Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · Super Strings
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Super Strings

Kristi Kates - June 23rd, 2014  

BÉLA FLECK AND BROOKLYN RIDER

The banjo-driven theme song from the TV series “The Beverly Hillbillies” inspired a young Béla Fleck to pick up the instrument in New York City decades ago.

Now, the living banjo legend – a frequent contemporary, classical, and pop collaborator – is stringing a new sound together with Brooklyn Rider, a string quartet that has been described as “classical musicians performing with the energy of young rock stars.”

PARALLEL SOUNDS

Both Fleck, a 14-time Grammy award winner, and Brooklyn Rider, a public radio favorite, are known for their eclectic musical pairings. Fleck has crafted music with his wife, fellow banjo player Abigail Washburn, as well as Chick Corea, the Dave Matthews Band, bassist Edgar Meyer, and Indian tabla player Zakir Hussain.

Brooklyn Rider – with Johnny Gandelsman on violin, Colin Jacobsen on violin, Nicholas Cords on viola, and Eric Jacobsen on cello – aren’t far behind.

They’ve already worked with Philip Glass, Iranian kamancheh player Kayhan Kalhor, singer-songwriter Suzanne Vega, and Chinese pipa virtuoso Wu Man.

Together, the banjo “quintet” is taking their program of original music by Fleck and other Brooklyn Rider favorites to more than 20 cities in North America this year.

Fleck is technically the elder statesman of the group, but after an early meeting, felt “lucky” that the quartet agreed to work with him.

“They are very warm, sweet, and fun people to spend time with,” Fleck said. “And I saw that they have a top-notch work ethic.”

COOL COLLABORATION

Early on, Fleck brought some rough song ideas to Brooklyn Rider.

“Honestly, they made everything I had prepared sound so good, that it didn’t help make the decision of which [songs] to develop any easier!” he said.

Even though both artists have solid back catalogs to work with – as well as their joint album, 2013’s standout “The Imposter” – Fleck said he’s a fan of putting together a different set for each live collaboration.

“It takes more work, but it gives every group a very strong identity, even beyond the actual instruments in the ensembles,” he said.

KINDRED SETTING

Using “Night Flight Over Water” from “The Imposter” as a starting point, Fleck wrote another 20-minute long piece, and crafted arrangements of a couple of his older works to sprinkle in.

“I also learned several of Brooklyn Rider’s excellent pieces, and looked for a banjo role in those,” he said. “By the end, we had built a repertoire that we are very proud of.”

Fleck’s attention to detail is likely to be appreciated during the pairing’s July 1 Interlochen show.

“I have always loved coming to Interlochen to play,” he said. “It will be fun to play in the beautiful setting near the lake. And for a pretty big place, the venue has an intimacy that is very special.”

The fact that music is actually being taught there, he added, brings in another element that “feels great” to musicians.

“I am honestly thrilled that the admittedly offbeat music that I do can have a home in Interlochen,” Fleck said.

Béla Fleck and Brooklyn Rider will be in concert on July 1 at 8pm in the Kresge Auditorium, Interlochen Center for the Arts. For tickets and more, visit tickets.interlochen.org.

 
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