Northern Express - Art http://www.northernexpress.com/michigan/articles.sec-148-1-art.html <![CDATA[Heavy Metal - As a Detroit-area sculpture student, David Petrakovitz sold his first piece to Mrs. Edsel Ford.]]> Growing up in the Motor City during the heyday of the automotive industry, Petrakovitz developed an avid interest in industrial machinery. He says he sees the raw beauty in their functions and their forms. He features gears, wheels and levers prominently in his creations.]]> <![CDATA[Divinely Inspired - As a Catholic schoolgirl in Dearborn, Michelle St. Amant would sit in church services, gazing on the beautiful alabaster figures of saints behind the altar.]]> At the age of 10, a friend’s mother invited me to attend an art class at the civic center. We were each given a small lump of clay and told to create whatever we chose with it. I had been fixated on becoming a nun, so I placed my hands at work molding my shapeless mass of clay into a small version of one.]]> <![CDATA[A Life of Fiber - Insurance was a less than perfect fit for Marcia Koppa, who left her job when the urge to get creative struck her.]]> “About 15 years ago, I felt a real need to do something artistic,” said Koppa, who lives just outside of Grayling. “I tried sketching and found out I couldn’t sketch. So if I couldn’t sketch, how could I possibly paint?” Koppa turned to weaving, turning out hundreds of scarves, vibrant table runners and wall hangings.]]> <![CDATA[Best of Petoskey/Emmet - ]]> at the tip of the ring finger (think Michigan hand map), Emmet County is an outdoor enthusiast’s playground. The Headlands International Dark Sky Park--one of six in the world- -along with Petoskey’s scenic waterfront and the rolling hills of Boyne Highlands ski resort are just a handful of amenities enjoyed by both locals and visitors alike.]]> <![CDATA[Rare Earths - ]]> Remember this poem from your school days? “For the want of a nail, a shoe was lost/ For the want of a shoe, a horse was lost/ For the want of a horse, a rider was lost/ For the want of a rider, a message was lost/ For the want of a message, a battle was lost/ For the want of a battle, a country was lost/ For the want of a nail.]]> <![CDATA[Todd Warner's Zoo Charlevoix sculptor loves animals & 'sophisticated whimsey' - ]]> “I was always drawing stuff,” he says with a chuckle. “From the time I could pick up a pencil. My kindergarten teacher said ‘We need to foster this.’”
Decades later, Warner’s clay-and-wood works include life-size cowboys, Indians, butlers and fishermen. He has a special affinity for animals and crafts unique beasts from armadillos to zebras.
“I’ve always loved animals,” says Warner, who grew up in Farwell, near Clare. “And I really like the more interesting animals – wart hogs, rhinos – not the sleek one. I spent some time in Africa and really want to go back.”
Described as ‘sophisticated whimsy,’ his works can be found in lobbies, living rooms, zoos, museums, offices and airports across the nation. His creations are cornerstones of collections at the corporate headquarters of USA Today, McDonald’s, Gannett Publishing and Detroit Tigers and Little Caesar’s owner Mike Illitch.
Celebrities who own at least one of Warner’s works include Randy Travis, David Copperfield, Kelly McGillis, Charlie Gibson and Zsa Zsa Gabor. ]]>
<![CDATA[Photo Replay - ]]> to the ancient practice of alchemy where the wizard attempted to turn base
metals into gold.
For decades, he’s been intrigued by how one’s perception is changed by the
processes that translate subject matter to the viewer.
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<![CDATA[Bird‘s eye view/Aerial photography - ]]> By Glen Young
Robert Cameron always took the bird’s eye view. Cameron, whose works are
currently on display at Petoskey’s Crooked Tree Arts Center gallery,
popularized the aerial vantage point in his many “Above” books. His
first, “Above San Francisco,” was published in 1969. He went on to
publish 16 more in the series. There are more than three million “Above”
books in print.
