Letters 10-12-2015

Replacing Pipeline Is Safe Bet On Sept. 25, Al Monaco, president and CEO of Enbridge, addressed members of the Northern Michigan Chamber Alliance. His message was, “I want to be clear. We wouldn’t be operating this line if we didn’t think it was safe.”

We pretty much have to take him for his word...

Know The Root Of Activism Author and rabbi Harold Kushner has said, “People become activists to overcome their childhood fear of insignificance.” The need to feel important drives them. They endeavor good works not to help the poor or sick or unfortunate but to fill the void in their own empty souls. Their various “causes” are simply a means to an end as they work to assuage their own broken hearts...

Climate’s Cost One of the arguments used to delay action on climate change is that it would be too expensive. Such proponents think leaving environmental problems alone would save us money. This viewpoint ignores the cost of extreme weather events that are related to global warming...

A Special Edition Cuckoo Clock The Republican National Committee should issue a special edition cuckoo clock commemorating the great (and lesser) debates and campaign 2016...

Problems On The Left Contrary to letters in the Oct 5th edition, Julie Racine’s letter is nothing but drivel, a mindless regurgitation of left-wing stuff, nonsense, and talking points. They are a litany of all that is wrong with the left: Never address an issue honestly, avoid all facts, blame instead of solving; and when all else fails, do it all over again...

Thanks, Jack It is so very difficult for the average American to understand the complex issues our country faces in far off places around the globe. (Columnist) Jack Segal’s career and his special ability to explain these issues in plain English in many forums make him a precious asset to all of us in northern Michigan...

Home · Articles · News · Music · They've Got the Beat
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They've Got the Beat

Kristi Kates - July 7th, 2014  

They’re not exactly professionals from Brazil, but Traverse City’s Deep Blue Water Samba School is making waves here, creating a swell of interest in South American inspired beats.


Founded by Marc Alderman in 2011 during International Drum Month, the DBWSS started their journey at the Good Work Collective in downtown TC, with the support of Porterhouse Productions’ Sam Porter, who gave them rehearsal space and instrument rental at a reduced rate.

Alderman, who has been studying and teaching drumming for the past 15 years, used to run a recreational drumming organization called Rhythmic Adventures.

Once that project ended, he wanted to find a new way to share drumming with his community.

“I thought of upping the ante from a casual, drop-in drum circle, and wanted to form a group that was accessible, but also worked on specific rhythms week after week,” he said.


Those specific rhythms are that of samba batucada, a parade style of drumming from Brazil.

It’s what you’d hear if you went to Rio de Janeiro during the spring Carnival parades, when hundreds of drummers accompany singers and guitarists in a fast-paced, repetitive whirl of sound.

After breaking his left hand in a bad car accident, Alderman decided he’d give the sound a whirl, too.

Although primarily trained on African styles of drumming and on the djembe (hand drum), he found that playing with sticks was easier after his accident.

“This brought me to seek out a style of music that had room for the improvisation and excitement that you find in African music, but on instruments that you find in a marching band and play with sticks,” he continued. “This is how I see samba batucada: the rhythmic sensibilities of West African drumming, mixed with the instrumentation of Eurocentric marching bands.”


The instruments used to play samba batucada are similar to what Westerners would recognize, but have Portuguese names.

“For example, the snare drum in the samba band is called a caixa, and bass drums are called surdos,” Alderman said.

A range of smaller percussion instruments are added to the sound, to make for one bombastic, celebratory show.

“Our performances are engaging and entertaining, with high levels of volume,” Alderman said.

“This is parade music, so it is pretty loud.”

Anywhere from eight to 16 people perform at a DBWSS event, playing caixas, surdos, tamborims (a small, flat drum that looks like a tambourine without the jingles), agogo bells, repiniques (a two-headed Brazilian drum), and shakers.

The group sets down a basic groove, punctuating it with breaks, dynamic changes, and call and response sections to get the audience involved.

“We have them clap along, play a shaker, dance, or even jump on a drum,” Alderman said.


The DBWSS is big on participation, and welcomes new members. Alderman said the group is great for hand drummers interested in something different, drum set players who want to add a new skill, or even marching band drummers who “want to add a little swing” to their playing.

The group hosts samba drumming classes the first and third Monday of each month at the Grand Traverse Circuit on 14th St.

“No previous experience is necessary - you just need to arrive ready to learn,” he said.

With upcoming performances at this year’s Blissfest and Traverse City’s Friday Night Live, there will be plenty of chances to see the DBWSS live.

And as the only samba drumming group in Northern Michigan, the rewards are great for those who join, he said.

“I think the group offers an opportunity for cultural exploration and expression,” he said. “It is also a positive, drug and alcohol free opportunity that anyone can get involved in.”

Those interested in participating in the Deep Blue Water Samba School can contact Marc Alderman at (231) 276-2328, email at deepbluewatersamba@gmail.com, or visit the group’s Facebook page.

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