Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

Home · Articles · By Vance Hancock

Vance Hancock

 
Top Articles from
No articles in this section
Monday, August 10, 2009

Breakout artists

Art Vance Hancock Breakout Artists
Prison art exhibit debuts at Manistee Art Institute

By Vince Hancock 8/10/09

From tiny territorial prisons across the country, to behemoths like Leavenworth, prison art has existed as long as people have been incarcerated. Inmates, with time as their most plentiful resource, have used bits of soap, trash and other social residue to produce stunning and surprising works.
Some prison art is as notorious as its creators. Serial killer John Wayne Gacy painted images of Disney characters and clowns. Family members of his victims purchased many of them so they could be pitched onto a bonfire. Other art remains locked inside, scratched directly onto walls and only seen by the next inmate.
For many, the closest contact with prison art is the Clint Eastwood flick, Escape From Alcatraz, in which the character of Doc is punished for his portrait of the warden.
For those who’ve never seen prison art directly, the Manistee Art Institute’s upcoming show at the Ramsdell Theatre in Manistee will be a mandatory sentence. Tudie Rulison, an MAI board member and organizer of the show, has herself put in several years of labor. “It’s isn’t something you do overnight,” she says. “A show doesn’t normally take three years to put together.”
After battling red tape and uncertain timelines, Rulison is about ready to open the doors. But even with contributions from the University of Michigan’s Prison Creative Arts Project (PCAP), the Manistee County Jail and Manistee’s Oaks Correctional Facility, the exhibit is just a small sampling of available artwork.
 
 
Close
Close
Close