Recorded during Gorillaz last autumn tour, this album is a sonic diary of sorts, and features an eclectic range of Gorillaz tracks, some only at demo level, some solo Damon Albarn, and some more fully developed into actual Gorillaz songs. The songs are short and to the point, unlike some of the other Gorillaz albums, but thats not a bad thing; and because the album was recorded mostly on the fly, its far more electronic in its base sounds, with plenty of synth and what seems like more loops than their last set. Highlights include the incongrously bright Detroit, the horns-graced The Snake in Dallas, and the trip-hop Hillbilly Man.
Monolake - Silence - Monolake
Sitting on a set of scales are the two halves of this Monolake album, not so much as in two separate sides (as you might see on a vinyl album), but in the sets two subtly distinct musical personalities. A series of tracks that are quite dark and industrial dominate the drone-ambient set, enhanced and seasoned with the sounds of metal, electronics, and hovering tones that help to set the various moods. The other face of the album surfaces in tracks that, to the experienced ambient listener at least, take a break from the dark and invite in some less-threatening sounds on such numbers as Void and Internal Clock.
We the Kings - Sunshine State of Mind - S-Curve
Floridians We the Kings are back with a third set of punky pop tracks (or is that poppy punk tracks?) that unfortunately arent quite as strong as previous releases. The lyrics have taken a step back in smartness, while the production is a bit well, corny, perhaps the result of a change in the bands production team. Elsewhere, a lack of conviction seems to filter through the vocal performances of Travis Clark, who sounded breezy before but positively bored now; only a couple of the tunes here are worth the download, those being the zippy Kiss Me Last and the island-inflected, Jack-Johnson reminiscent Say You Like Me.
The Head and the Heart - The Head and the Heart - Sub Pop
The Head and the Heart, led by singer-songwriters Jonathan Russell and Josiah Johnson, is right in trend with some of the other more recent singer-songwriters (and bands helmed by same) that have been making more noise over the past few months, Bon Iver and the Avetts among them. THATHs songs, enriched by the full band which includes piano, violin, bass, and drums, are showcased best on songs like the dynamic, well-arranged River and Roads, the beautifully regretful Honey Come Home, and the more energetic Heaven Go Easy On Me and Sounds Like Hallelujah. A consistent and likeable debut.