Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

Home · Articles · News · Music · They've Got the Beat
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They've Got the Beat

Kristi Kates - July 7th, 2014  

They’re not exactly professionals from Brazil, but Traverse City’s Deep Blue Water Samba School is making waves here, creating a swell of interest in South American inspired beats.

CELEBRATING DRUMS

Founded by Marc Alderman in 2011 during International Drum Month, the DBWSS started their journey at the Good Work Collective in downtown TC, with the support of Porterhouse Productions’ Sam Porter, who gave them rehearsal space and instrument rental at a reduced rate.

Alderman, who has been studying and teaching drumming for the past 15 years, used to run a recreational drumming organization called Rhythmic Adventures.

Once that project ended, he wanted to find a new way to share drumming with his community.

“I thought of upping the ante from a casual, drop-in drum circle, and wanted to form a group that was accessible, but also worked on specific rhythms week after week,” he said.

SOUTH AMERICAN STYLE

Those specific rhythms are that of samba batucada, a parade style of drumming from Brazil.

It’s what you’d hear if you went to Rio de Janeiro during the spring Carnival parades, when hundreds of drummers accompany singers and guitarists in a fast-paced, repetitive whirl of sound.

After breaking his left hand in a bad car accident, Alderman decided he’d give the sound a whirl, too.

Although primarily trained on African styles of drumming and on the djembe (hand drum), he found that playing with sticks was easier after his accident.

“This brought me to seek out a style of music that had room for the improvisation and excitement that you find in African music, but on instruments that you find in a marching band and play with sticks,” he continued. “This is how I see samba batucada: the rhythmic sensibilities of West African drumming, mixed with the instrumentation of Eurocentric marching bands.”

RHYTHM PARADE

The instruments used to play samba batucada are similar to what Westerners would recognize, but have Portuguese names.

“For example, the snare drum in the samba band is called a caixa, and bass drums are called surdos,” Alderman said.

A range of smaller percussion instruments are added to the sound, to make for one bombastic, celebratory show.

“Our performances are engaging and entertaining, with high levels of volume,” Alderman said.

“This is parade music, so it is pretty loud.”

Anywhere from eight to 16 people perform at a DBWSS event, playing caixas, surdos, tamborims (a small, flat drum that looks like a tambourine without the jingles), agogo bells, repiniques (a two-headed Brazilian drum), and shakers.

The group sets down a basic groove, punctuating it with breaks, dynamic changes, and call and response sections to get the audience involved.

“We have them clap along, play a shaker, dance, or even jump on a drum,” Alderman said.

SAMBA SMILES

The DBWSS is big on participation, and welcomes new members. Alderman said the group is great for hand drummers interested in something different, drum set players who want to add a new skill, or even marching band drummers who “want to add a little swing” to their playing.

The group hosts samba drumming classes the first and third Monday of each month at the Grand Traverse Circuit on 14th St.

“No previous experience is necessary - you just need to arrive ready to learn,” he said.

With upcoming performances at this year’s Blissfest and Traverse City’s Friday Night Live, there will be plenty of chances to see the DBWSS live.

And as the only samba drumming group in Northern Michigan, the rewards are great for those who join, he said.

“I think the group offers an opportunity for cultural exploration and expression,” he said. “It is also a positive, drug and alcohol free opportunity that anyone can get involved in.”

Those interested in participating in the Deep Blue Water Samba School can contact Marc Alderman at (231) 276-2328, email at deepbluewatersamba@gmail.com, or visit the group’s Facebook page.

 
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