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<![CDATA[Anna Farrell & Tyler Bier - ]]> ceramic guitars produced by Charlevoix artisans Anna Farrell and Tyler
Bier.
“I made one that was about two-feet high, a Fender, for a class project
years ago,” recalls the 24-year-old Bier, who has seven real guitars of
his own. “After that I just started making them, though smaller.”
For about two years, both Bier and Farrell constructed the guitars, but
now she specializes in the axes, while Bier has moved on to more
functional ceramics like dishes, mugs, piggy banks and serving bowls.
“Anna’s guitars are a lot neater (than mine),” says Bier with a smile.
“She’s incredibly talented and precise. I stick to the wheel now.”
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<![CDATA[Paul Van Heest - ]]> from a print company, Kuhlhaus Gallery owner Tim Coon remembers first
discovering the artwork of Paul VanHeest.
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<![CDATA[Cycling Salamander - ]]> along Lake Charlevoix, where my parents had a cottage on the south arm,”
says Rebecca Glotfelty, owner of the Cycling Salamander gallery in
Charlevoix. “The gallery’s name stems from my childhood love for
salamanders, and my love for mountain biking.”
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<![CDATA[Eye of the Beholder Michelle Hart Jahraus captures Leelanau in its element - ]]> And Leelanau County artist Michelle Hart Jahraus is an outspoken advocate
of painting outdoors, or “plein air” – especially near water. Capturing
the elusive qualities of light and landscapes are fascinating to her. She
even teaches classes in the classic artistic practice.
“If I haven’t had a day near the water, I feel unfulfilled or
irresponsible,” she says with a smile. “I feel it’s sort of a
responsibility to art.”
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<![CDATA[Glenn Wolff Brings the Angels to Harbor Springs - ]]> Michigan and far beyond, including the pages of many magazines, books and
newspapers such as the New York Times. Now, he’s making his mark on Harbor
Springs.
As of July 21, Wolff’s art has been on display at the Kuhlhaus Gallery in
Harbor Springs. Gallery owner Tim Coon, who co-owns Kuhlhaus with his
wife, Helen, was drawn to Wolff’s work for a wide variety of reasons.
“Glenn’s work is unique, for sure,” Coon says, “he uses a wide diversity
of fascinating materials and subjects, and many of his pieces are quite
ethereal.”
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<![CDATA[Jesse Hickman - ]]> By Al Parker
Artist Jesse Hickman has created well more than 1,000 witty, whimsical
fish over the years, but like a devoted catch-and-release angler, he
hasn’t kept any for himself.
“I have to work, it’s an obsession,” says Hickman. “But once it’s done,
it’s out of my life. I don’t own a fish of my own. For me, the art is not
the finished product, it’s the process. Once it’s completely finished,
it’s okay to let it go.”
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<![CDATA[The Contemporary Quilts of Sarah Bearup-Neal - ]]> “There was a twist,” she recalls. “The quilts were hung from the ceiling rather than spread horizontally across a bed. It was explained to me these quilts were being exhibited for the strength of their design.”
Quilts as Art?
“The idea struck me as revolutionary and it germinated inside my brain for 20 years,” she says.
Art has been part of Bearup-Neal’s life since she was growing up in Grand Blanc, south of Flint. In 1978, she earned a BFA in studio art from Michigan State University. Despite this background, she didn’t pursue art professionally until the late 1990s when she displayed her fiber arts.
“I created women’s clothing using techniques from the quilting world,” she explains. “But then I decided my heart wasn’t really in that and I began really studying contemporary quilts. They’re different from traditional quilts. People believe they just belong in the bedroom. Quilting as an art medium is sometimes difficult for people to get their minds around.”
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<![CDATA[SOBO Art Festival - ]]> explains festival co-coordinator Robin Lee Berry, “each of us have had big
and important jobs that are essential in making the festival happen.”
