Letters

Letters 11-28-2016

Trump should avoid self-dealing President-elect Donald Trump plans to turn over running of The Trump Organization to his children, who are also involved in the transition and will probably be informal advisers during his administration. This is not a “blind trust.” In this scenario Trump and family could make decisions based on what’s best for them rather than what’s best for the country...

Trump the change we need?  I have had a couple of weeks to digest the results of this election and reflect. There is no way the selection of Trump as POTUS could ever come close to being normal. It is not normal to have a president-elect settle a fraud case for millions a couple of months before the inauguration. It is not normal to have racists considered for cabinet posts. It is not normal for a president-elect tweet outrageous comments on his Twitter feed to respond to supposed insults at all hours of the early morning...

Health care system should benefit all It is no secret that the health insurance situation in our country is controversial. Some say the Affordable Care Act is “the most terrible thing that has happened to our country in years”; others are thrilled that, “for the first time in years I can get and afford health insurance.” Those who have not been closely involved in the medical field cannot be expected to understand how precarious the previous medical insurance structure was...

Christmas tradition needs change The Christmas light we need most is the divine, and to receive it we do not need electricity, probably only prayers and good deeds. But not everyone has this understanding, as we see in the energy waste that follows with the Christmas decorations...

CORRECTIONS & CLARIFICATIONS 

A story in last week’s edition about parasailing businesses on East Grand Traverse Bay mistakenly described Grand Traverse Parasail as a business that is affiliated with the ParkShore Resort. It operates from a beach club two doors down from the resort. The story also should have noted that prior to the filing of a civil lawsuit in federal court by Saburi Boyer and Traverse Bay Parasail against Bryan Punturo and the ParkShore Resort, a similar lawsuit was dismissed from 13th Circuit Court in Traverse City upon a motion from the defendant’s attorney. Express regrets the error and omission.

A story in last week’s edition about The Fillmore restaurant in Manistee misstated Jacob Slonecki’s job at Arcadia Bluffs Golf Course. He was a cook. Express regrets the error.

Home · Articles · News · Features · Dennos Welcomes Two New Modern...
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Dennos Welcomes Two New Modern Exhibitions

Kristi Kates - August 25th, 2014  

Li Hongbo & Matt Shlian: Stacked and Folded - Paper as Sculpture

One is organic, while the other is architectural.

One is from Beijing, while the other calls Ann Arbor home.

And both artists use paper as structures for their art.

East meets West in this Dennos exhibit, which brings together a Chinese and an American artist and their respectively stunning creations.

Li Hongbo’s work involves the stacking of thousands of sheets of paper, using glue and pressure to hold them together. Sawing, cutting, and later fine-tuning with sandpaper, he crafts the paper into sculptures that mimic marble.

Dennos Museum Center Executive Director Gene Jenneman first saw Hongbo’s work at Art Miami, the international showcase for collectors, curators, and artists.

“At the show, Hongbo was displaying what looked like marble busts,” Jenneman said. “Then, one of the gallery attendants pulled on a pair of white gloves, and suddenly pulled the head open. Jaws dropped! It created a sensation.”

Hongbo’s works will be displayed in several different forms, to showcase their malleability, as will the work of his exhibition partner, Matt Shlian.

As a “paper engineer,” Shlian has been working with the chemists and physicists at University of Michigan to mimic the way chemical structures and bonds look. He translates those experiences into his art.

Some of Shlian’s pieces look spiky and vaguely dangerous, while others evoke a pop-up book. The majority of his works are white, although some are black and a few feature color washes.

“I was fascinated with the way he folded and developed his works, which are more mathematical and geometric than Hongbo’s,” Jenneman said. “Matt’s works really are ‘engineered.’” Some of Shlian’s works pop apart, while others are designed to hang in a certain way. He’s even expanded on their interactive nature by shrinking some of his artworks down and making them available for purchase at the museum store.

“This is so people can buy them and then actually be able to engage with them, folding and unfolding on a smaller scale without affecting the exhibit itself,” Jenneman said.

Dennos Museum Center, Traverse City, Sept. 21 – Jan. 4, 2015


Chul Hyun Ahn: Infinite Space

New work being showcased at the Dennos in September will be that of Korean artist Chul Hyun Ahn, who uses light, color, and illusion to create his works.

Ahn’s art expands even further the efforts of the Dennos’ continued goal to bring in works that are non-traditional.

“Not what you might expect to see at the Dennos,” said Dennos Museum Center Executive Director Gene Jenneman.

For light sources, Ahn pairs fluorescents, black lights, and LEDs with cast acrylic, cast concrete, or plywood. Both regular and one-way mirrors create an artistic glow, with infinitely repeating patterns, tunnels with no end in sight, and gaping pits that appear to have no floor.

Ahn also sees his works as representations of a deeper meaning, his interpretations of the spaces and transitions between worlds such as the conscious and sub-conscious.

Jenneman first caught Ahn’s work at Art Miami in 2012.

“His exhibit was one of those things that people gather around and talk about but the gallery had actually sold all of his pieces at the show, so it took a while for him to build up more works and for us to get him here,” he said.

Jenneman said that Ahn’s “VOID” series may be one of his most interesting to date, as he experiments with bright colors that fade to black. He also has a series of new drawings on mirrors.

“He works with the reverse of the mirror, and scrapes into the backs of them to create pieces that are almost spider web-like,” Jenneman said.

Jenneman said that Ahn’s show will appeal to the public.

“I think his work is going to be very appealing to the public, whether you look at it as ‘just’ light sculptures, or get drawn into it as the artist wants you to, with thoughts towards consciousness and infinity,” he said.

Dennos Museum Center, Traverse City, Sept. 21 – Jan. 4, 2015

 
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