Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Art · Catching Light With Pastels
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Catching Light With Pastels

Al Parker - July 21st, 2014  

Crayons and pastels may look similar to the uninitiated, but the latter are hardly child’s play. Technically an oil-based paint, pastels are soft sticks of highly pigmented color, tempting to pile on but best smudged with a soft touch.

Pastels are a medium Barb Reich has been diving into for the past 12 years, creating expressive landscapes and still lifes.

“I think Georgia O’Keeffe said it best when she said, ‘I found I could say things with color and shapes that I couldn’t say any other way – things I had no words for,’” said the Leelanau County resident.

In the past, Reich has worked in oils, watercolors and charcoals. Her journey has been “a continuous learning experience,” she said.

“I continue to try to capture moments, subjects, and strong visual concepts, most often by painting the light,” she said.

On Sept. 25 and 26, Reich will teach a two-day workshop in pastel landscapes at Oliver Art Center in Frankfort.

HOW I GOT STARTED

I was born and raised in Michigan, and I began my adventure in fine art as an adult at the age of 30. Better late than never! I felt the need for a creative outlet and began to study painting and drawing.

I began in oil, watercolor, pastel, charcoal, and found I couldn’t stop. I had to try everything. I was fortunate to be able to study under some of the most wonderfully talented and supportive fine art instructors, several from the College for Creative Studies in Detroit. They instilled in me the intense desire to draw better, paint color with more emotion, and always hunt and study the changing light.

I immediately felt a strong connection to the extraordinary medium of soft pastel, and it hooked me the moment I put pigment to paper. About 12 years ago I began to specialize, using pastel almost exclusively. Working with pure pigments is exciting and a finished pastel painting is beautifully complex.


I enjoy that pastel can be used dry or wet, allowing for an endless variety of mark making and flowing washes. It is truly a spectacular medium.

THE STORY BEHIND MY ART, MY INSPIRATION

I enjoy painting things that I hold dear: familiar places, community, nature, people, often simple things. My paintings depict a specific moment in time, and they are often as much a personal history as they are a visual recording, almost a nudge saying ‘Please look here, this is important to me.’ I am a plein air painter, studio painter, and I paint from life as often as possible. I believe my plein air studies have made me a better studio painter, and my early still life and figure work helped me to see and render form.

WORK I’M MOST PROUD OF

It is always satisfying when a painting captures the essence of the subject, emotion, and concept you are visually striving to achieve, but some paintings go beyond. Some are personal and passionate, and that is how I feel about several paintings I completed of my husband at work on our farm in Gladwin. To me, they feel significant and meaningful. Having said that, I am forever hopeful that my best work is yet to come.

YOU WON’T BELIEVE

With all my talk about soft pastel, I began as an oil painter, and to this day feel a very strong attachment to this wonderful medium. Also, after owning a farm for 18 years, I am very familiar with crops, gardens, chickens, and bees. And I worked in the insurance industry for 20 years – an occupation that isn’t exactly linked to creativity!

MY FAVORITE ARTIST

Although I don’t have a favorite artist – there are so many great ones, with so much to learn from – it should come as no surprise that Degas was truly inspirational when my love of pastel first took over my mind and touched my soul.

If I mentioned Sargent, Nicolai Fechin, Richard Schmid, and all the plein air masters who can evoke joy simply by looking at their work, my list would be overly long to say the least.

ADVICE FOR ASPIRING ARTISTS

Study, learn, and practice. Search out the best instructors you can find, teachers and mentors, whose work you admire. Then practice and study some more.

When your desire is strong, you must back it up by figuring out ways to continue moving forward. Persistence is key. Also, a few good art buddies are worth their weight in gold.

MY WORK CAN BE SEEN/PURCHASED

At Treeline Gallery in Suttons Bay, Mullaly’s Gallery in Elk Rapids, Hanni Gallery in Harbor Springs, or online at barbarareichstudio.com. To learn more about Reich’s September workshop, visit oliverartcenterfrankfort.org or call (231) 352-4151.

She will be part of a four-artist exhibition at the Oliver Center Oct. 1-Nov. 7.

 
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