Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · Manchester Orchestra , Cold,...
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Manchester Orchestra , Cold, Alkaline Trio, Separation

Kristi Kates - July 25th, 2011
Manchester Orchestra - Simple Math - Columbia
Opening with a direct message to fans “Dear everybody/that has paid to see my band…,” Manchester Orchestra’s latest carefully places some more delicate instrumentals - specifically strings - on top of their stacks of heavy, dense guitars, a definite plus for the album’s overall sound and presence. “Mighty” is perhaps the best example of this musical juxtaposition, as is the even catchier “Pensacola” and the title track. Both guitars and violins quiet to complement each other well on “Leave It Alone,” while “Apprehension” shifts the focus to the track’s percussion, with strongly personal lyrics throughout the set.




Cold - Superfiction - Eleven Seven Music
Heavy alt-rock and carefully-crafted storytelling might seem like an unusual combination, but it’s one of the best descriptions of Cold’s latest album. Frontman Cold (aka Scooter Ward) helms his bandmates well throughout this set, which presents dark instrumentals, distressed guitars, and weighty beats together with a wide range of poetically-executed tales. “The Ballad of Nameless” adds pensive piano to this mix, while “Wicked World” amps up the distortion on the guitars, even as the vocals take the “pretty” route; “Flight of the Superstar” sets the stage for “… Nameless” to sweep in and wrap the set up perfectly.




Alkaline Trio - Damnesia - Epitaph
The Trio decided to celebrate their 15th anniversary as a band with this collection, which serves as a best-of collection of their works over the past 15 years, a showcase for three new songs, and a way for the band to have a little fun revamping some of their older songs as unplugged/acoustic numbers. The acoustic guitars add depth and focus to the band’s “Mercy Me” and “Calling All Skeletons,” and new acoustic-based track “I Remember a Rooftop” is a pretty musing by lovelorn Dan Andriano. Elsewhere, acoustic pianos are added in to “The American Scream” and “This Could Be Love.” It’s a varied set and an enjoyable listen for fans.


Separation - Balance and Composure - No Sleep Records
Take a less-funky, earlier Chili Peppers, throw in a little Cursive and Brand New, and you’ve got Separation’s under-the-radar alt-post-hardcore sound. Got that? “Void” begins the album’s tracklisting with unadorned guitars, but things get a lot more punk fairly quickly; lead single “Quake” harkens back to the mid-’90s with its up-n-down arrangement, “More To Me” deposits several layers of vocals, one on top of the next; and “Patience,” despite the title, sees the band getting more aggressive. There are some slower-tempo moments here worth hearing, as well, namely “Progress, Progress” and the midtempo “Stone Hands.”


 
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