The idea for the Arts Fest began last year, when the community decided to
work together to “put a face,” as Berry puts it, on the collective pool of
local artist talent; Freshwater Studio’s Tony Williams and
Berry worked with Jerry Dennis, CindiFranco’s CoolStuff, and Lake Street
Market to create a committee that put together the first festival. ]]>
<![CDATA[The Contemporary Quilts of Sarah Bearup-Neal - ]]> “There was a twist,” she recalls. “The quilts were hung from the ceiling rather than spread horizontally across a bed. It was explained to me these quilts were being exhibited for the strength of their design.”
Quilts as Art?
“The idea struck me as revolutionary and it germinated inside my brain for 20 years,” she says.
Art has been part of Bearup-Neal’s life since she was growing up in Grand Blanc, south of Flint. In 1978, she earned a BFA in studio art from Michigan State University. Despite this background, she didn’t pursue art professionally until the late 1990s when she displayed her fiber arts.
“I created women’s clothing using techniques from the quilting world,” she explains. “But then I decided my heart wasn’t really in that and I began really studying contemporary quilts. They’re different from traditional quilts. People believe they just belong in the bedroom. Quilting as an art medium is sometimes difficult for people to get their minds around.”
]]>
<![CDATA[Rick Daigh - ]]> early artistic inspirations were.
The Old Masters? Perhaps the Impressionists?
“When I was about 9 years old, I got Mad Magazine,” he says with a wry
smile. “My heroes were those artists – Jack Davis, Wally Wood, Mort
Drucker. I loved those guys. By the time I was in high school, I wanted to
be an illustrator.”
After a year and a half as nt art major at Sacramento City College and a
tour of duty in the U.S. Air Force, Daigh found work at a number of print
shops and ad agencies in Southern California. He gradually got more
art-related jobs, working as a cartoonist at a greeting card company and
for several design studios where his detailed illustrations were featured
on brochures, print ads and publications.
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<![CDATA[The nature side of Kaye Krapohl - ]]> “Here’s my ‘very technical’ approach to painting,” she says with a laugh. “Get a clip board, gessoed paper, or piece of wood, grab whatever paints will fit into my Oryana cloth bag, roll brushes up in a dishtowel, grab a small china plate and water in a water bottle. Get on my bike or travel to a nice location and paint. I take a backpack, sit on a rock and do my little sketches.”
Then she returns to her in-home studio in Traverse City and turns those ‘little sketches’ into 24x36-inch or 38x38-inch things of beauty. Her favorite medium is oil on wood with very thin washes.
Nature dominates Krapohl’s works, mostly landscapes of stunning appeal and accuracy. Her acrylics, oils and watercolors capture clouds, rivers, lakes, marshes, streams and sunsets from across northern Michigan and the Upper Peninsula. 
“I do landscapes because it’s there,” she explains. “You can always expect my work to give a sense of being there in the present. The greatest compliment anyone could give me is ‘I can hear the snow crunch’ or ‘I can smell the river.’”
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<![CDATA[The nature side of Kaye Krapohl - ]]> “Here’s my ‘very technical’ approach to painting,” she says with a laugh. “Get a clip board, gessoed paper, or piece of wood, grab whatever paints will fit into my Oryana cloth bag, roll brushes up in a dishtowel, grab a small china plate and water in a water bottle. Get on my bike or travel to a nice location and paint. I take a backpack, sit on a rock and do my little sketches.”
Then she returns to her in-home studio in Traverse City and turns those ‘little sketches’ into 24x36-inch or 38x38-inch things of beauty. Her favorite medium is oil on wood with very thin washes.
Nature dominates Krapohl’s works, mostly landscapes of stunning appeal and accuracy. Her acrylics, oils and watercolors capture clouds, rivers, lakes, marshes, streams and sunsets from across northern Michigan and the Upper Peninsula. 
“I do landscapes because it’s there,” she explains. “You can always expect my work to give a sense of being there in the present. The greatest compliment anyone could give me is ‘I can hear the snow crunch’ or ‘I can smell the river.’”
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