires to equip us with what we need to fulfill our spiritual purpose. I feel fortunate that I learned early on how to transform the so-called bad stuff in my life into a tremendous sense of meaning and purpose. I keep on painting the way I keep on living – to see what’s going to happen next!

MY FAVORITE ARTIST

I can’t say there’s one artist who is my favorite. I enjoy Monet and Bonnard, Diebenkorn and Matisse, but mostly because of the inspiration for an artistic lifestyle they demonstrate.

ADVICE FOR ASPIRING YOUNG ARTISTS

My advice for all artists is “Do your Art.” As I wrote in my book 7 Habits of Deeply Fulfilled Artists: Your Aesthetic Needs & How to Meet Them, if you’re an artist, making art is a need, not a want. My father was a commercial artist who for various reasons didn’t do his creative art. As a result, he was very critical of my early attempts to make art and I didn’t get around to fulfilling this need until I was 52. I’ve met a lot of older artists who’ve also been put off from doing their art because of family and other obligations. If as a young person you have the opportunity to pursue your art, just do it! Don’t deprive yourself! Do whatever it takes to do your art. As Dr. Seuss suggests, “Oh, the places you’ll go ….”

MY WORK CAN BE SEEN/PURCHASED

At my Frankfort studio and gallery and at the Sleeping Bear Gallery in Empire. I have my Caribbean paintings in the Siddhia Hutchinson Fine Art Gallery in Vieques, Puerto Rico.

clockwise from top left:

Boathouse Impression

Point Betsie Dune Scene

Barn Vista

Ellie Harold welcomes visitors to her in-home gallery in Frankfort.

 
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