Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

Home · Articles · News · Music · 4Play: Biosphere, Brendan Perry,...
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4Play: Biosphere, Brendan Perry, Blondie, Broken Bells

Kristi Kates - July 18th, 2011
 Biosphere - N-Plants - Touch
At once retro in its choices of synth sounds and beats, and modern in -
well, its choices of synth sounds and beats, Biosphere’s latest sticks to
his familiar sound while striking out into new, backwards-looking
territory. It is most definitely an album of contrasts. Opener “Hendai 1,”
a bit threatening-sounding, offers an intro that feels much like the
beginnings of a thriller or mystery movie, while its successor, “Shika 1,”
warms things up out of the fear factor zones with a more approachable
composition. Brimming with intensity, these tracks push one step beyond
ambient music and into something a little more pensive.

 
Brendan Perry - Ark -101
Former Dead Can Dance member Perry’s sophomore set, recorded at Perry’s
own home studio, finds the musician on a true solo mission of sorts, as he
wrote all of the songs here and performed all of the instruments himself.
The tracklisting extends that isolated approach, as Perry thinks and
performs his way through musings on life and personal growth, translated
through instruments both typical (guitars, keyboards) and somewhat
unexpected, given his electro/pop background (dulcimer?); and the
carefully-constructed lyrics on tunes like “The Devil and the Deep Blue
Sea” and “Utopia” show off Perry’s experience and craft.

 
Blondie - Panic of Girls - AIS
The legendary Debbie Harry and bandmates are back for yet another new set,
with their latest approach attacking solid refrains and radio-friendly
hooks head-on. A blend of electro-punk and some slightly misplaced reggae,
it’s successful for the most part, although the set may have served itself
better to focus on one sound/genre instead of the two. “Le Bleu,” with its
dual-language lyrics, and “D-Day” are catchy updates of the familiar
Blondie pop-punk sound, but tunes like “Girlie Girlie” drag on way too
long, time that would’ve better been spent expanding the more catchy “The
End, The End” or instant single “What I Heard.”


Broken Bells - Meyrin Fields - Columbia
Short (only four songs) but appealingly diverse, the Shins/Danger Mouse
side project serves as follow-up to their critically and fan-acclaimed
2010 debut, opening with “The Ghost Inside” B-side “Meyrin Fields” (hence
the album’s title), and shifting directly into the more rough,
suspenseful, and funky “Windows,” the tropicalia/synthy mix of “An Easy
Life,” and the more mainstream twisted electropop of “Heartless Empire,”
all of which serve to help define why these two skilled musicians work so
well together as a musical team. It’s artsy and concise, and a good look
forward at Broken Bells’ recordable future.
 
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