Letters 10-05-2015

Bravo Regarding the Sept. 28 Northern Express letter “Just The Facts” by Julie Racine, opinion column “E Pluribus Unum” by Thomas Kachadurian, and Spectator column “Fear Not” by Stephen Tuttle: Bravo. Bravo. Bravo....

Right On OMG. Julie Racine’s letter “Just the Facts” in the Sept. 28 issue said everything I was thinking. I totally agree. Amen sister...

Kachadurian’s Demeaning Sham Thomas Kachadurian’s opinion piece “E Pluribus Unum” is a very ill-informed perspective of American history. He attempts to portray our past as a homogenized national experience that has transcended any ethnic and regional differences with “the understanding” that our differences shouldn’t really matter...

Opinions Disguised As Facts Freedom of speech is a founding principle upon which our country prides itself, and because of this we all have a right to our opinion. It is when opinions are disguised as facts that we allow for ignorance to spread like wildfire...

Reject Your Own Stereotypes In his “E Pluribus Unum” column of 9/28, Mr. Kachadurian starts calmly enough with a simple definition and history of that famous motto from the Great “from many, one” seal of the U.S., but soon goes off the rhetorical rails. Alas, this heritage-sharing chat with neighbors soon turns into a dirty laundry list polemic, based on an us vs. them worldview...

Thanks For Just The Facts Thank you sooooo much to Julie in Marion for laying out the laundry list of right wing fabrications in her letter last week...

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4Play: Blue October, I Wrestled a Bear Once, Dave Matthews Band, Augustana

Kristi Kates - August 22nd, 2011
Blue October - Ugly Side: An Acoustic Evening with Blue October - Red General
Recorded at the band’s first “official” acoustic shows at a couple of different locales in Texas, this set showcases their tunes in both a different setting and with a different vocal approach. They’re not “ugly” versions of the songs, although they are unplugged - this serves the songs and their arrangements well, especially on “Come In Closer,” which seems more personal with the absence of the female singer on the full version; “X Amount of Words,” which adds in a shakeup in the bass line; the popular “Jump Rope”; and the evocative, emotional “The End.” It’s a nice acoustic roundup of what this band can do without their full sound.

I Wrestled A Bear Once - Ruining It for Everybody - Century Media
Somewhere between serious screamo music and post-metal-emo - they don’t seem to be quite sure where they’re meant to be - IWABO produced this album a little more thoroughly than previous releases, but it’s still just kind of… well, average. Nothing about this album makes them really stand out from the pack; even though they term themselves as ‘experimental,’ you can’t help but think you’ve heard these same experiments attempted somewhere else. It’s difficult to pick any highlight tracks, because they all, unfortunately, seem to run together; perhaps they’ll do some groundwork and make a better set next time around.

Dave Matthews Band - Live at Wrigley Field - RCA
This endlessly-popular, jazzy rock-jam band never seem to slow down, at least not to their loyal base of fans. 40,000 of said fans showed up for this show at Chicago’s historic Wrigley Field last September to watch (and listen, of course) to this particular set, which included plenty of old favorite DMB songs and a few newer ones. You’ll hear familiar DMB hits like “Jimi Thing,” “Crash Into Me,” and “Tripping Billies,” all delivered with the energy and precision the band is known for. “Jimi Thing” in particular is notable, if for nothing else than to hear an entire crowd of that size singing along. A fun listen for Dave Matthews fans.

Augustana - Augustana - Epic
This is Augustana’s third set, with production by Kings of Leon cohort Jacquire King. With its theme of ‘fighting for the one you love,’ the songs here are impassioned and strong, balancing determination with romance; “Steal Your Heart” has a spare but solid hook to it, while “Shot in the Dark” adds more depth to its own hook, and some of Augustana’s usual pianos are exchanged for guitar, which is a nice change for the group. A few experimental elements - the mandolin on “Borrowed Time” and the synthon “Shot…,” for example, seem not quite fused with Augustana’s arrangements, but don’t detract enough to take away from the overall impression.
  • Currently 3.5/5 Stars.
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