Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

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4Play: Gorillaz, Monolake, We The Kings, The Head & The Heart

Kristi Kates - August 15th, 2011
Gorillaz - The Fall - V Records
Recorded during Gorillaz’ last autumn tour, this album is a sonic “diary” of sorts, and features an eclectic range of Gorillaz tracks, some only at demo level, some solo Damon Albarn, and some more fully developed into actual Gorillaz songs. The songs are short and to the point, unlike some of the other Gorillaz albums, but that’s not a bad thing; and because the album was recorded mostly on the fly, it’s far more electronic in its base sounds, with plenty of synth and what seems like more loops than their last set. Highlights include the incongrously bright “Detroit,” the horns-graced “The Snake in Dallas,” and the trip-hop “Hillbilly Man.”




Monolake - Silence - Monolake
Sitting on a set of scales are the two halves of this Monolake album, not so much as in two separate sides (as you might see on a vinyl album), but in the set’s two subtly distinct musical personalities. A series of tracks that are quite dark and industrial dominate the drone-ambient set, enhanced and seasoned with the sounds of metal, electronics, and hovering tones that help to set the various moods. The other “face” of the album surfaces in tracks that, to the experienced ambient listener at least, take a break from the dark and invite in some less-threatening sounds on such numbers as “Void” and “Internal Clock.”




We the Kings - Sunshine State of Mind - S-Curve
Floridians We the Kings are back with a third set of punky pop tracks (or is that poppy punk tracks?) that unfortunately aren’t quite as strong as previous releases. The lyrics have taken a step back in smartness, while the production is a bit… well, corny, perhaps the result of a change in the band’s production team. Elsewhere, a lack of conviction seems to filter through the vocal performances of Travis Clark, who sounded breezy before but positively bored now; only a couple of the tunes here are worth the download, those being the zippy “Kiss Me Last” and the island-inflected, Jack-Johnson reminiscent “Say You Like Me.”


The Head and the Heart - The Head and the Heart - Sub Pop
The Head and the Heart, led by singer-songwriters Jonathan Russell and Josiah Johnson, is right in trend with some of the other more recent singer-songwriters (and bands helmed by same) that have been making more noise over the past few months, Bon Iver and the Avetts among them. THATH’s songs, enriched by the full band which includes piano, violin, bass, and drums, are showcased best on songs like the dynamic, well-arranged “River and Roads,” the beautifully regretful “Honey Come Home,” and the more energetic “Heaven Go Easy On Me” and “Sounds Like Hallelujah.” A consistent and likeable debut.
 
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