Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · From Chants to Muzak: Work Music...
. . . .

From Chants to Muzak: Work Music Through the Ages

Kristi Kates - August 25th, 2014  

From seafaring chants to mind-numbing elevator tunes, music at work has a deep history. Generations ago, however, it was much more serious business.

ON THE JOB

Work songs have been documented since people started keeping track of history itself. From domestic trades to agricultural work, sea shanties to cowboy songs, chain gang chants to paperboys hawking their wares, tunes have long been utilized for a range of productive reasons.

Some songs helped keep communities together during a task, like hunting or harvesting. During hunting, especially in Africa, some groups included whistles that would help the hunters keep track of each other’s locations.

Tunes sung during such tasks as corn picking were more for entertainment during what would otherwise be an unbearably mundane job, to keep spirits up.

The patterns and rhythms of many work songs would also help a “team” stay synced, whether they were turning soil for planting, or setting down rails for trains as part of a convict chain gang.

In the deep South of the U.S., many “slave songs” originated from African music, and were sung as much to remind the slaves of their homeland as to keep everyone working efficiently. But overall, the songs chosen during the workday were always highly tuned to the job situation, from rowing (slow and steady sung patterns, to match the rhythm of the rowing itself) to the more boisterous, call-and-response patterns of railway workers, who also had to fight loudly against the noise of clanging picks and shovels.

AFTER HOURS

But work songs weren’t limited to just work.

The art of song craft continued after the job for many, especially since the job itself consumed so much of their waking hours.

Between the 18th and 19th centuries, sea shanties became more prevalent, an extension of the rowing songs of prior decades.

Because sailors also had to work together in rhythm, these swinging songs followed very precise patterns as the crew worked the sails and cordage.

Many of these songs, popular among the men, would carry over onto the shore, as they made landfall and spilled over to sing throughout the night in the nearest local pub.

Cowboy songs were also more popular outside of the actual job than on it, as lonely cowboys and ranchers would move their herds around on the open range.

Once they stopped for the night, the campfire became the perfect place to fend off isolation with a few tunes on instruments that were easy to carry, such as harmonicas.

And military call-and-response tunes with their specific cadences kept soldiers marching in time as they moved to their next outpost.

The most familiar even to civilians is probably the “Duckworth Chant,” with its catchy “Sound off! (One, two!) Sound off! (Three, four!) One two three four, one two – three, four!”

INDUSTRIAL SOUNDS

Once workers started transitioning into more modern-day jobs, such as factory work, the tunes transitioned, too.

Now that less synchronization was needed due to the arrival of automated systems, the songs morphed into other forms, carrying over old melodies with lyrics that now reflected this new workday age.

Places like coal mines and farms still carried out the old work song traditions, but with more people working indoors, more songs were being sung after hours instead in places like coffeehouses, diners, and bars.

Once the folk scene hit in the ‘60s, work (and traveling to find work) became a prime source of lyrics for such songwriters as Woody Guthrie and Pete Seeger, a tradition that continued into the ‘80s via the working-class, blue-jeaned rock songs of Bruce Springsteen.

Work songs haven’t vanished entirely, though. They’ve just changed into yet another form: electronic media.

You may not have realized it before, but you probably utilize “work songs” every day through such modern routes as Pandora. With earphones plugged into your computer at work, or smartphone apps with music, you’re bringing music along to your job or exercise routine just as people have done for hundreds of years.

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close