Letters

Letters 10-27-2014

Paging Doctor Dan: The doctor’s promise to repeal Obamacare reminds me of the frantic restaurant owner hurrying to install an exhaust fan after the kitchen burns down. He voted 51 times to replace the ACA law; a colossal waste of money and time. It’s here to stay and he has nothing to replace it.

Evolution Is Real Science: Breathtaking inanity. That was the term used by Judge John Jones III in his elegant evisceration of creationist arguments attempting to equate it to evolutionary theory in his landmark Kitzmiller vs. Dover Board of Education decision in 2005.

U.S. No Global Police: Steven Tuttle in the October 13 issue is correct: our military, under the leadership of the President (not the Congress) is charged with protecting the country, its citizens, and its borders. It is not charged with  performing military missions in other places in the world just because they have something we want (oil), or we don’t like their form of government, or we want to force them to live by the UN or our rules.

Graffiti: Art Or Vandalism?: I walk the [Grand Traverse] Commons frequently and sometimes I include the loop up to the cistern just to go and see how the art on the cistern has evolved. Granted there is the occasional gross image or word but generally there is a flurry of color.

NMEAC Snubbed: Northern Michigan Environmental Action Council (NMEAC) is the Grand Traverse region’s oldest grassroots environmental advocacy organization. Preserving the environment through citizen action and education is our mission.

Vote, Everyone: Election Day on November 4 is fast approaching, and now is the time to make a commitment to vote. You may be getting sick of the political ads on TV, but instead, be grateful that you live in a free country with open elections. Take the time to learn about the candidates by contacting your county parties and doing research.

Do Fluoride Research: Hydrofluorosilicic acid, H2SiF6, is a byproduct from the production of fertilizer. This liquid, not environmentally safe, is scrubbed from the chimney of the fertilizer plant, put into containers, and shipped. Now it is a ‘product’ added to the public drinking water.

Meet The Homeless: As someone who volunteers for a Traverse City organization that works with homeless people, I am appalled at what is happening at the meetings regarding the homeless shelter. The people fighting this shelter need to get to know some homeless families. They have the wrong idea about who the homeless are.

Home · Articles · News · Art · Todd Warner's Zoo Charlevoix...
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Todd Warner's Zoo Charlevoix sculptor loves animals & 'sophisticated whimsey'

Al Parker - August 29th, 2011
Todd Warner’s Zoo: Charlevoix sculptor loves animals & ‘sophisticated whimsey’
By Al Parker
In his downtown Charlevoix studio, sculptor Todd Warner puts flame to his first Dominican Excalibur cigar of the day, exhales a plume of fragrant smoke and recalls his early artistic efforts.
“I was always drawing stuff,” he says with a chuckle. “From the time I could pick up a pencil. My kindergarten teacher said ‘We need to foster this.’”
Decades later, Warner’s clay-and-wood works include life-size cowboys, Indians, butlers and fishermen. He has a special affinity for animals and crafts unique beasts from armadillos to zebras.
“I’ve always loved animals,” says Warner, who grew up in Farwell, near Clare. “And I really like the more interesting animals – wart hogs, rhinos – not the sleek one. I spent some time in Africa and really want to go back.”
Described as ‘sophisticated whimsy,’ his works can be found in lobbies, living rooms, zoos, museums, offices and airports across the nation. His creations are cornerstones of collections at the corporate headquarters of USA Today, McDonald’s, Gannett Publishing and Detroit Tigers and Little Caesar’s owner Mike Illitch.
Celebrities who own at least one of Warner’s works include Randy Travis, David Copperfield, Kelly McGillis, Charlie Gibson and Zsa Zsa Gabor.

‘THEY HAVE PERSONALITIES’
As a boy, he learned to move silently through the woods. “I learned to walk quietly up to chipmunks and deer or they would come close to me,” explains Warner. “There was a communication both ways. I don’t believe animals operate purely on instinct. They have personalities – it’s just whether you can crack the code.”
Warner studied art at Central Michigan University and began sculpting professionally in 1967. Though it was 44 years ago, Warner still remembers his first sale. “It was a small rhinoceros,” he recalls. “A doctor bought it. I tried to buy it back several times, but he wouldn’t part with it.”
From 1968 to ‘72 he taught art in a number of schools and ‘absolutely loved it.’ Along the way there was also a stint as a construction worker. Eventually Warner had to make a choice to follow his passion for producing fine art or continuing a career in education.
Choosing the life of an artist, he moved to south Florida in 1982. It was there that his signature sculptures of flat, elongated figures, with their exaggerated personalities, were born. “I love working with clay,” he explains. “I’m not really a chip-at-marble sort of guy.”
But he’s not restricted to only sculpture, as the colorful paintings that line his studio walls will attest. They capture the light humor so prevalent in almost all of Warner’s works.

SUBTLE HUMOR
On a recent sunny summer morning a small cluster of teens strolls through his Bridge Street studio, pointing at his colorful works, smiling and giggling quietly.
“I think the humor appeals to people,” says Warner. “It’s not slapstick. It’s subtle. But the humor’s not a conscious thing. I don’t try to make them funny, that’s just the way they turn out. The works take on a frame of mind I have when working on them. It comes from deep inside me. The world has gotten too damn serious and we can use some comic relief.”
Warner’s sculptures are composed of three elements to look like a single substance. The head is sculpted in clay, the flat skinny body is wood and the legs are usually steel. Sculpted epoxy resin then covers it completely. Hand painting then brings out the fanciful personality of the creature.
To learn more about these creations, go to www.toddwarnerstudios.com .
And whose works does Warner admire?
“Just about anybody with innovative thoughts,” he notes. “I get inspiration from people like that. It keeps the fire going. “
Among his favorite artists are Sante Fe watercolorist Fran Larson, sculptor Ted Gall of Ojai, Ca. and sculptor Bob Black. “They’re all producing very high quality work, are extremely creative and innovative.”
After 20 years in Florida, Warner returned to Northern Michigan. He has a small farm in Norwood, south of Charlevoix, where his working studio is located. He’s surrounded there by his menagerie of horses, mules, dogs, cats, birds and other critters. “I love the four seasons in the Midwest,” he says. “And I love the people.”
“It’s been a really good life. Few people get to do what they really want to do. I’ve been real fortunate and it’s been a lot of hard work. I’ve seen some incredibly talented people who weren’t as lucky as me. I was very fortunate and still am.”
 
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