Letters

Letters 09-15-2014

Stop The Games On Campus

Four head coaches – two at U of M and two at MSU – get a total of $13 million of your taxpayer dollars each year. Their staffs get another $11 million...

The Truth About Fatbikes

While we appreciate the fatbike trail coverage, the quote from the article below is exactly what we demonstrated not to be true in most cases last season...

Man Has Environmental Responsibility

I tend to agree with Thomas Kachadurian (“Playing God,” Sept. 8) that we should not interfere with the power of nature by deciding what is “native” and what is not. Man usually does what is better for man (or so we believe), hence the survival and population growth of our species...

The Bush & Obama Facts

Don Turner’s letter to the editor on 8/25/14 stated that there has never been a more corrupt, dishonest, etc. set of politicians in the White House. He states no facts, but here are a few...

Ban Pesticides

I grew up downstate in a neighborhood without pesticides. I was always very healthy. Living here, I have become ill. So I did my research and found out a lot about these poison agents called pesticides (herbicides, fungicides, insecticides, chemical fertilizers, etc) that are being spread throughout this community, accumulating in our air, water and soil...

Respect for Presidents?

Recently we read the Letter to the Editor that encouraged us to stop characterizing President Obama as anything other than an upstanding, moral, inspiring “first Black President”. The author would have us think that the rancor in the press, media and public is misguided. And, believe it or not, this rancor is a “glaring exception to … unwritten patriotic rule” of historically supporting all previous presidents...


Home · Articles · News · Music · 4Play: Biosphere, Brendan Perry,...
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4Play: Biosphere, Brendan Perry, Blondie, Broken Bells

Kristi Kates - July 18th, 2011
 Biosphere - N-Plants - Touch
At once retro in its choices of synth sounds and beats, and modern in -
well, its choices of synth sounds and beats, Biosphere’s latest sticks to
his familiar sound while striking out into new, backwards-looking
territory. It is most definitely an album of contrasts. Opener “Hendai 1,”
a bit threatening-sounding, offers an intro that feels much like the
beginnings of a thriller or mystery movie, while its successor, “Shika 1,”
warms things up out of the fear factor zones with a more approachable
composition. Brimming with intensity, these tracks push one step beyond
ambient music and into something a little more pensive.

 
Brendan Perry - Ark -101
Former Dead Can Dance member Perry’s sophomore set, recorded at Perry’s
own home studio, finds the musician on a true solo mission of sorts, as he
wrote all of the songs here and performed all of the instruments himself.
The tracklisting extends that isolated approach, as Perry thinks and
performs his way through musings on life and personal growth, translated
through instruments both typical (guitars, keyboards) and somewhat
unexpected, given his electro/pop background (dulcimer?); and the
carefully-constructed lyrics on tunes like “The Devil and the Deep Blue
Sea” and “Utopia” show off Perry’s experience and craft.

 
Blondie - Panic of Girls - AIS
The legendary Debbie Harry and bandmates are back for yet another new set,
with their latest approach attacking solid refrains and radio-friendly
hooks head-on. A blend of electro-punk and some slightly misplaced reggae,
it’s successful for the most part, although the set may have served itself
better to focus on one sound/genre instead of the two. “Le Bleu,” with its
dual-language lyrics, and “D-Day” are catchy updates of the familiar
Blondie pop-punk sound, but tunes like “Girlie Girlie” drag on way too
long, time that would’ve better been spent expanding the more catchy “The
End, The End” or instant single “What I Heard.”


Broken Bells - Meyrin Fields - Columbia
Short (only four songs) but appealingly diverse, the Shins/Danger Mouse
side project serves as follow-up to their critically and fan-acclaimed
2010 debut, opening with “The Ghost Inside” B-side “Meyrin Fields” (hence
the album’s title), and shifting directly into the more rough,
suspenseful, and funky “Windows,” the tropicalia/synthy mix of “An Easy
Life,” and the more mainstream twisted electropop of “Heartless Empire,”
all of which serve to help define why these two skilled musicians work so
well together as a musical team. It’s artsy and concise, and a good look
forward at Broken Bells’ recordable future.
 
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