Letters

Letters 07-28-14

Worry About Legals

I can’t figure out what perplexes me more, the misinformation everywhere in the media or those who believe it to be true. Take the Hobby Lobby case; as a company that is primarily owned by a religious family, they felt their First Amendment rights were infringed upon by the “Affordable” Care Act...

Stop Labeling and Enjoy

I have been struggling to find a simple way of understanding for myself the concepts of conservative, liberal, and moderation as it relates to our social interactions with each other...

Proposal One & The Public Good

Are you kidding me? Another corporate giveaway with loopholes for large corporations who rule us? Hasn’t our corrupt and worthless governor done enough to raise taxes, provide corporate welfare, unjustly tax pensions, and shut down elected officials with his emergency manager racket...

The Truth About Road Workers

Apparently Mr. Kachadurian did not catch on to the fact that the MDOT Employee Memorial in Clare is a tribute to highway workers who lost their lives building our transportation systems. It was paid for by current and former MDOT employees who likely knew some of these people personally...

Idiotic and Misguided

As a seasonal resident, I always look forward to reading your paper, if only because of the idiotic letters to the editor and off the wall columns...


Home · Articles · News · Music · 4Play: Biosphere, Brendan Perry,...
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4Play: Biosphere, Brendan Perry, Blondie, Broken Bells

Kristi Kates - July 18th, 2011
 Biosphere - N-Plants - Touch
At once retro in its choices of synth sounds and beats, and modern in -
well, its choices of synth sounds and beats, Biosphere’s latest sticks to
his familiar sound while striking out into new, backwards-looking
territory. It is most definitely an album of contrasts. Opener “Hendai 1,”
a bit threatening-sounding, offers an intro that feels much like the
beginnings of a thriller or mystery movie, while its successor, “Shika 1,”
warms things up out of the fear factor zones with a more approachable
composition. Brimming with intensity, these tracks push one step beyond
ambient music and into something a little more pensive.

 
Brendan Perry - Ark -101
Former Dead Can Dance member Perry’s sophomore set, recorded at Perry’s
own home studio, finds the musician on a true solo mission of sorts, as he
wrote all of the songs here and performed all of the instruments himself.
The tracklisting extends that isolated approach, as Perry thinks and
performs his way through musings on life and personal growth, translated
through instruments both typical (guitars, keyboards) and somewhat
unexpected, given his electro/pop background (dulcimer?); and the
carefully-constructed lyrics on tunes like “The Devil and the Deep Blue
Sea” and “Utopia” show off Perry’s experience and craft.

 
Blondie - Panic of Girls - AIS
The legendary Debbie Harry and bandmates are back for yet another new set,
with their latest approach attacking solid refrains and radio-friendly
hooks head-on. A blend of electro-punk and some slightly misplaced reggae,
it’s successful for the most part, although the set may have served itself
better to focus on one sound/genre instead of the two. “Le Bleu,” with its
dual-language lyrics, and “D-Day” are catchy updates of the familiar
Blondie pop-punk sound, but tunes like “Girlie Girlie” drag on way too
long, time that would’ve better been spent expanding the more catchy “The
End, The End” or instant single “What I Heard.”


Broken Bells - Meyrin Fields - Columbia
Short (only four songs) but appealingly diverse, the Shins/Danger Mouse
side project serves as follow-up to their critically and fan-acclaimed
2010 debut, opening with “The Ghost Inside” B-side “Meyrin Fields” (hence
the album’s title), and shifting directly into the more rough,
suspenseful, and funky “Windows,” the tropicalia/synthy mix of “An Easy
Life,” and the more mainstream twisted electropop of “Heartless Empire,”
all of which serve to help define why these two skilled musicians work so
well together as a musical team. It’s artsy and concise, and a good look
forward at Broken Bells’ recordable future.
 
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