Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

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4Play: Blue October, I Wrestled a Bear Once, Dave Matthews Band, Augustana

Kristi Kates - August 22nd, 2011
Blue October - Ugly Side: An Acoustic Evening with Blue October - Red General
Recorded at the band’s first “official” acoustic shows at a couple of different locales in Texas, this set showcases their tunes in both a different setting and with a different vocal approach. They’re not “ugly” versions of the songs, although they are unplugged - this serves the songs and their arrangements well, especially on “Come In Closer,” which seems more personal with the absence of the female singer on the full version; “X Amount of Words,” which adds in a shakeup in the bass line; the popular “Jump Rope”; and the evocative, emotional “The End.” It’s a nice acoustic roundup of what this band can do without their full sound.


I Wrestled A Bear Once - Ruining It for Everybody - Century Media
Somewhere between serious screamo music and post-metal-emo - they don’t seem to be quite sure where they’re meant to be - IWABO produced this album a little more thoroughly than previous releases, but it’s still just kind of… well, average. Nothing about this album makes them really stand out from the pack; even though they term themselves as ‘experimental,’ you can’t help but think you’ve heard these same experiments attempted somewhere else. It’s difficult to pick any highlight tracks, because they all, unfortunately, seem to run together; perhaps they’ll do some groundwork and make a better set next time around.


Dave Matthews Band - Live at Wrigley Field - RCA
This endlessly-popular, jazzy rock-jam band never seem to slow down, at least not to their loyal base of fans. 40,000 of said fans showed up for this show at Chicago’s historic Wrigley Field last September to watch (and listen, of course) to this particular set, which included plenty of old favorite DMB songs and a few newer ones. You’ll hear familiar DMB hits like “Jimi Thing,” “Crash Into Me,” and “Tripping Billies,” all delivered with the energy and precision the band is known for. “Jimi Thing” in particular is notable, if for nothing else than to hear an entire crowd of that size singing along. A fun listen for Dave Matthews fans.



Augustana - Augustana - Epic
This is Augustana’s third set, with production by Kings of Leon cohort Jacquire King. With its theme of ‘fighting for the one you love,’ the songs here are impassioned and strong, balancing determination with romance; “Steal Your Heart” has a spare but solid hook to it, while “Shot in the Dark” adds more depth to its own hook, and some of Augustana’s usual pianos are exchanged for guitar, which is a nice change for the group. A few experimental elements - the mandolin on “Borrowed Time” and the synthon “Shot…,” for example, seem not quite fused with Augustana’s arrangements, but don’t detract enough to take away from the overall impression.
 
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