Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · The Cult Comes to Streeters
. . . .

The Cult Comes to Streeters

Kristi Kates - August 4th, 2014  

If you ask The Cult’s frontman Ian Astbury how he feels about the current music scene and what he’s been listening to lately, be prepared to hear a pretty long list.

“David Bowie, Nick Cave, Darkside, The Black Ryder, Chelsea Wolfe, Icarus Line, Boris, Black Bananas, Pusha T, Ice Age, Alt-J, Dev Hynes as Blood Orange, White Mangingos, Primal Scream,” Astbury ticked away.

And there’s more. Those, he says, are just off the top of his head.

Always inspired by powerful, ambitious sounds verging on the mystic (think Bowie, Joy Division, the album cuts of The Doors), The Cult were frontrunners for the goth rock scene in the mid-’80s.

Tracks like “She Sells Sanctuary” and “Fire Woman” were their ticket. But by the mid-’90s, the roller-coaster portion of their career began, as they would break up and reunite several times, with Astbury at one point announcing that they would never make another studio album.

Obviously, he changed his mind, perhaps skewed in part by all of the music he was hearing being churned out year after year by his many peers listed above.

The Cult’s latest (and ninth) studio set, “Choice of Weapon,” was released in 2012. And now, a tenth album is due for release in 2014, although according to Astbury, the new sounds are going to be trickled out as he sees fit.

“We are in the process of seeing what material we have and working on rough ideas,” he said. “When we have some good sketches, we shall refine the songs into a good working shape before we even enter a studio.”

He would like to, he continued, release at least one song by mid to late fall of this year.

But first, there’s a current tour to wind their way through, and a new music industry model to figure out.

“There is still an overwhelming demand for the album format, even with more focus on single songs,” he said. “But I feel both formats are valid. The world is constantly evolving on many levels, so we are always reacting to those changes.”

That means a Cult album – a full length, proper album, not merely a Cult single, or a Cult mobile ringtone – is still on the way, Cult fans.

For Astbury, it’s all about their fans being able to really connect with the members of The Cult, as he connects with that long list of the music he listens to.

“Technology has evolved and affected the recording process, and that’s a huge shift,” he said, “but the human element is essential.”

The Cult will be in concert at Streeters Center/ Ground Zero in Traverse City on Aug. 8. For tickets, visit groundzeroonline.com.

 
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