Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Art · Eye of the Beholder Michelle Hart...
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Eye of the Beholder Michelle Hart Jahraus captures Leelanau in its element

Al Parker - July 25th, 2011
Van Gogh did it. So did Monet and Renoir.
And Leelanau County artist Michelle Hart Jahraus is an outspoken advocate
of painting outdoors, or “plein air” – especially near water. Capturing
the elusive qualities of light and landscapes are fascinating to her. She
even teaches classes in the classic artistic practice.
“If I haven’t had a day near the water, I feel unfulfilled or
irresponsible,” she says with a smile. “I feel it’s sort of a
responsibility to art.”
Jahraus, who lives in Maple City, specializes in compelling landscapes of
Leelanau County, ranging from the alluring shoreline of Lake Michigan to
weathered barns and flowering hillsides. Leland’s Old Art Building, Empire
Bluffs and venerable Fishtown are some of her favorite places and she’s
captured their charm in several works.
“I like to work from a preliminary sketch,” explains Jahraus. “Then I use
Golden acrylics, by far the best I’ve found. I never work with oils – I’m
allergic.”

DUCK TO SWAN
When she’s not outside working on a landscape, Jahraus can be found
bustling around inside her studio at the Duck to Swan Gallery which she
owns and operates in downtown Cedar. She shares the quaint building with
jewelry designer Liz Saile, a talented artist in her own right.
“Of course, our busiest season is the summer,” says Jahraus with a laugh.
“And that’s when I want to be outside painting. But running the gallery is
fun, too, visiting with our customers. And we’ve grown every year, except
2009 when we had a cold, gray summer.”
Putting all her artwork out for the public to inspect was initially a
little unnerving for Jahraus. “At first I was petrified,” she recalls.
“I’m a shy person and to put my paintings out there and hear the comments,
it was hard. Now I love what they say about my paintings.”
As the gallery gained popularity, so has Jahraus whose works have
generated a handful of avid collectors. She sees the same folks coming
each summer from Ohio, Illinois, Indiana, California and the Carolinas.
They travel north to see what slices of Northern Michigan scenes Jahraus
has captured.
Last year she entered one of her works – “This Side of the Manitou” – in
the ArtPrize competition in Grand Rapids. The 65-inch by 25-inch piece
captures the sunrise and sunset of life in a compelling landscape. “It’s
my ballad painting,” she says.

FIVE GENERATIONS
Born in Pittsburgh, PA, Jahraus’ family goes back five generations in
Leelanau County. As a child her family would spend summers in northern
Michigan, sometimes along East Grand Traverse Bay, sometimes on Old
Mission Peninsula. At Wheaton College she double-majored in art and
geology, giving her a solid background for many of her landscape works
that involve craggy rocky shorelines or popular Petoskey stones.
“Rocks are some of the most popular things we do,” she says. “And
lighthouses are so popular that they sell before I can even get prints
made of them.”
Several of her works are available as giclee prints, making them available
for a price that is more economical than an original acrylic painting. She
works with Traverse City’s Scott Wilson to painstakingly produce the
stunning prints on canvas. The reproductions are limited to 100 prints.
Jahraus does her own framing, often using weathered barn wood to perfectly
capture the rural scenes that she depicts. Old tongue and groove works
great, she says.
So who are the artists who inspire her?
She’s a big fan of pottery maker Julie Chai and Leif Sporck, known for his
colorful, creative ceramic tiles. “I love Maxwell Parrish, Monet, most of
the Impressionists,” she says. “And Grant Wood. People know him for
American Gothic, but he did a ton of landscapes.”
Jahraus feels especially privileged to live in scenic Leelanau County.
“I love to be a part of preserving it,” she says. “Not only do I support
efforts to safeguard our natural environment, I also portray and document
our local beauty on canvas and watercolor paper… My passion is to portray
the shores, sands and scenes that God has created and make them available
for others to enjoy and remember year round.”

For more information about Jahraus and her works, go to
www.ducktoswangallery.com.
 
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