Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Features · Take It From The Top
. . . .

Take It From The Top

Kristi Kates - August 1st, 2011
It’s not often that youthful students have a chance to work with a Broadway director on their theatrical skills, but that’s what’s in store for kids participating in the Take It From the Top (TIFTT) workshops this summer at the Traverse City Opera House.
Poised to offer aspiring musical theater performers a wealth of personalized training and experience in music, dance, and theater, the TIFTT workshops, taught by Broadway professionals and helmed by director Paul Canaan, are enriching and focused, exposing their students to many different facets of on-stage life.
Currently, the workshops are limited to those aged 10 to 18; a teachers’ workshop took place in East Lansing, but that idea has yet to be developed in Traverse City, nor have adult theater workshops. But for the youthful students who are fortunate enough to be able to enroll, it’s a chance to see what the Broadway life is really all about.

DANCE AND SING
“We try to maximize the students’ experiences with our faculty,” Canaan explains, “we usually begin a workshop with a vocal warm-up with the whole group, and then we split into smaller groups and dance in one space, while another group works on vocal material. Then the two groups switch so that they get both classes.”
One-on-one solo coaching is also included through the week (“so students can work on their own material,” Canaan says), and a broad range of both classic and modern musical theater composers and plays are referenced throughout, so performers can get the Broadway experience from the ground up.
“We touch on Fosse, Rodgers and Hammerstein, Sondheim, Rent,” Canaan says, “musical theater encompasses a huge variety of themes and styles.”
TIFTT got its start at the Wharton Center at Michigan State University (as part of their “Artist in Residency” program), a program known as Take It From The Top is quickly becoming a favorite returning event for Traverse City, partnering with the Old Town Playhouse for classes during the day, and performing their recitals at the Traverse City Opera House.

BIG AUDITIONS
Whether students are just looking to have fun with on-stage arts, improve their performances in local productions, or aim at the bigger footlights of Broadway or national stages, Canaan says there’s something for everyone - but the program does also have a great record of success as far as giving performers the confidence and connections to help get their dancing feet in various professional and college-level doors.
“We’ve had a lot of students stay in touch with our casting directors, and get auditions in New York,” Canaan enthuses, “I actually sent a video of a boy from Traverse City to the casting director of Billy Elliot (the Broadway musical), and she was thrilled to see all of the talent in Michigan.”
“We also have a lot of students get into great musical theater college programs,” he continues, “which I love seeing, as well.”

ON-STAGE REWARDS
Canaan’s rewards are, he explains, in seeing new talents gain confidence, and in working with new instructors, as well, which he explains can add a whole new level of enthusiasm to the program itself.
“I’m bringing a new team of teachers into the workshops (for 2011),” he says, “which is always fun when you have some of the same students. And I’m very excited that we get to perform at the Opera House in Traverse City - it’s one of my favorite cities to work in. My favorite part about the workshops week is seeing the growth throughout the week. A lot of our students come to the program not knowing what to expect, and nervous about working with theater professionals.”
“But by the end of the week,” he says, “they’re on stage singing and dancing and taking risks fearlessly. I love that.”

The Take It From The Top workshops begin on August 2. For more information and to sign up, visit http://www.cityoperahouse.org/takeitfromthetop.php
 
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