Letters

Letters 02-01-2016

Real Contamination In 1968, Chicago (its Mayor Richard Daley in particular) felt menaced by anti-war protesters (Abbie Hoffman in particular) threatening to put the hallucinogenic LSD into Chicago’s water supply. In reaction to the 9/11 terrorist attacks on New York and Washington, D.C., we reacted vigorously to a perceived threat of chemical or biological terrorist attacks on our water supply. A religious cult contaminating a city water tank with salmonella in Oregon, sickening about 700, was the only such attack in our country until now. The water supply of Flint, Mich., was attacked and contaminated, not by terrorists or protesters, but by our own government...

Why The Muslim Debate? I was passing through your fine town last week and picked up a couple copies of Northern Express. There I noted a discourse concerning the Muslim situation in Dearborn. It is interesting to note that I see similar conversations in newspapers and blogs throughout the country and, in fact, throughout the world...

Kachadurian Has It All Wrong Thank you for continuing to publish Thomas Kachadurian’s bigoted editorials. If not for this publication, I wouldn’t know that such people lived in my sweet northern Michigan...

Over The Line I felt Sarah Palin crossed the line when she indicated our president did not care about those like her son who came home wounded. No one challenges her on these remarks; to me it is shameful...

Flints’ Man-made Disaster Governor Snyder’s Financial Emergency Manager Law has created a State of Emergency in Flint. In 2011, newly elected Governor Snyder signed Public Act 4, giving him the freedom to take over any city government his office found financially bankrupt, with power to override any decision of elected city officials. This law showed his primary motive — money before people. In November 2012, the People of Michigan voted down his Financial Emergency Manager Law, as they resented losing control of their cities. In December 2012, he showed his contempt for the people’s vote and signed a revised version, one that did not give power back to the people...

Defending the AR15 And Gun Rights I was amazed to read David Downer’s recent letter. He admits he is a gun owner but he expresses his ignorance of what an “assault rifle” really is, and thereby spreads the antigun position that an AR15 is an assault rifle...

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4Play: Gorillaz, Monolake, We The Kings, The Head & The Heart

Kristi Kates - August 15th, 2011
Gorillaz - The Fall - V Records
Recorded during Gorillaz’ last autumn tour, this album is a sonic “diary” of sorts, and features an eclectic range of Gorillaz tracks, some only at demo level, some solo Damon Albarn, and some more fully developed into actual Gorillaz songs. The songs are short and to the point, unlike some of the other Gorillaz albums, but that’s not a bad thing; and because the album was recorded mostly on the fly, it’s far more electronic in its base sounds, with plenty of synth and what seems like more loops than their last set. Highlights include the incongrously bright “Detroit,” the horns-graced “The Snake in Dallas,” and the trip-hop “Hillbilly Man.”




Monolake - Silence - Monolake
Sitting on a set of scales are the two halves of this Monolake album, not so much as in two separate sides (as you might see on a vinyl album), but in the set’s two subtly distinct musical personalities. A series of tracks that are quite dark and industrial dominate the drone-ambient set, enhanced and seasoned with the sounds of metal, electronics, and hovering tones that help to set the various moods. The other “face” of the album surfaces in tracks that, to the experienced ambient listener at least, take a break from the dark and invite in some less-threatening sounds on such numbers as “Void” and “Internal Clock.”




We the Kings - Sunshine State of Mind - S-Curve
Floridians We the Kings are back with a third set of punky pop tracks (or is that poppy punk tracks?) that unfortunately aren’t quite as strong as previous releases. The lyrics have taken a step back in smartness, while the production is a bit… well, corny, perhaps the result of a change in the band’s production team. Elsewhere, a lack of conviction seems to filter through the vocal performances of Travis Clark, who sounded breezy before but positively bored now; only a couple of the tunes here are worth the download, those being the zippy “Kiss Me Last” and the island-inflected, Jack-Johnson reminiscent “Say You Like Me.”


The Head and the Heart - The Head and the Heart - Sub Pop
The Head and the Heart, led by singer-songwriters Jonathan Russell and Josiah Johnson, is right in trend with some of the other more recent singer-songwriters (and bands helmed by same) that have been making more noise over the past few months, Bon Iver and the Avetts among them. THATH’s songs, enriched by the full band which includes piano, violin, bass, and drums, are showcased best on songs like the dynamic, well-arranged “River and Roads,” the beautifully regretful “Honey Come Home,” and the more energetic “Heaven Go Easy On Me” and “Sounds Like Hallelujah.” A consistent and likeable debut.
 
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