Letters 10-05-2015

Bravo Regarding the Sept. 28 Northern Express letter “Just The Facts” by Julie Racine, opinion column “E Pluribus Unum” by Thomas Kachadurian, and Spectator column “Fear Not” by Stephen Tuttle: Bravo. Bravo. Bravo....

Right On OMG. Julie Racine’s letter “Just the Facts” in the Sept. 28 issue said everything I was thinking. I totally agree. Amen sister...

Kachadurian’s Demeaning Sham Thomas Kachadurian’s opinion piece “E Pluribus Unum” is a very ill-informed perspective of American history. He attempts to portray our past as a homogenized national experience that has transcended any ethnic and regional differences with “the understanding” that our differences shouldn’t really matter...

Opinions Disguised As Facts Freedom of speech is a founding principle upon which our country prides itself, and because of this we all have a right to our opinion. It is when opinions are disguised as facts that we allow for ignorance to spread like wildfire...

Reject Your Own Stereotypes In his “E Pluribus Unum” column of 9/28, Mr. Kachadurian starts calmly enough with a simple definition and history of that famous motto from the Great “from many, one” seal of the U.S., but soon goes off the rhetorical rails. Alas, this heritage-sharing chat with neighbors soon turns into a dirty laundry list polemic, based on an us vs. them worldview...

Thanks For Just The Facts Thank you sooooo much to Julie in Marion for laying out the laundry list of right wing fabrications in her letter last week...

Topic: art
Monday, March 31, 2014

Want Your Own Art Studio?

Features They’re hoping to get all kinds of artists to apply, whether young or well into their career, and they are open to artists who work in almost all mediums, including painting, drawing, mixed media, jewelry, woodworking and carving, sculpture, photography, puppetry, textiles, weaving, quilting, rug making, or knitting.
Monday, April 7, 2014

Divinely Inspired

As a Catholic schoolgirl in Dearborn, Michelle St. Amant would sit in church services, gazing on the beautiful alabaster figures of saints behind the altar.

Art Al Parker At the age of 10, a friend’s mother invited me to attend an art class at the civic center. We were each given a small lump of clay and told to create whatever we chose with it. I had been fixated on becoming a nun, so I placed my hands at work molding my shapeless mass of clay into a small version of one.
Monday, April 14, 2014

Heavy Metal

As a Detroit-area sculpture student, David Petrakovitz sold his first piece to Mrs. Edsel Ford.

Art Al Parker Growing up in the Motor City during the heyday of the automotive industry, Petrakovitz developed an avid interest in industrial machinery. He says he sees the raw beauty in their functions and their forms. He features gears, wheels and levers prominently in his creations.
Monday, April 21, 2014

The Glass Master

Glass mosaic artist Brian Strickland bucks all kinds of trends. He doesn’t own a computer … or a car.

Art Al Parker My art form of glass mosaics originates from a desire and commitment to transform a ‘concept’ into a ‘tangible reality.’ Frequently my inspiration stems from a particular subject or theme, and on other occasions my imagination is fueled by the scale of a project or dominant color scheme.
Monday, May 12, 2014

Small Things With Great Love

Art Al Parker Some of Liza Fillmore’s greatest works are no more than a half-inch square. The watercolor and acrylic artist paints her tiny naturescapes as a way to deal with the world’s suffering.
Monday, May 19, 2014

Tackling MultiMedia in a New Way

Art Al Parker THE STORY BEHIND MY ART, MY INSPIRATION I hope people will see the connection between the use of things that might otherwise be discarded and the pollution of our waterways. An annual percentage of the sales from our fish help support environmental groups.
Monday, May 26, 2014

He Works Hard for the Money

Features Al Parker HOW I GOT STARTED I got out of college and traveled west with a backpack full of books, wanting to be a writer. I traveled to San Francisco and on up to Sacramento, Portland, and Seattle…[I worked at] a crappy job and each day I would come back, sit on the steps of that place and do a watercolor of the same mountain.