Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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4Play: Blue October, I Wrestled a Bear Once, Dave Matthews Band, Augustana

Kristi Kates - August 22nd, 2011
Blue October - Ugly Side: An Acoustic Evening with Blue October - Red General
Recorded at the band’s first “official” acoustic shows at a couple of different locales in Texas, this set showcases their tunes in both a different setting and with a different vocal approach. They’re not “ugly” versions of the songs, although they are unplugged - this serves the songs and their arrangements well, especially on “Come In Closer,” which seems more personal with the absence of the female singer on the full version; “X Amount of Words,” which adds in a shakeup in the bass line; the popular “Jump Rope”; and the evocative, emotional “The End.” It’s a nice acoustic roundup of what this band can do without their full sound.


I Wrestled A Bear Once - Ruining It for Everybody - Century Media
Somewhere between serious screamo music and post-metal-emo - they don’t seem to be quite sure where they’re meant to be - IWABO produced this album a little more thoroughly than previous releases, but it’s still just kind of… well, average. Nothing about this album makes them really stand out from the pack; even though they term themselves as ‘experimental,’ you can’t help but think you’ve heard these same experiments attempted somewhere else. It’s difficult to pick any highlight tracks, because they all, unfortunately, seem to run together; perhaps they’ll do some groundwork and make a better set next time around.


Dave Matthews Band - Live at Wrigley Field - RCA
This endlessly-popular, jazzy rock-jam band never seem to slow down, at least not to their loyal base of fans. 40,000 of said fans showed up for this show at Chicago’s historic Wrigley Field last September to watch (and listen, of course) to this particular set, which included plenty of old favorite DMB songs and a few newer ones. You’ll hear familiar DMB hits like “Jimi Thing,” “Crash Into Me,” and “Tripping Billies,” all delivered with the energy and precision the band is known for. “Jimi Thing” in particular is notable, if for nothing else than to hear an entire crowd of that size singing along. A fun listen for Dave Matthews fans.



Augustana - Augustana - Epic
This is Augustana’s third set, with production by Kings of Leon cohort Jacquire King. With its theme of ‘fighting for the one you love,’ the songs here are impassioned and strong, balancing determination with romance; “Steal Your Heart” has a spare but solid hook to it, while “Shot in the Dark” adds more depth to its own hook, and some of Augustana’s usual pianos are exchanged for guitar, which is a nice change for the group. A few experimental elements - the mandolin on “Borrowed Time” and the synthon “Shot…,” for example, seem not quite fused with Augustana’s arrangements, but don’t detract enough to take away from the overall impression.
 
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