Letters 10-05-2015

Bravo Regarding the Sept. 28 Northern Express letter “Just The Facts” by Julie Racine, opinion column “E Pluribus Unum” by Thomas Kachadurian, and Spectator column “Fear Not” by Stephen Tuttle: Bravo. Bravo. Bravo....

Right On OMG. Julie Racine’s letter “Just the Facts” in the Sept. 28 issue said everything I was thinking. I totally agree. Amen sister...

Kachadurian’s Demeaning Sham Thomas Kachadurian’s opinion piece “E Pluribus Unum” is a very ill-informed perspective of American history. He attempts to portray our past as a homogenized national experience that has transcended any ethnic and regional differences with “the understanding” that our differences shouldn’t really matter...

Opinions Disguised As Facts Freedom of speech is a founding principle upon which our country prides itself, and because of this we all have a right to our opinion. It is when opinions are disguised as facts that we allow for ignorance to spread like wildfire...

Reject Your Own Stereotypes In his “E Pluribus Unum” column of 9/28, Mr. Kachadurian starts calmly enough with a simple definition and history of that famous motto from the Great “from many, one” seal of the U.S., but soon goes off the rhetorical rails. Alas, this heritage-sharing chat with neighbors soon turns into a dirty laundry list polemic, based on an us vs. them worldview...

Thanks For Just The Facts Thank you sooooo much to Julie in Marion for laying out the laundry list of right wing fabrications in her letter last week...

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Ross Boissoneau - October 14th, 2004
Mike Keneally – The Universe Will Provide (Favored Nations)
Former Zappa guitarist Mike Keneally certainly learned a few things from Frank, and on “The Universe Will Provide” he puts some of them to use. His compositions are more like min-symphonies than rock songs, which makes sense given the fact he’s accompanied by the Metropole Orkest, a 60-piece Dutch orchestra. Keneally’s lines are ofttimes jarring, placed almost in opposition to the orchestra; at other times, the two blend, or the orchestra supports Keneally’s electric excursions. Keneally touches many bases here, from shred guitar to complex orchestral passages to sweeping melodic grandeur. If titles like “Worrywart Spoonguy” and “Four Slices of Toast” intrigue you rather than put you off, chances are the music will as well.

The Chieftains – The Long Black Veil (Mobile Fidelity)
Sting, Mick Jagger, Van Morrison, Sinead O’Connor, Mark Knopfler, Tom Jones – no wonder “The Long Black Veil” garnered notice by the masses and critical acclaim when it was released in 1995. Now this marriage of rock royalty and traditional Celtic music has been given glorious new life by the label famed for its painstaking approach to audiophile quality sound. Listen past O’Connor’s vocals on “The Foggy Dew” to the rolling drums in the distance and the pipes and bodhran, or the exquisite sound of the harp, flute and pipes on Morrison’s “Have I Told You Lately That I Love You?” that back the singer on a most heartfelt version of his hit. Really, any track here is divine, and is made all the more so by the incredible sound.

Brian Setzer – The Ultimate Collection (Surfdog)
The novelty of rockabilly bad boy Brian Setzer fronting a 17-piece big band has long since faded. Now the group can be appreciated for its musicality and muscle, and there’s certainly plenty of both on display on this double live CD. From “Brand New Cadillac” and “Sittin’ On It” from the band’s debut disc in 1994 to the surprise hit “Jump, Jive & Wail” to remakes of the themes from James Bond and “Hawaii Five-O” and big-band treatments of “Stray Cat Strut” and more, this disc swings and zings. His band boasts great soloists and a tight ensemble sound. Setzer is Setzer, of course, his growling guitar and bluesy vocals taking center stage most of the time.

Karrin Allyson – Wild For You (Concord)
Today’s best female jazz vocalist – save your arguments, it’s just the truth – turns back to her pop roots, with tunes by Joni Mitchell, Cat Stevens, James Taylor and Elton John, among others. Allyson’s sex kitten poses on the CD cover are hardly necessary, as the music itself is by turns sensual, playful, engaging, and always soulful. Like the greatest ballplayers, Allyson makes everything seem effortless. Her re-arrangements of “It’s Too Late” by Carole King is a great example of how she keeps the spirit of the original intact even as she and the band stretch out, with a great solo by guitarist Rod Fleeman before Allyson returns to the vocals and melody, then scats out to the end.
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