Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · Ronny Cox
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Ronny Cox

STORIES AND SOUNDS

Kristi Kates - August 11th, 2014  


From the Silver Screen to Boyne Falls, four decades of entertainment is a most unexpected folk musician.

You’ve probably seen him, but not on stage; Cox is actually an acclaimed character actor on screen. He’s held down pivotal roles in such hit films as RoboCop, Bound for Glory, Total Recall, and Deliverance. But it’s music that really has a hold on his heart.

BANJOS TO CYBORGS

Cox’s film career debuted in a well known scene in the backwoods dramatic thriller Deliverance. He played the infamous tune “Dueling Banjos” on his guitar while kid actor Billy Redden matched him as a banjo-playing mountain boy. This critically acclaimed film would be the entryway to an extensive movie career spanning more than 40 years.

“Deliverance means a lot to me because it was my first film and practically everything that’s happened in my career is a direct result of that iconic movie,” Cox said.

Other roles are favorites of Cox’s for a range of reasons.

“Bound for Glory has a special place in my heart because it was about Woody Guthrie and led to my friendship with Woody’s daughter, Nora, and then to becoming friends with Arlo and his wonderful family,” Cox explained.

His turn in Beverly Hills Cop was his first stint in a blockbuster, “and I loved working with Eddie Murphy,” Cox said.

And RoboCop, he points out, was “almost as big a boon” to his career as Deliverance because he got to play a bad guy for the first time. “They’re always the most fun characters to play,” he added.

FILM TO FOLK

Growing up in Portales, New Mexico, Cox had an early involvement with music. He was calling square dances when he was ten years old and he started making records with his rock n’ roll band, Ron’s Rockouts, when he was in high school.

“I was struggling as a musician simultaneously while trying to make it as an actor,” he explained, “and the fact that I could play the guitar was instrumental - pun intended - in my getting the role of Drew in Deliverance.”

Music and acting, he contends, are both very similar and very different. But in spite of his film success, music has always had a stronger pull on him.

“You can’t step through the camera while acting, but you can talk directly to a folk music audience,” Cox said.

Another inspiration in Cox’s life was his wife, Mary, whom he met while they were still in high school. The couple married in 1960 and spent the next 46 years together until Mary passed away in 2006. At this point, Cox had to reevaluate his life; resolved to focus on his music from that point forward, but it would take a little more work to reach his musical destination.

After floundering around with a country music deal with Nashville’s Mercury Records, Cox finally found his calling in folk music.

“When I lost Mary, I made a life decision,” Cox said. “I now turn down about 90% of the film and TV roles offered to me. I won’t let any acting job interfere with a music gig. I love doing the music shows.”

CAMERA TO STAGE

Cox’s shows are very eclectic with a Southwestern flair, and he often talks about Mary in his musical performances. He’ll tackle any genre of song, as long as it’s a tune he can weave a story around.

A few you might hear in his set list are his unique covers of Randy Newman’s “Louisiana 1927,” Gene Autry’s “Trail to San Antone,” plus classics like “Hot Water Cornbread” and “Long Black Veil.”

“I perform with two wonderful musicians - Radoslav Lorkovic on keyboard and accordion, and T. Bruce Bowers on fiddle and mandolin. They are world class players, and there is no direction we won’t go,” he said.

Cox and his trio mates have a repertoire of over 75 songs; his favorites to perform change every week, but his goal, he says, is simply to create shared evenings with his audiences that tap in to the emotions of music.

While his films may last as an on-screen legacy, Cox’s performances on stage, while more fleeting, are moments he treasures on an even more personal level.

“I want the show to feel like we’re all sitting in the kitchen or on the back porch,” he explained. “My goal is to make you giggle out loud on one song, and weep on the next.”

Ronny Cox will be in concert Saturday, August 16 at Aten Place in Boyne Falls. For tix and more info call 231-549-2076 or visit www.atenplace.com.

 
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