Letters

Letters 04-20-2015

Time For Hartman/Hammond  Long term planning would have coincided the timing of downing the Cass St/Keystone Bridge in TC and the construction of a Hartman/ Hammond Bridge. Such a planned roadway would have met everyone’s needs.

No more Apologies In view of the senseless, brutal murder of an unarmed black man in South Carolina last week by a police officer following a traffic stop for a broken taillight, we must revisit Thomas Kachadurian’s recent column.

What Is Your Experience To Lead? I listened to Marco Rubio’s announcement of his running for the presidency. Many have admired his speech. He said a lot of the right things

Outsourcing NMC Faculty  “Outsourcing” the vast majority of NMC faculty? Do I hear the sound of NMC’s reputation sucked down the drain to save money? Really?

Home · Articles · News · Music · The Cult Comes to Streeters
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The Cult Comes to Streeters

Kristi Kates - August 4th, 2014  

If you ask The Cult’s frontman Ian Astbury how he feels about the current music scene and what he’s been listening to lately, be prepared to hear a pretty long list.

“David Bowie, Nick Cave, Darkside, The Black Ryder, Chelsea Wolfe, Icarus Line, Boris, Black Bananas, Pusha T, Ice Age, Alt-J, Dev Hynes as Blood Orange, White Mangingos, Primal Scream,” Astbury ticked away.

And there’s more. Those, he says, are just off the top of his head.

Always inspired by powerful, ambitious sounds verging on the mystic (think Bowie, Joy Division, the album cuts of The Doors), The Cult were frontrunners for the goth rock scene in the mid-’80s.

Tracks like “She Sells Sanctuary” and “Fire Woman” were their ticket. But by the mid-’90s, the roller-coaster portion of their career began, as they would break up and reunite several times, with Astbury at one point announcing that they would never make another studio album.

Obviously, he changed his mind, perhaps skewed in part by all of the music he was hearing being churned out year after year by his many peers listed above.

The Cult’s latest (and ninth) studio set, “Choice of Weapon,” was released in 2012. And now, a tenth album is due for release in 2014, although according to Astbury, the new sounds are going to be trickled out as he sees fit.

“We are in the process of seeing what material we have and working on rough ideas,” he said. “When we have some good sketches, we shall refine the songs into a good working shape before we even enter a studio.”

He would like to, he continued, release at least one song by mid to late fall of this year.

But first, there’s a current tour to wind their way through, and a new music industry model to figure out.

“There is still an overwhelming demand for the album format, even with more focus on single songs,” he said. “But I feel both formats are valid. The world is constantly evolving on many levels, so we are always reacting to those changes.”

That means a Cult album – a full length, proper album, not merely a Cult single, or a Cult mobile ringtone – is still on the way, Cult fans.

For Astbury, it’s all about their fans being able to really connect with the members of The Cult, as he connects with that long list of the music he listens to.

“Technology has evolved and affected the recording process, and that’s a huge shift,” he said, “but the human element is essential.”

The Cult will be in concert at Streeters Center/ Ground Zero in Traverse City on Aug. 8. For tickets, visit groundzeroonline.com.

 
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