Letters

Letters 10-20-2014

Doctor Dan? After several email conversations with Rep. Benishek, he has confirmed that he doesn’t have a clue of what he does. Here’s why...

In Favor Of Our Parks [Traverse] City Proposal 1 is a creative way to improve our city parks without using our tax dollars. By using a small portion of our oil and gas royalties from the Brown Bridge Trust Fund, our parks can be improved for our children and grandchildren.

From January 1970 Popular Mechanics: “Drastic climate changes will occur within the next 50 years if the use of fossil fuels keeps rising at current rates.” That warning comes from Eugene K. Peterson of the Department of the Interior’s Bureau of Land Management.

Newcomers Might Leave: Recently we had guests from India who came over as students with the plan to stay in America. He has a master’s degree in engineering and she is doing her residency in Chicago and plans to specialize in oncology. They talked very candidly about American politics and said that after observing...

Someone Is You: On Sept 21, I joined the 400,000 who took to the streets of New York in the People’s Climate March, followed by a UN Climate Summit and many speeches. On October 13, the Pentagon issued a report calling climate change a significant threat to national security requiring immediate action. How do we move from marches, speeches and reports to meaningful work on this problem? In NYC I read a sign with a simple answer...

Necessary To Pay: Last fall, Grand Traverse voters authorized a new tax to fix roads. It is good, it is necessary.

The Real Reasons for Wolf Hunt: I have really been surprised that no one has been commenting on the true reason for the wolf hunt. All this effort has not been expended so 23 wolves can be killed each year. Instead this manufactured controversy about the wolf hunt has been very carefully crafted to get Proposal 14-2 passed.

Home · Articles · News · Music · They've Got the Beat
. . . .

They've Got the Beat

Kristi Kates - July 7th, 2014  

They’re not exactly professionals from Brazil, but Traverse City’s Deep Blue Water Samba School is making waves here, creating a swell of interest in South American inspired beats.

CELEBRATING DRUMS

Founded by Marc Alderman in 2011 during International Drum Month, the DBWSS started their journey at the Good Work Collective in downtown TC, with the support of Porterhouse Productions’ Sam Porter, who gave them rehearsal space and instrument rental at a reduced rate.

Alderman, who has been studying and teaching drumming for the past 15 years, used to run a recreational drumming organization called Rhythmic Adventures.

Once that project ended, he wanted to find a new way to share drumming with his community.

“I thought of upping the ante from a casual, drop-in drum circle, and wanted to form a group that was accessible, but also worked on specific rhythms week after week,” he said.

SOUTH AMERICAN STYLE

Those specific rhythms are that of samba batucada, a parade style of drumming from Brazil.

It’s what you’d hear if you went to Rio de Janeiro during the spring Carnival parades, when hundreds of drummers accompany singers and guitarists in a fast-paced, repetitive whirl of sound.

After breaking his left hand in a bad car accident, Alderman decided he’d give the sound a whirl, too.

Although primarily trained on African styles of drumming and on the djembe (hand drum), he found that playing with sticks was easier after his accident.

“This brought me to seek out a style of music that had room for the improvisation and excitement that you find in African music, but on instruments that you find in a marching band and play with sticks,” he continued. “This is how I see samba batucada: the rhythmic sensibilities of West African drumming, mixed with the instrumentation of Eurocentric marching bands.”

RHYTHM PARADE

The instruments used to play samba batucada are similar to what Westerners would recognize, but have Portuguese names.

“For example, the snare drum in the samba band is called a caixa, and bass drums are called surdos,” Alderman said.

A range of smaller percussion instruments are added to the sound, to make for one bombastic, celebratory show.

“Our performances are engaging and entertaining, with high levels of volume,” Alderman said.

“This is parade music, so it is pretty loud.”

Anywhere from eight to 16 people perform at a DBWSS event, playing caixas, surdos, tamborims (a small, flat drum that looks like a tambourine without the jingles), agogo bells, repiniques (a two-headed Brazilian drum), and shakers.

The group sets down a basic groove, punctuating it with breaks, dynamic changes, and call and response sections to get the audience involved.

“We have them clap along, play a shaker, dance, or even jump on a drum,” Alderman said.

SAMBA SMILES

The DBWSS is big on participation, and welcomes new members. Alderman said the group is great for hand drummers interested in something different, drum set players who want to add a new skill, or even marching band drummers who “want to add a little swing” to their playing.

The group hosts samba drumming classes the first and third Monday of each month at the Grand Traverse Circuit on 14th St.

“No previous experience is necessary - you just need to arrive ready to learn,” he said.

With upcoming performances at this year’s Blissfest and Traverse City’s Friday Night Live, there will be plenty of chances to see the DBWSS live.

And as the only samba drumming group in Northern Michigan, the rewards are great for those who join, he said.

“I think the group offers an opportunity for cultural exploration and expression,” he said. “It is also a positive, drug and alcohol free opportunity that anyone can get involved in.”

Those interested in participating in the Deep Blue Water Samba School can contact Marc Alderman at (231) 276-2328, email at deepbluewatersamba@gmail.com, or visit the group’s Facebook page.

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close