March 22, 2009Angelo Meli
Jack Pine 3/23/09
When guitarist Angelo Meli was asked if someone could become a better musician after 50 years and beyond, he pretty much scoffs at the question.
Oh yeah, unless you have some physical impairment, Meli says emphatically, after finishing his weekly Tuesday solo gig at Oryana Food Co-op in Traverse City. Im sure I am a better guitar player than I was a week ago.
His response wasnt anything like a boast. Meli, 58, knows that practice and focus brings positive results. He has been playing guitar most of his life and is currently playing more than ever. In addition to Tuesdays at Oryana from 4:30 to 6:30 p.m., he gigs regularly with the Neptune Quartet and the Rhythm Kings and he now has over 20 guitar students. He is one of a handful of local musicians that run around town with their equipment, from lessons to gigs, just like in the big city.
Meli began playing guitar in his teens and started to get serious about it when he worked for renowned guitar maker and player Dan Erlewine in Ann Arbor. Meli also had a job working maintenance at the University of Michigan Medical School.
My boss would say If you get your work done, you can bring your guitar here and practice, Meli says. I would get my work done in four hours and practice four hours in a little janitors closet.
FROM BERKLEE TO R&B
From there Meli went to the well-known Berklee School of Music in Boston, where he learned how to read music. He then toured with a rhythm and blues band that played Holiday Inns. He eventually landed in Florida, where the financial realities of life on the road as musician were becoming apparent and he went back to school and got a degree in accounting.
Citing the discomfort of wearing a suit and tie in Florida in the summer time, Meli turned his thoughts northward. In 1981, he was able to get a job with a firm in Traverse City. He has been there ever since, working as an accountant until last July when, as he says, he was able to hang up his calculator.
Meli never stopped playing guitar though, and has spent many of his weekends at outlying bars in Fife Lake, Thompsonville and Frankfort. He has played in blues bands, variety bands and a Tex-Mex outfit that played a little bit of everything. For several years he was in the house band that hosted open mic nights on Mondays at the Union Street Street Station.
In 01, Melis evolution as musician took another step forward when he joined up with Don Julin, Glenn Wolff and Crispin Campbell to form the Neptune Quartet. Neptune plays a blend of jazz, classical, folk and a bit of Frank Zappa for good measure. It is structured and studied music, but also creative and free flowing and includes lots of space for improvisation - both of which are Melis strong suits.
I owe a lot to Don Julin, in so far as being a musical mentor, Meli says. Hes a great band leader. Hes disciplined and demanding in a good way and is also a
Meli and Julin also play as a duo at Scotts Harbor Grill in the summer and the Neptune Quartet stays busy playing summer festivals, private parties and at Poppycocks, located in downtown Traverse City, about twice a month. Neptune has recorded four CDs together and their music is often featured as interlude music on Interlochen Public Radios news station.
At Oryana, Meli plays what he calls experimental guitar. He stands in the middle of about a half a dozen effects boxes. He creates and layers bass, rhythm and percussion tracks and plays the song on top of it all on his shimmering sounding and looking Carvin electric guitar. The songs include jazz standards such as My Favorite Things, and All Blues and then hell throw in Hank Williams Cold, Cold, Heart as well as several Beatles covers. On this Tuesday, Meli played a beautiful version of John Lennons Julia.
I never played solo before this, Meli says. I wanted to see if I could get it all happening, not have it sound like karaoke and make it sound musical. I dont know if I have succeeded or not, but its getting better all the time.
Getting better is a persistent theme with Meli. Practice, study and discipline is his approach and is what he teaches his students, but for him it doesnt stop there.
Guitar is my instrument, Meli says. But it is the music that has the meaning. To me, music is a spiritual language that can transcend everything else. I am always trying to read better and play more
precisely. It is like learning a language. The more words you know, the more articulate you can be, the better you can communicate the music.
Angelo can be contacted for lessons and gigs at: firstname.lastname@example.org or at Zamar Guitar: 231-929-0097.