Letters

Letters 02-15-2016

No More Balloon Launches In the recent Wedding issue, a writer noted a trend of celebratory balloon launches at weddings. Balloon releases are nothing more than a wind-born distribution of litter, not an appropriate way to celebrate a marriage or commemorate cancer victims and survivors...

Plenty Of Blame In Flint Many opinions have been voiced about the Flint water crisis; all have left many questions unasked, such as: Lead is the culprit, and a there is a ban on lead in paint, as well as one on lead in new plumbing materials. There are still many service connecting pipes made out of lead in service. Why? Have any been installed despite the ban?

Stop Balloon Releases I was appalled by the column on the wedding traditions article that suggested making new traditions like releasing balloons at the conclusion of the ceremony! I am the president of AFFEW (A Few Friends for the Environment of the World) in Ludington, and we clean beaches four times a year....

Roosevelt Had It Right 202 years ago the British Royal Navy bombarded Fort McHenry during the War Of 1812. While being held captive aboard the HMS Surprise, Francis Scott Key composed the immortal “Star Spangled Banner” poem. 202 years later I ask, “Oh, say can you see” one of the most appallingly dishonest presidential election cycles since the Adams/Jefferson election of 1800...

Avoid Urban Sprawl In Petoskey I urge Resort Township, the City of Petoskey and Emmet County to dissuade Bay Harbor’s proposal to add new business and residential development along U.S. 31 near the main entrance to Bay Harbor...

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Manchester Orchestra , Cold, Alkaline Trio, Separation

Kristi Kates - July 25th, 2011
Manchester Orchestra - Simple Math - Columbia
Opening with a direct message to fans “Dear everybody/that has paid to see my band…,” Manchester Orchestra’s latest carefully places some more delicate instrumentals - specifically strings - on top of their stacks of heavy, dense guitars, a definite plus for the album’s overall sound and presence. “Mighty” is perhaps the best example of this musical juxtaposition, as is the even catchier “Pensacola” and the title track. Both guitars and violins quiet to complement each other well on “Leave It Alone,” while “Apprehension” shifts the focus to the track’s percussion, with strongly personal lyrics throughout the set.




Cold - Superfiction - Eleven Seven Music
Heavy alt-rock and carefully-crafted storytelling might seem like an unusual combination, but it’s one of the best descriptions of Cold’s latest album. Frontman Cold (aka Scooter Ward) helms his bandmates well throughout this set, which presents dark instrumentals, distressed guitars, and weighty beats together with a wide range of poetically-executed tales. “The Ballad of Nameless” adds pensive piano to this mix, while “Wicked World” amps up the distortion on the guitars, even as the vocals take the “pretty” route; “Flight of the Superstar” sets the stage for “… Nameless” to sweep in and wrap the set up perfectly.




Alkaline Trio - Damnesia - Epitaph
The Trio decided to celebrate their 15th anniversary as a band with this collection, which serves as a best-of collection of their works over the past 15 years, a showcase for three new songs, and a way for the band to have a little fun revamping some of their older songs as unplugged/acoustic numbers. The acoustic guitars add depth and focus to the band’s “Mercy Me” and “Calling All Skeletons,” and new acoustic-based track “I Remember a Rooftop” is a pretty musing by lovelorn Dan Andriano. Elsewhere, acoustic pianos are added in to “The American Scream” and “This Could Be Love.” It’s a varied set and an enjoyable listen for fans.


Separation - Balance and Composure - No Sleep Records
Take a less-funky, earlier Chili Peppers, throw in a little Cursive and Brand New, and you’ve got Separation’s under-the-radar alt-post-hardcore sound. Got that? “Void” begins the album’s tracklisting with unadorned guitars, but things get a lot more punk fairly quickly; lead single “Quake” harkens back to the mid-’90s with its up-n-down arrangement, “More To Me” deposits several layers of vocals, one on top of the next; and “Patience,” despite the title, sees the band getting more aggressive. There are some slower-tempo moments here worth hearing, as well, namely “Progress, Progress” and the midtempo “Stone Hands.”


 
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