Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Features · Take It From The Top
. . . .

Take It From The Top

Kristi Kates - August 1st, 2011
It’s not often that youthful students have a chance to work with a Broadway director on their theatrical skills, but that’s what’s in store for kids participating in the Take It From the Top (TIFTT) workshops this summer at the Traverse City Opera House.
Poised to offer aspiring musical theater performers a wealth of personalized training and experience in music, dance, and theater, the TIFTT workshops, taught by Broadway professionals and helmed by director Paul Canaan, are enriching and focused, exposing their students to many different facets of on-stage life.
Currently, the workshops are limited to those aged 10 to 18; a teachers’ workshop took place in East Lansing, but that idea has yet to be developed in Traverse City, nor have adult theater workshops. But for the youthful students who are fortunate enough to be able to enroll, it’s a chance to see what the Broadway life is really all about.

DANCE AND SING
“We try to maximize the students’ experiences with our faculty,” Canaan explains, “we usually begin a workshop with a vocal warm-up with the whole group, and then we split into smaller groups and dance in one space, while another group works on vocal material. Then the two groups switch so that they get both classes.”
One-on-one solo coaching is also included through the week (“so students can work on their own material,” Canaan says), and a broad range of both classic and modern musical theater composers and plays are referenced throughout, so performers can get the Broadway experience from the ground up.
“We touch on Fosse, Rodgers and Hammerstein, Sondheim, Rent,” Canaan says, “musical theater encompasses a huge variety of themes and styles.”
TIFTT got its start at the Wharton Center at Michigan State University (as part of their “Artist in Residency” program), a program known as Take It From The Top is quickly becoming a favorite returning event for Traverse City, partnering with the Old Town Playhouse for classes during the day, and performing their recitals at the Traverse City Opera House.

BIG AUDITIONS
Whether students are just looking to have fun with on-stage arts, improve their performances in local productions, or aim at the bigger footlights of Broadway or national stages, Canaan says there’s something for everyone - but the program does also have a great record of success as far as giving performers the confidence and connections to help get their dancing feet in various professional and college-level doors.
“We’ve had a lot of students stay in touch with our casting directors, and get auditions in New York,” Canaan enthuses, “I actually sent a video of a boy from Traverse City to the casting director of Billy Elliot (the Broadway musical), and she was thrilled to see all of the talent in Michigan.”
“We also have a lot of students get into great musical theater college programs,” he continues, “which I love seeing, as well.”

ON-STAGE REWARDS
Canaan’s rewards are, he explains, in seeing new talents gain confidence, and in working with new instructors, as well, which he explains can add a whole new level of enthusiasm to the program itself.
“I’m bringing a new team of teachers into the workshops (for 2011),” he says, “which is always fun when you have some of the same students. And I’m very excited that we get to perform at the Opera House in Traverse City - it’s one of my favorite cities to work in. My favorite part about the workshops week is seeing the growth throughout the week. A lot of our students come to the program not knowing what to expect, and nervous about working with theater professionals.”
“But by the end of the week,” he says, “they’re on stage singing and dancing and taking risks fearlessly. I love that.”

The Take It From The Top workshops begin on August 2. For more information and to sign up, visit http://www.cityoperahouse.org/takeitfromthetop.php
 
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