Letters

Letters 07-06-2015

Safety on the “Bridge to Nowhere” Grant Parsons wrote an articulate column in opposition to the proposed Traverse City pier at the mouth of the Boardman River. He cites issues such as limited access, lack of parking, increased congestion, environmental degradation, and pork barrel spending of tax dollars. I would add another to this list: public safety...

Vote Carefully A recent poll showed 84% of Michiganders support increasing Michigan’s renewable energy standard to at least 20% from the current 10%. Yet Representative Ray Franz has sponsored legislation to eliminate the standard. This out of touch position is reminiscent of Franz’s opposition to the Pure Michigan campaign and support for increased taxes on retirees....

Credit Where Credit Is Due I think you should do another article about the Michigan Natural Resources Trust Fund giving proper credit to all involved, not just Tom Washington. Many others were just as involved...

I’ve Changed My Mind The Supreme Court has determined that states cannot keep same-sex couples from marrying and must recognize their unions. This has happened with breathtaking suddenness. It took 246 years for Americans to decide that slavery was wrong and abolish it, but it’s been only a couple of decades since any successful attempt was made to legalize same-sex marriage, and four years since a majority of the American public supported legalization...


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Dee Smith

 
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Thursday, July 27, 2006

Valerie Thompson

Art Dee Smith After 10 years as a self-directed, single mom and start-up artist, Valerie Thomson feels she has it pretty much figured out. “It” for Valerie means “life as a successful painter.”
Granted, her career path has meant thousands of hours of hard work, discipline she wasn’t sure she possessed, and nail-biting risk-taking. But this Northern Michigan native has found her groove and is enjoying the rewards. The lessons learned along the way are ones she freely shares
with customers as they browse “Valerie – Studio & Fine Art Gallery” in Petoskey’s Gaslight District.  
Describing her paintings as impressionistic landscapes and still lifes created in the style of the masters from the 1890s, Thomson might be able to draw a parallel between her work and other aspects of life.  
“If a painting is not working in the first 15 minutes, I tell students and aspiring artists, destroy it. Just start over,” said Thomson.  “Painting should be enjoyable.  So, scrape that canvas clean and try it again. It took me awhile to figure this out … that big empty canvas can be very intimidating.”

 
 
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