Letters

Letters 09-29-2014

Benishek Doesn’t Understand

Congressman Benishek claims to understand the needs of families, yet he wants to repeal the Affordable Care Act, which would cause about 10 million people to lose their health insurance. He must think as long as families can hold fundraisers they don’t need insurance...

(Un)Truth In Advertising

Constant political candidate ads on TV are getting to be too much to bear 45 days before the election...

Rare Tuttle Rebuttal

Finally, I disagree with Stephen Tuttle. His “Cherry Bomb” column in the 8/4/14 issue totally dismayed me. I always love his wit and the slamming of the 1 percent. His use of fact and hyperbole highlights the truth; until “Cherry Bomb.” Oh man, Stephen...

Say No To Fluoride

Do you or your child’s teeth have white, yellow, orange, brown, stains, spots, streaks, cloudy splotches or pitting? If so, you may be among millions of Americans who now have a condition called dental fluorosis...

Questions Of Freedom

The administration’s “Affordable Health Care Act” has ordered religious orders to provide contraception and chemical abortions against the church’s God given beliefs and teachings … an interesting order, considering the First Amendment’s clear prohibitions...

Stop The Insults & Talk

I found it interesting that Ms. Minervini used the Northern Express to push the Safe Harbor agenda for a 90-bed homeless shelter in Traverse City with a tactic that is also being utilized by members of the city commission. Those of us who oppose the project are being labeled as uncompassionate citizens...

Roads and Republicans

Each time you hit a road crater while driving, thank the “nerd” and the Tea Party controlled Republican legislature.

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4Play: James Blunt, Old 97‘s, Kaiser Chiefs, Incubus

Kristi Kates - August 1st, 2011
James Blunt - Some Kind of Trouble - Atlantic
Twelve fresh songs arrive from Brit singer-songwriter on this set, with production by Steve Robson and songs penned by Blunt himself. People tend to be polarized regarding Blunt’s music, mostly due to the inescapable presence of his biggest hit, “You’re Beautiful”; but it’s not fair to hold that against him when he does have such skill at crafting indie-pop ballads. The jangling guitars of “Stay the Night” open the set, which movies right into the peppy (for Blunt) “Dangerous” and “I’ll Be Your Man.” And those ballads are certainly present - the highlights being “No Tears,” “Best Laid Plans,” and the Americana-tinged “If Time Is All We Have.”



Old ‘97’s - The Grand Theater Vol. 2 -
New West
Rhett Miller and crew’s ninth studio set follows up The Grand Theater Vol. 2, which was released about a year ago; the new set, featuring over a dozen songs, further explores the thread set down on the first volume of tunes. The 97’s trademark folk/punk/pop mix is still in well-produced evidence here, from the rocking “I’m a Trainwreck” and the humor-laden “White Port” (with its pirate-accent references) to the equally peppy (but more poppy) “The Actor” and “Perfume.” There aren’t really any mellow moments here - the album pretty much keeps the energy level at at least 6 - but it’s a solid set that should translate well live.




Kaiser Chiefs - Future is Medieval - Universal
What should a successful Britpop act do after selling millions of albums and spending much of the past three years on tour? Why, get back at it in the studio, of course - namely their own studio that the Chiefs built in the basement of their London management office. Snagging Owen Morris and Tony Visconti to help them with production duties, the band has crafted another uber-catchy set that opens with the now-classic Kaiser Chiefs sound on “Little Shocks” and continues onward through the rhythm-anchored “Things Change,” the piano-dusted “Starts with Nothing,” and single-in-the-making “Coming Up for Air.”


Incubus - If Not Now, When? - Epic
It must be something about the “Bs”; Incubus frontman Brandon Boyd and producer Brendan O’Brien have teamed up to craft Incubus’ sixth studio album, and it’s another solid, if somewhat surprising tempo-wise, set that showcases the band’s tuneful capabilities and ways around an alternative-rock hook. Although it’s less complex than previous efforts as far as showing off the bandmates’ instrumental skills, this “band love letter to the world,” as the band puts it, is more mid-tempo than ever before, leaving more room for Boyd’s emotional vocals on tracks like the affirming “Isadore” and “Tomorrow’s Food.”

 
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