Letters

Letters 07-28-14

Worry About Legals

I can’t figure out what perplexes me more, the misinformation everywhere in the media or those who believe it to be true. Take the Hobby Lobby case; as a company that is primarily owned by a religious family, they felt their First Amendment rights were infringed upon by the “Affordable” Care Act...

Stop Labeling and Enjoy

I have been struggling to find a simple way of understanding for myself the concepts of conservative, liberal, and moderation as it relates to our social interactions with each other...

Proposal One & The Public Good

Are you kidding me? Another corporate giveaway with loopholes for large corporations who rule us? Hasn’t our corrupt and worthless governor done enough to raise taxes, provide corporate welfare, unjustly tax pensions, and shut down elected officials with his emergency manager racket...

The Truth About Road Workers

Apparently Mr. Kachadurian did not catch on to the fact that the MDOT Employee Memorial in Clare is a tribute to highway workers who lost their lives building our transportation systems. It was paid for by current and former MDOT employees who likely knew some of these people personally...

Idiotic and Misguided

As a seasonal resident, I always look forward to reading your paper, if only because of the idiotic letters to the editor and off the wall columns...


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4Play: Blue October, I Wrestled a Bear Once, Dave Matthews Band, Augustana

Kristi Kates - August 22nd, 2011
Blue October - Ugly Side: An Acoustic Evening with Blue October - Red General
Recorded at the band’s first “official” acoustic shows at a couple of different locales in Texas, this set showcases their tunes in both a different setting and with a different vocal approach. They’re not “ugly” versions of the songs, although they are unplugged - this serves the songs and their arrangements well, especially on “Come In Closer,” which seems more personal with the absence of the female singer on the full version; “X Amount of Words,” which adds in a shakeup in the bass line; the popular “Jump Rope”; and the evocative, emotional “The End.” It’s a nice acoustic roundup of what this band can do without their full sound.


I Wrestled A Bear Once - Ruining It for Everybody - Century Media
Somewhere between serious screamo music and post-metal-emo - they don’t seem to be quite sure where they’re meant to be - IWABO produced this album a little more thoroughly than previous releases, but it’s still just kind of… well, average. Nothing about this album makes them really stand out from the pack; even though they term themselves as ‘experimental,’ you can’t help but think you’ve heard these same experiments attempted somewhere else. It’s difficult to pick any highlight tracks, because they all, unfortunately, seem to run together; perhaps they’ll do some groundwork and make a better set next time around.


Dave Matthews Band - Live at Wrigley Field - RCA
This endlessly-popular, jazzy rock-jam band never seem to slow down, at least not to their loyal base of fans. 40,000 of said fans showed up for this show at Chicago’s historic Wrigley Field last September to watch (and listen, of course) to this particular set, which included plenty of old favorite DMB songs and a few newer ones. You’ll hear familiar DMB hits like “Jimi Thing,” “Crash Into Me,” and “Tripping Billies,” all delivered with the energy and precision the band is known for. “Jimi Thing” in particular is notable, if for nothing else than to hear an entire crowd of that size singing along. A fun listen for Dave Matthews fans.



Augustana - Augustana - Epic
This is Augustana’s third set, with production by Kings of Leon cohort Jacquire King. With its theme of ‘fighting for the one you love,’ the songs here are impassioned and strong, balancing determination with romance; “Steal Your Heart” has a spare but solid hook to it, while “Shot in the Dark” adds more depth to its own hook, and some of Augustana’s usual pianos are exchanged for guitar, which is a nice change for the group. A few experimental elements - the mandolin on “Borrowed Time” and the synthon “Shot…,” for example, seem not quite fused with Augustana’s arrangements, but don’t detract enough to take away from the overall impression.
 
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