Letters

Letters 07-25-2016

Remember Bush-Cheney Does anyone remember George W. Bush and Dick Cheney? They were president and vice president a mere eight years ago. Does anyone out there remember the way things were at the end of their duo? It was terrible...

Mass Shootings And Gun Control The largest mass shooting in U.S. history occurred December 29,1890, when 297 Sioux Indians at Wounded Knee in South Dakota were murdered by federal agents and members of the 7th Cavalry who had come to confiscate their firearms “for their own safety and protection.” The slaughter began after the majority of the Sioux had peacefully turned in their firearms...

Families Need Representation When one party dominates the Michigan administration and legislature, half of Michigan families are not represented on the important issues that face our state. When a policy affects the non-voting K-12 students, they too are left out, especially when it comes to graduation requirements...

Raise The Minimum Wage I wanted to offer a different perspective on the issue of raising the minimum wage. The argument that raising the minimum wage will result in job loss is a bogus scare tactic. The need for labor will not change, just the cost of it, which will be passed on to the consumer, as it always has...

Make Cherryland Respect Renewable Cherryland Electric is about to change their net metering policy. In a nutshell, they want to buy the electricity from those of us who produce clean renewable electric at a rate far below the rate they buy electricity from other sources. They believe very few people have an interest in renewable energy...

Settled Science Climate change science is based on the accumulated evidence gained from studying the greenhouse effect for 200 years. The greenhouse effect keeps our planet 50 degrees warmer due to heat-trapping gases in our atmosphere. Basic principles of physics and chemistry dictate that Earth will warm as concentrations of greenhouse gases increase...

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4Play

Ross Boissoneau - November 25th, 2004
Christine McVie – In The Meantime (Koch Records)

If you thought that 20 years between records would augur change, in the case of Christine McVie you’re wrong. The former Fleetwood Mac singer and songwriter’s new solo disc doesn’t sound all that dissimilar to her “Christine McVie” from 1984. Like that disc, “In The Meantime” is pleasant but not exceptional. “Friend” is this album’s “Got A Hold On Me,” a Mac-ish piece of soft pop, empathetically delivered by McVie and her band, which includes her nephew, Dan Perfect, on guitars and backing vocals. Other standout tracks include “So Sincere” and “Easy Come, Easy Go” which has some of those funky clavinet sounds and backing vocals like “You Make Lovin’ Fun.” McVie’s best singing comes on “Liar.” Overall an engaging but less than scintillating excursion.

Incognito – Adventures in Black Sunshine (Narada Jazz)

Guitarist/composer Jean-Paul “Bluey” Maunick has built Incognito into a juggernaut of sorts. Over the group’s 11 albums, Maunick has developed a sound borrowing from ‘70s soul and ‘90s acid jazz, while introducing a bevy of talented singers and utilizing the cream of Britain’s jazz and funk musicians, such as Patrick Clahar, Bud Beadle, Richard Bailey and guests such as former Jam frontman Paul Weller. “Adventures” reunites Bluey with vocalist Maysa Leak, who sings most of the leads. Whoever is singing, Incognito delivers the goods. The punchy horns, synths, and electric piano leads galvanize the songs while Maunick stays mostly in the background. Even on the instrumentals he lets others get the bulk of the solo space, as on “The 25th Chapter,” which features Andy Ross on flute and Nichol Thompson on trombone.

Aria 3 – Metamorphasis (Koch Records)

Producer/pianist Paul Schwartz continues to concoct ambient masterpieces from classical and sacred song. Here he reaches into operatic arias and reimagines them with ambient and electronic treatments with vocal interludes. Whether it works or not certainly depends on your perspective. Classical purists will probably run screaming from the room, while those whose ears are tuned strictly to pop will also be left wanting. Like his previous Aria efforts, or his combinations of sacred and electronic on the State of Grace projects for Windham Hill, Schwartz finds his audience in those looking for new expression and combination of beats, electronics, and classical or sacred works. An arranger rather than composer, Schwartz pushes the envelope with sometimes heady results.

Wallace Roney - Prototype (High Note)

Wallace Roney is one of the most consistently inventive trumpeters currently working on the jazz scene. As it harkens back to such ground-breaking albums as “Bitches Brew” and Herbie Hancock’s “Crossings,” “Prototype” is not music for the faint-hearted. Like his mentor, Miles Davis, Roney is totally unafraid, and the fearlessness shows in his innovative combinations of textures over which he and his fellow horn players assemble their sounds. On the opening “Cyberspace,” for example, he brings in DJ Logic on turntables, while the following “Shadow Dance” includes bass clarinet and trombone. Both are wistful, exploratory songs, which rely on the leader’s trumpet lines to tie together the electronic soundscapes and the more typical jazz rhythms. And Roney’s arrangement of Al Green’s “Let’s Stay Together” is a tour-de-force.
 
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