Letters

Letters 07-27-2015

Next For Brownfields In regard to your recent piece on brownfield redevelopment in TC, the Randolph Street project appears to be proceeding without receiving its requested $600k in brownfield funding from the county. In response to this, the mayor is quoted as saying that the developer bought the property prior to performing an environmental assessment and had little choice but to now build it...

Defending Our Freedom This is in response to Sally MacFarlane Neal’s recent letter, “War Machines for Family Entertainment.” Wake Up! Make no mistake about it, we are at war! Even though the idiot we have for a president won’t accept the fact because he believes we can negotiate with Iran, etc., ISIS and their like make it very clear they intend to destroy the free world as we know it. If you take notice of the way are constantly destroying their own people, is that living...

What Is Far Left? Columnist Steve Tuttle, who so many lambaste as a liberal, considers Sen. Sanders a far out liberal “nearly invisible from the middle.” Has the middle really shifted that far right? Sanders has opposed endless war and the Patriot Act. Does Mr. Tuttle believe most of our citizens praise our wars and the positive results we have achieved from them? Is supporting endless war or giving up our civil liberties middle of the road...

Parking Corrected Stephen Tuttle commented on parking in the July 13 Northern Express. As Director of the Traverse City Downtown Development Authority, I feel compelled to address a couple key issues. But first, I acknowledge that  there is some consternation about parking downtown. As more people come downtown served by less parking, the pressure on what parking we have increases. Downtown serves a county with a population of 90,000 and plays host to over three million visitors annually...

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4Play: Gorillaz, Monolake, We The Kings, The Head & The Heart

Kristi Kates - August 15th, 2011
Gorillaz - The Fall - V Records
Recorded during Gorillaz’ last autumn tour, this album is a sonic “diary” of sorts, and features an eclectic range of Gorillaz tracks, some only at demo level, some solo Damon Albarn, and some more fully developed into actual Gorillaz songs. The songs are short and to the point, unlike some of the other Gorillaz albums, but that’s not a bad thing; and because the album was recorded mostly on the fly, it’s far more electronic in its base sounds, with plenty of synth and what seems like more loops than their last set. Highlights include the incongrously bright “Detroit,” the horns-graced “The Snake in Dallas,” and the trip-hop “Hillbilly Man.”




Monolake - Silence - Monolake
Sitting on a set of scales are the two halves of this Monolake album, not so much as in two separate sides (as you might see on a vinyl album), but in the set’s two subtly distinct musical personalities. A series of tracks that are quite dark and industrial dominate the drone-ambient set, enhanced and seasoned with the sounds of metal, electronics, and hovering tones that help to set the various moods. The other “face” of the album surfaces in tracks that, to the experienced ambient listener at least, take a break from the dark and invite in some less-threatening sounds on such numbers as “Void” and “Internal Clock.”




We the Kings - Sunshine State of Mind - S-Curve
Floridians We the Kings are back with a third set of punky pop tracks (or is that poppy punk tracks?) that unfortunately aren’t quite as strong as previous releases. The lyrics have taken a step back in smartness, while the production is a bit… well, corny, perhaps the result of a change in the band’s production team. Elsewhere, a lack of conviction seems to filter through the vocal performances of Travis Clark, who sounded breezy before but positively bored now; only a couple of the tunes here are worth the download, those being the zippy “Kiss Me Last” and the island-inflected, Jack-Johnson reminiscent “Say You Like Me.”


The Head and the Heart - The Head and the Heart - Sub Pop
The Head and the Heart, led by singer-songwriters Jonathan Russell and Josiah Johnson, is right in trend with some of the other more recent singer-songwriters (and bands helmed by same) that have been making more noise over the past few months, Bon Iver and the Avetts among them. THATH’s songs, enriched by the full band which includes piano, violin, bass, and drums, are showcased best on songs like the dynamic, well-arranged “River and Roads,” the beautifully regretful “Honey Come Home,” and the more energetic “Heaven Go Easy On Me” and “Sounds Like Hallelujah.” A consistent and likeable debut.
 
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