Letters

Letters 04-14-14

Benishek Inching

Regarding “Benishek No Environmentalist” I agree with Mr. Powell’s letter to the editor/ opinion of Congressman Dan Benishek’s poor environmental record and his penchant for putting corporate interests ahead of his constituents’...

Climate Change Warning

Currently there are three assaults on climate change. The first is on the integrity of the scientists who support human activity in climate change. Second is that humans are not capable of affecting the climate...

Fed Up About Roads

It has gotten to the point where I cringe when I have to drive around this area. There are areas in Traverse City that look like a war zone. When you have to spend more time viewing potholes instead on concentrating on the road, accidents are bound to happen...

Don’t Blame the IRS

I have not heard much about the reason for the IRS getting itself entangled with the scrutiny of certain conservative 501(c) groups (not for profit) seeking tax exemption. Groups seeking tax relief must be organizations that are operated “primarily for the purpose of bringing about civic betterment and social improvements.”


Home · Articles · News · Music · 4Play: Biosphere, Brendan Perry,...
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4Play: Biosphere, Brendan Perry, Blondie, Broken Bells

Kristi Kates - July 18th, 2011
 Biosphere - N-Plants - Touch
At once retro in its choices of synth sounds and beats, and modern in -
well, its choices of synth sounds and beats, Biosphere’s latest sticks to
his familiar sound while striking out into new, backwards-looking
territory. It is most definitely an album of contrasts. Opener “Hendai 1,”
a bit threatening-sounding, offers an intro that feels much like the
beginnings of a thriller or mystery movie, while its successor, “Shika 1,”
warms things up out of the fear factor zones with a more approachable
composition. Brimming with intensity, these tracks push one step beyond
ambient music and into something a little more pensive.

 
Brendan Perry - Ark -101
Former Dead Can Dance member Perry’s sophomore set, recorded at Perry’s
own home studio, finds the musician on a true solo mission of sorts, as he
wrote all of the songs here and performed all of the instruments himself.
The tracklisting extends that isolated approach, as Perry thinks and
performs his way through musings on life and personal growth, translated
through instruments both typical (guitars, keyboards) and somewhat
unexpected, given his electro/pop background (dulcimer?); and the
carefully-constructed lyrics on tunes like “The Devil and the Deep Blue
Sea” and “Utopia” show off Perry’s experience and craft.

 
Blondie - Panic of Girls - AIS
The legendary Debbie Harry and bandmates are back for yet another new set,
with their latest approach attacking solid refrains and radio-friendly
hooks head-on. A blend of electro-punk and some slightly misplaced reggae,
it’s successful for the most part, although the set may have served itself
better to focus on one sound/genre instead of the two. “Le Bleu,” with its
dual-language lyrics, and “D-Day” are catchy updates of the familiar
Blondie pop-punk sound, but tunes like “Girlie Girlie” drag on way too
long, time that would’ve better been spent expanding the more catchy “The
End, The End” or instant single “What I Heard.”


Broken Bells - Meyrin Fields - Columbia
Short (only four songs) but appealingly diverse, the Shins/Danger Mouse
side project serves as follow-up to their critically and fan-acclaimed
2010 debut, opening with “The Ghost Inside” B-side “Meyrin Fields” (hence
the album’s title), and shifting directly into the more rough,
suspenseful, and funky “Windows,” the tropicalia/synthy mix of “An Easy
Life,” and the more mainstream twisted electropop of “Heartless Empire,”
all of which serve to help define why these two skilled musicians work so
well together as a musical team. It’s artsy and concise, and a good look
forward at Broken Bells’ recordable future.
 
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