Letters

Letters 07-28-14

Worry About Legals

I can’t figure out what perplexes me more, the misinformation everywhere in the media or those who believe it to be true. Take the Hobby Lobby case; as a company that is primarily owned by a religious family, they felt their First Amendment rights were infringed upon by the “Affordable” Care Act...

Stop Labeling and Enjoy

I have been struggling to find a simple way of understanding for myself the concepts of conservative, liberal, and moderation as it relates to our social interactions with each other...

Proposal One & The Public Good

Are you kidding me? Another corporate giveaway with loopholes for large corporations who rule us? Hasn’t our corrupt and worthless governor done enough to raise taxes, provide corporate welfare, unjustly tax pensions, and shut down elected officials with his emergency manager racket...

The Truth About Road Workers

Apparently Mr. Kachadurian did not catch on to the fact that the MDOT Employee Memorial in Clare is a tribute to highway workers who lost their lives building our transportation systems. It was paid for by current and former MDOT employees who likely knew some of these people personally...

Idiotic and Misguided

As a seasonal resident, I always look forward to reading your paper, if only because of the idiotic letters to the editor and off the wall columns...


Home · Articles · News · Music · 4Play: James Blunt, Old...
. . . .

4Play: James Blunt, Old 97‘s, Kaiser Chiefs, Incubus

Kristi Kates - August 1st, 2011
James Blunt - Some Kind of Trouble - Atlantic
Twelve fresh songs arrive from Brit singer-songwriter on this set, with production by Steve Robson and songs penned by Blunt himself. People tend to be polarized regarding Blunt’s music, mostly due to the inescapable presence of his biggest hit, “You’re Beautiful”; but it’s not fair to hold that against him when he does have such skill at crafting indie-pop ballads. The jangling guitars of “Stay the Night” open the set, which movies right into the peppy (for Blunt) “Dangerous” and “I’ll Be Your Man.” And those ballads are certainly present - the highlights being “No Tears,” “Best Laid Plans,” and the Americana-tinged “If Time Is All We Have.”



Old ‘97’s - The Grand Theater Vol. 2 -
New West
Rhett Miller and crew’s ninth studio set follows up The Grand Theater Vol. 2, which was released about a year ago; the new set, featuring over a dozen songs, further explores the thread set down on the first volume of tunes. The 97’s trademark folk/punk/pop mix is still in well-produced evidence here, from the rocking “I’m a Trainwreck” and the humor-laden “White Port” (with its pirate-accent references) to the equally peppy (but more poppy) “The Actor” and “Perfume.” There aren’t really any mellow moments here - the album pretty much keeps the energy level at at least 6 - but it’s a solid set that should translate well live.




Kaiser Chiefs - Future is Medieval - Universal
What should a successful Britpop act do after selling millions of albums and spending much of the past three years on tour? Why, get back at it in the studio, of course - namely their own studio that the Chiefs built in the basement of their London management office. Snagging Owen Morris and Tony Visconti to help them with production duties, the band has crafted another uber-catchy set that opens with the now-classic Kaiser Chiefs sound on “Little Shocks” and continues onward through the rhythm-anchored “Things Change,” the piano-dusted “Starts with Nothing,” and single-in-the-making “Coming Up for Air.”


Incubus - If Not Now, When? - Epic
It must be something about the “Bs”; Incubus frontman Brandon Boyd and producer Brendan O’Brien have teamed up to craft Incubus’ sixth studio album, and it’s another solid, if somewhat surprising tempo-wise, set that showcases the band’s tuneful capabilities and ways around an alternative-rock hook. Although it’s less complex than previous efforts as far as showing off the bandmates’ instrumental skills, this “band love letter to the world,” as the band puts it, is more mid-tempo than ever before, leaving more room for Boyd’s emotional vocals on tracks like the affirming “Isadore” and “Tomorrow’s Food.”

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close